Bruce Willis’ Panned Movie Color of Night Was One of His Best Roles

by

As a film enthusiast with a keen eye for the unconventional and a hearty appreciation for actors who dare to defy expectations, I find myself captivated by Bruce Willis’ performance in the enigmatic erotic thriller, “Color of Night.” This film, which was released only a few years prior to my own birth, harkens back to the glory days of Giallo and Film Noir, seamlessly blending their distinct elements into a tantalizing cocktail for the senses.

In the early ’90s, the erotic thriller genre was a significant part of cinema, following in the footsteps of Paul Verhoeven’s Basic Instinct. These movies were characterized by their fashionable aesthetics and explicit sexual content, which were intertwined with intricate murder plots. However, similar themes had been prevalent in Italian Giallo films from earlier times. The term “Giallo” originates from the yellow pulp novels that bore resemblance to the works of Agatha Christie. Notable filmmakers such as Dario Argento, Mario Bava, Sergio Martino, Umberto Lenzi, and even Lucio Fulci were responsible for creating these films.

In the 1990s, a series of American erotic thrillers gained popularity, drawing in high-profile directors and actors who aimed to recreate the success of films like Verohoven’s. However, most of these attempts fell flat with critics. For instance, “Jade,” directed by William Friedkin, is now primarily known for launching David Caruso’s short film career. Similarly, “Body of Evidence,” featuring Madonna and Willem Dafoe among others, received harsh criticism. These thrillers often ended up as direct-to-video releases or late-night television fodder. One such movie that faced a similar fate was “Color of Night,” starring Bruce Willis in the main role.

Although Color of Night didn’t garner positive reviews when first released, it has since emerged as a valuable gem from an unusual period in Hollywood filmmaking, deserving of appreciation rather than derision.

An Against-Type Role for a Hollywood A-Lister

In the career of Bruce Willis, several films have become closely associated with him, such as Die Hard, Moonlighting, The Sixth Sense, and Pulp Fiction. His status as a prominent actor has been solidified among fans. Notably, in the film Color of Night, released in 1994, Willis plays a character that seemed to be quite different from his usual roles at the time. In this movie, he portrays Dr. Will Capa, a psychologist who has lost the ability to see red due to PTSD.

At the request of his colleague Bob Moore (portrayed by Scott Bakula), Capa travels to Los Angeles to attend and monitor therapy sessions within Moore’s diverse group of clients, who struggle with various ailments. Tragically, Moore is slain one evening in a manner that eerily resembles the fatal accident depicted in Dario Argento’s film Phenomena, which had been released not long before.

In many Giallo films, the plot typically revolves around an ordinary person like Capa getting caught up in extraordinary situations, such as a murder investigation. This pattern is often successful. The movie “Color of Night” employs numerous features typical of these films, particularly their emphasis on heightened sexuality. The intense relationship between Capa and the enigmatic Rose Dexter (Jane March) stands out for its sexual tension, with Bruce Willis stepping into a role that contrasts significantly with his usual image. This aspect of the film, though minor, is noteworthy because it showcases Bruce Willis’ willingness to challenge his typical roles.

The movie “Color of Night” skillfully blends the themes of Giallo and film noir, both prevalent in pre- and post-World War II American cinema, by setting it in Los Angeles. The character of Rose is a captivating female lead who was common in these genres. As Willis gets entangled in an investigation and remains a potential suspect, parallels can be drawn with “Don’t Torture a Duckling” and “The Bird With the Crystal Plumage”.

Audiences Weren’t Ready for a Giallo Renaissance

The Giallo genre, known for its divisive standing among critics, particularly modern ones who argue it prioritizes style over substance and artistic value, is often criticized as such. Similar to other films depicting fabricated realities, viewers must set aside their disbelief to immerse themselves in the unfolding events. Erotic thrillers and Giallo are occasionally denounced for lacking a coherent plot and featuring implausible conclusions that go against logic. Regardless, films like “Color of Night,” which offer intricate murder mysteries that tantalize the senses and provoke existential reflection, are sometimes unfairly maligned.

It seems that in an age dominated by comic book movies and large-scale blockbusters, the American audience found themselves more drawn to these types of films rather than those that required deeper contemplation and showcased a blend of style and suspense, such as the Italian Giallo films. These films often served as a platform for commentary on various socio-political issues like the decay of aristocracy and the influence of the Catholic Church and its conservative views on sexuality, but they were not well-received in an era that preferred lighter, more action-packed entertainment.

Bruce Willis Leaves a Diverse Legacy

After Bruce Willis retired from acting, his career is worthy of admiration due to the diverse roles he chose to play, regardless of their reception among audiences and critics. Taking on a role that deviated from his typical image, Willis demonstrated his ability to adapt and showcase versatility as a top-tier actor. Stream Bruce Willis’ films on Apple TV or Prime Video.

Read More

2024-09-29 18:31