George Clooney picked an odd time to honor the Fourth Estate.
Legacy Media hasn’t been this corrupt in ages. Sound hyperbolic? Let’s silence the naysayers.
Journalists not only failed to address the U.S. President’s dementia-like symptoms during his term over the past four years, but they actively concealed it. The “Cheap Denial” tactic came to an end on June 27, 2024 – the evening of the Biden-Trump presidential debate.
Now, journalists are writing tell-all books to cash in on their dishonesty.
— James Lynch (@jameslynch32) April 10, 2025
Game. Set. Match.
One example among many highlights the corruption at the heart of the industry, with the Hunter Biden laptop controversy coming in as a nearly equal contender for this dubious distinction.
I’ve consistently expressed my profound interest in journalism, which is why I took it upon myself to reintroduce my 2005 film “Good Night, and Good Luck” on Broadway. This fact-based drama serves as a vivid reminder of journalist Edward R. Murrow’s clashes with Senator Joseph McCarthy during the Blacklist era, reflecting my own passion for the cause.
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The film featuring George Clooney portraying Edward R. Murrow, also starring Ilana Glazer, Carter Hudson, and Paul Gross, concludes with a series of clips intended as a public caution.
When news reporting takes precedence over entertainment, we all feel the impact, which is a thought that resonates with the original statement’s point of view.
George Clooney, in his continuing role, found it hard to resist incorporating January 6th footage into the final scene. Whether this was an appropriate move or not is up for debate, but given its significance as a newsworthy event, it seemed fitting to include it in the coverage.
Fine.
As a devoted cinephile, I recently witnessed a scene that dealt a significant blow to the declared purpose of the production. In the final act, Outkick’s founder, Clay Travis, observed the unfolding drama and offered this insightful commentary.
Fresh from witnessing George Clooney’s “Good Night and Good Luck,” the Broadway play that underscores the value of integrity in journalism, I was taken aback when Elon Musk appeared on screen at the end, seemingly executing a Nazi salute. However, upon closer observation, it wasn’t a Nazi salute; instead, he was touching his heart, a gesture of love and appreciation towards the audience that had gathered around him.
In essence, the play, which emphasized the significance of truthfulness and reliability in journalism, concludes by presenting reasons that call into question the trustworthiness and honesty of news. Furthermore, it appears that many spectators were taken aback, suggesting they interpreted Musk’s gesture as a Nazi salute.
The underlying theme of the entire production appeared to be, “Beware, as the media can easily make you seem foolish.” Yet, paradoxically, the audience ended up being deceived and applauding it. I’m left questioning whether this was a clever satire of the cheering crowd or an unfortunate self-destruction of the play’s intended message, due to a lack of self-awareness.
Clooney isn’t a truth-teller. He’s a partisan. Period.
Maybe he is the perfect avatar for Legacy Media in 2025.
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2025-04-12 18:03