Conclave Review | Ralph Fiennes Leads a Riveting Religious Thriller

Conclave Review | Ralph Fiennes Leads a Riveting Religious Thriller

As a seasoned cinephile who’s seen more than my fair share of religious dramas, I must say that “Conclave” stands out as a truly captivating and thought-provoking film. The way it delves into the inner workings of the Vatican and the cardinals’ clandestine machinations is nothing short of mesmerizing.


The thrilling movie “Conclave” delves into the intriguing, clandestine voting process within the Catholic Church for selecting a new pope. This happens when the College of Cardinals gathers in a secluded Vatican council to make their decision. Based on the 2016 novel by renowned author Robert Harris, this film exposes the darker aspects of human nature as apparently devout men (only males are allowed) engage in ruthless strategies in a blatant power struggle. Ralph Fiennes leads an exceptional group of actors portraying morally complex characters involved in Machiavellian maneuverings. The movie takes an unforeseen course while criticizing the religious authority of individuals who are supposed to be godly and exemplary leaders.

Vatican Secrets & Cardinal Lies

Cardinal Thomas Fiennes, sporting a stunned expression, treads quietly into a silent bedroom. The tranquil figure of Pope Bruno Novelli lies in bed. Though Cardinal Lawrence was aware of the Pope’s health issues, he was unaware of their severity. By the tearful side of Monsignor O’Byrne, the gravity of Lawrence’s responsibilities dawns. As Dean of the College of Cardinals, it falls upon him to summon all cardinals to the Vatican and initiate the Conclave without delay. However, before he can act, he must ascertain the circumstances surrounding the Pope’s death.

It’s revealed that Cardinal Tremblay (John Lithgow) and Archbishop Woźniak (Jacek Koman) were the last individuals to meet with the Pope before he passed away. Unbeknownst to Tremblay, who was a well-respected figure in the church and a likely successor, something unexpected was about to occur. Meanwhile, Woźniak, known for his heavy drinking, appeared to be already drunk with sorrow. Lawrence then clears the room and sits next to his cherished mentor. It is at this point that he lets down his guard and weeps. In recent months, Lawrence had been wrestling greatly with his faith. He later confides in his close friend, Cardinal Bellini (Stanley Tucci), that the Pope had previously declined his resignation request a few weeks earlier.

Bellini alerts Lawrence that the church is at a crucial turning point. The pope, known for his liberal views, has enraged a traditionalist group with his reforms. Their head, Cardinal Tedesco (Sergio Castellitto), should not be permitted to seize power. His return of Catholicism to the Dark Ages with outdated ideologies is imminent if he takes control. Lawrence, cautious in his understanding of Bellini’s worries, must remain faithful to the established procedures without favoritism. Lawrence receives another unexpected revelation when O’Malley informs him that the pope secretly appointed a new cardinal. The Archbishop of Kabul, Cardinal Benitez (Carlos Diehz), is also to be included in the Conclave gathering.

Conclave Is an Elaborately Written and Designed Film

Conclave Review | Ralph Fiennes Leads a Riveting Religious ThrillerConclave Review | Ralph Fiennes Leads a Riveting Religious ThrillerConclave Review | Ralph Fiennes Leads a Riveting Religious Thriller

Edward Berger, the renowned German director (known for ‘All My Loving’ and ‘All Quiet on the Western Front’), excels at creating tension through various angles. His skillfully chosen actors engage in intricate dialogues that spin like a theatrical carousel. However, these discussions are not open to all, but rather held covertly. Berger strategically positions conspirators in narrow spaces like staircases, hallways, and even bathrooms, allowing them to plot secretively. Moreover, he uses close-up shots with sharp angles to emphasize hushed voices. Lips are pursed tightly, and brows furrow deeply as doubtful intentions surface. What was once an alliance now becomes a betrayal when morality is questioned.

The film’s set design, music, and costumes play a crucial role in Berger’s careful unfolding of the plot. The Catholic Church’s complex rituals and grand ceremonies are depicted against the backdrop of a tense violin melody. There’s an increasing feeling of tension and unease as Lawrence prepares for his monumental duty, each piece of clothing he puts on adding to this sense. Each element in Conclave‘s visual narrative is meticulously put together with a sense of urgency. It seems that corruption and deceit are lurking around every corner, with each character appearing as a possible culprit.

A Great Script Builds to a Doozy of an Ending

Peter Straughan, a gifted screenwriter known for films like “The Debt,” “Tinker Tailor Soldier Spy,” and “Wolf Hall,” skillfully crafts ensemble dialogue as if it were a masterful tapestry. In the movie “Conclave,” every line of dialogue serves its purpose, with no idle chatter. The characters in this film are all driven by their own agendas, but they don’t openly challenge or show aggression. Instead, they employ tactics like cajoling, bargaining, and subtle insinuation. The papacy is at stake here, and a direct attack would be perceived as arrogant. To win, one must appear to have been humbly guided to the throne, giving an impression of honorable service rather than ruthless ambition.

The movie takes a sharp jab at the spiritual hypocrisy within the Conclave, suggesting that cardinals are no less prone to flaws, immorality, and sin than anyone else. They may cast judgment on others as unworthy before God, but they too have their shortcomings. The film also critiques the Catholic Church’s treatment of those who don’t align with its beliefs, particularly the absence of female involvement in church policies. Those with more conservative or rigid views might find the surprising climax blasphemous. However, I do hope they grasp the movie’s meaningful message. The takeaway is to beware of following false prophets based on their perceived status or authority. True faith is demonstrated through acts of selflessness and kindness.

The movie “Conclave” is intricately crafted, demanding a bit of patience from viewers. Unlike some films that rely on rapid pacing or dramatic twists to keep audiences engaged, this one doesn’t resort to such tactics. However, it certainly isn’t dull and manages to maintain its pace effectively throughout the tight two-hour span. The outstanding ensemble cast keeps you captivated, much like a skilled robber, and is likely to generate buzz for awards.

The movie titled “Conclave” is jointly produced by FilmNation Entertainment and House Productions. This film will be distributed theatrically by Focus Features, with its release scheduled for October 25th.

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2024-10-24 04:35