As a long-time fan of Frasier, I must confess that the second season has been a rollercoaster ride for me. On one hand, I am utterly thrilled to see the beloved characters back on screen after all these years. On the other, I find myself occasionally frustrated when an episode fails to live up to its potential.
In a world where numerous television series revivals seemed more like money-making attempts than creative endeavors, the recent reboot of “Frasier” pleasantly stood out last year. It’s not accurate to claim that it emerged without any influence from greed or nostalgia, given the industry trends. However, amidst a general reluctance to experiment with fresh ideas in mainstream TV and market pressures, there was something unique about this revival.
Initially, “Frasier” spun off from the popular sitcom “Cheers,” where viewers first met Dr. Frasier Crane. However, just as Kelsey Grammer’s character, the snobbish psychiatrist Frasier Crane in his standalone series, was a fresh take on the role he played within the larger cast of “Cheers”, this new version of “Frasier” presented a fresh perspective. In the original show, Frasier was an intellectual living in Seattle and dealing with his working-class father Martin (the late John Mahoney). Now, the roles are reversed – Frasier is the older character, having moved back to Boston, where he lives with his son Freddy (Jack Cutmore-Scott), a firefighter and Harvard dropout.
Previously, Frasier had accepted a post at his former university, Harvard, where he collaborated with his longtime friend Professor Alan Cornwall (Nicholas Lyndhurst) and Professor Olivia Finch (Toks Olagundoye). The fresh ensemble was completed by Eve (Jess Salgueiro), a single mother whose late partner was a close confidant of Freddy’s, and David Crane (Anders Keith), Frasier’s nephew who was introduced in the final episode and is now studying at the institution as well. Each new character, through their distinct personalities, helps to replicate the void left by characters from the original series who are unable to rejoin for various reasons.
This revamped multi-camera sitcom, with its subtle changes, harks back to a familiar format using time-tested yet effective methods. It seems right at home among 2024’s TV offerings. Despite the new season staying true to its original charm and intelligence that ensured its renewal, there’s one significant (though debatable) aspect that prevents it from reaching its full potential for greatness.
Frasier season 2: If it ain’t broke, don’t fix it
One reason sitcoms like “Frasier” serve as comforting entertainment is their consistency. Since we prefer not to change a well-functioning system, season two doesn’t deviate much from the established formula. The first five episodes of the ten-episode season provided for reviewers follow closely to last season’s successful blueprint with minimal alterations. Frasier consistently pursues a goal, often related to his attempts to connect with Freddy, and his persistent yet cunning approach to problem-solving frequently leads him into comedic missteps. These self-inflicted mishaps work best when combined with B and C plots that add depth and complexity to the storyline.
At their finest, these complexities can provide a sharp mental or emotional insight. In the opening episode “Ham,” Frasier and Alan engage in a heated argument due to the disclosure that his friend was instrumental in persuading his son to quit Harvard long ago. This dispute exposes the fact that Alan has played a significant role in many life-changing events for several individuals, and he handled each situation with apparent nonchalance. Freddy remains the most unfazed until he is questioned by an inquisitive troop of boy and girl scouts at the firehouse. The ensuing responses spark a chain of jokes that are laugh-out-loud hilarious.
Despite the new cast being set in stone, the show is cautious about overloading with Fraser’s previous characters’ appearances or cameos. While there might be an appearance of the character Kelsey Grammer wanted to include in season two, so far, only Roz (Peri Gilpin) and Bebe Glazer (Harriet Sansom Harris), Frasier’s troublesome agent, have made significant comebacks. Roz was seen in the season finale of the previous season, while Bebe has been entertaining, but it seems that Roz, who is rumored to play a larger role later in the season, appears only in the third episode to focus on Eve’s storyline.
The difference between the two guest turns highlights the season’s key issue.
But if it ain’t funny, it ain’t money
In the fifth episode, Bebe is joined by guest star Rachel Bloom, known for the underappreciated romantic comedy-drama “Crazy Ex-Girlfriend.” Here, Bebe’s character introduces her daughter Phoebe. As Frasier struggles to connect with his son, who has shifted his interests towards sports and away from intellectual pursuits once encouraged by Frasier, a girl mirroring Frasier in behavior and personality enters the scene. This sparks a prolonged curiosity about Phoebe’s father’s identity, and various humorous events unfold. It’s one of the stronger episodes of the current season.
However, in episode three, Roz seems less like a character and more a tool for advancing Eve’s storyline about taking a break from her baby. This plot point is linked to Frasier, Freddy, and Alan trying to use Eve’s baby as a pick-up tactic, which feels repetitive and unoriginal compared to the rest of the revival. Eve was more engaging in last season’s “Blind Date.” Although this episode does have some witty moments, such as when Freddy mentions his astrological sign and Fenway Park tickets in response to a potential love interest, it falls short in providing laughter overall.
This season is packed with many strengths. Cutmore-Scott truly shines and gives Freddy a more rounded character as opposed to the one-dimensional tool he seemed in the first season. However, at times, the profoundness and depth of the father-son relationship is oversimplified for plot convenience, which often seems connected to when the humor falls flat. Although I could delve deeper and provide more instances, ultimately, it’s all about the comedy or its absence that really defines the show’s character development.
In a sitcom-style format, audiences tend to be more forgiving of limited creativity. They may overlook storylines that sometimes reflect outdated gender stereotypes. Even awkward moments, such as Alan emerging from Eve’s search for her (white) baby holding an obviously Black child, can be easily overlooked due to their unusual nature. However, the show must be comedic for this to work effectively!
When it exists, it brings sheer joy. But when it doesn’t, even the forced laughter from the studio audience seems awkward, causing viewers to ponder if perhaps the previous season would have been more memorable if it had stayed as a single event.
“Frasier” season 2 will premiere on Paramount+ on September 19, 2024.
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2024-09-13 20:30