Adolescence
Angie Han’s take on the Netflix drama highlights its eye-catching aspects such as its trendy exploration of the manosphere, standout performances (even from newcomer Owen Cooper), and breathtaking single shots. However, it’s the subtle details – a change in tone during heated discussions, the emotional turbulence experienced during triumphant moments – that make this series a powerful, lasting depiction of masculinity grappling with crisis.
Andor
Presented as a trilogy of three-episode arcs preceding Rogue One, Tony Gilroy’s Disney+ reimagining of the Star Wars universe stands out as the most thematically daring series this year. Delving into the complexities of forging unity from the debris left by oppressive regimes, season two serves as a guide on how to make intellectual property truly indispensable. — Daniel Fienberg
Common Side Effects
As a devoted fan, I’d like to share my thoughts on Joseph Bennett and Steve Hely’s Adult Swim dramedy – it’s a unique blend of sharp Big Pharma satire, suspenseful paranoia, and a whimsical stoner universe. This captivating series is held together by an exceptional voice cast, featuring the talents of David King, Emily Pendergast, Mike Judge, and others. Toss in a bit of turtle poop for good measure, and you’ve got a decidedly strange yet entertaining journey that will leave you both gasping in shock and giggling with delight. — Yours Truly
Dark Winds
Regardless of Emmy voters’ opinions, Zahn McClarnon delivers an exceptional lead performance on TV that you shouldn’t miss in the third season of AMC’s reimagining of Tony Hillerman’s Leaphorn & Chee mystery series. The show also incorporates elements of hallucinatory terror and features Jenna Elfman, making it a significant addition to our current era of high-quality adaptations from airport novels (similar to Slow Horses, Reacher, and Dept. Q). — D.F.
Eyes on the Prize III: We Who Believe in Freedom Cannot Rest
Well done to HBO for creating this six-part extension of the vital civil rights documentary series, which spans the years from 1977 to 2015 and delves into affirmative action, environmental justice, criminal justice, and the Million Man March. However, it’s disappointing that HBO seems to be underpromoting such an important series, especially given how much progress made during this period is being dismantled by the current administration. — D.F.
HBO did a great job making another part of their important civil rights documentary series. It covers a lot from 1977 to 2015, like affirmative action, environmental justice, criminal justice, and the Million Man March. Unfortunately, it seems HBO isn’t promoting this series enough, especially since so much progress is being undone by the current government. — D.F.
North of North
Labeling this Netflix comedy, “Arctic-bound,” as warm has become overused, but it truly embodies the heartwarming series we crave in these exhausting times. Led by rising star Anna Lambe, it’s a blend of Northern Exposure, Schitt’s Creek, and Reservation Dogs, yet entirely unique compared to anything previously viewed. — D.F.
Pee-wee as Himself
Pee-wee Herman is a well-known figure, but Paul Reubens, who passed away, lived a more complex life by hiding behind his character for most of his career. Matt Wolf’s documentary aims to portray a man who is unwilling to be defined, holding on tightly to the control he fiercely protected. The outcome sheds light not only on what Reubens chooses to disclose but also on what he keeps private. — A.H.
The Pitt
The Max medical drama isn’t breaking any new ground, but what makes it special is how creator R. Scott Gemmill skillfully handles familiar themes in a way that’s both thrilling and reassuring. Noah Wyle leads an exceptional cast with a somber authority, embodying the series’ deep morality as well as its anger at a flawed system. — A.H.
The Rehearsal
Nathan Fielder continues to amaze with his second season, which is even more bizarre than the first. The coincidental relevance of his mission to prevent aviation accidents heightens the feeling that we are all participants in one of Fielder’s signature simulations. – A.H.
The Studio
Satirical comedies about industries are plentiful, and the one on Apple TV+ led by Seth Rogen focuses on the common themes such as exploitative IP mining, stingy executives, and rebellious directors. However, it approaches these topics with a distinctive style, transporting us into the Continental Studios which resemble New Hollywood, presenting an endless parade of excruciatingly awkward, uproariously funny predicaments. — A.H.
You can find this article in the June 18th edition of The Hollywood Reporter. Subscribe now to keep up!
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2025-06-18 16:54