Netflix Is Removing More Original Content, And I Think It’s Another Red Flag We Need To Talk About

Netflix Is Removing More Original Content, And I Think It's Another Red Flag We Need To Talk About

As a seasoned gamer with over two decades of experience under my belt, I can’t help but feel a sense of nostalgia and dismay as I witness Netflix’s decision to phase out most of its interactive movies and TV content. This is like losing an old friend who, although quirky and not everyone’s cup of tea, brought a unique flavor to the entertainment world.


2022 and 2023 felt like a peculiar era for original streaming content, as various platforms resorted to an unusual strategy: cancelling and shelving previously produced projects to cut costs, while also removing entirely original content from their online libraries. I, as a fan, found myself witnessing Max’s massive purge, followed closely by Disney+, but even the streaming titan Netflix didn’t escape this trend – they occasionally dropped O.G. series and even shows they had saved from linear cancellation, like Arrested Development.

Currently, it seems like another significant portion of unique content is disappearing from the popular streaming service, Netflix. This specific type of content might not be widely diverse, but I believe it highlights an ongoing issue at Netflix that isn’t getting enough attention among consumers – especially since we’re consistently faced with price increases on our Netflix subscriptions.

Netflix Is Removing Most Of Its Interactive Movies And TV Content

Over time, Netflix has solidified its reputation as a company that’s not afraid to take bold and sometimes unusual risks. One of the most distinctive creative ventures among streaming services is their collection of interactive specials, shows, and films. While something like Black Mirror: Bandersnatch might not be everyone’s cup of tea, it certainly sets itself apart from other episodes in the Black Mirror anthology, much like Ranveer vs. Wild with Bear Grylls offers a unique twist compared to other series fronted by Bear Grylls.

Over the years, just 24 interactive projects were created, indicating the intricacies involved in both live-action and animated productions. Unfortunately, no new projects of this kind will be released, and most of the existing ones will be removed from the internet on December 1st. This withdrawal leaves only Bandersnatch, Grylls, You vs. Wild, and the comedy-focused Unbreakable Kimmy Schmidt vs. The Reverend as the remaining projects available.

Here’s how one Netflix spokesperson explained the decision to The Verge:

From my perspective, while the tech has proven useful, it’s become somewhat of a bottleneck as we divert our energies towards technological advancements in other domains.

Although interactive specials don’t possess emotions, Netflix representative still stands firm on their viewpoint. If every show only needed to fulfill its function and disappear forever, we would never enjoy the plethora of television programming available today.

It seems that the news about Netflix halting development on all interactive specials, as stated by their head of gaming Mike Verdu to GameFile earlier this year, aligns with the information provided by their spokesperson. This is likely not a shocking revelation for those who had been following the updates about Netflix’s gaming division.

Although it may appear as a minor concern that doesn’t typically capture the attention of regular Netflix users, let’s delve into why this issue could raise alarm bells for almost everyone except those receiving payment from the company.

Netflix Is Overspending On Gaming Plans Without Much To Show For It

As a gaming enthusiast, I can’t help but dream about a world where Netflix has amassed a library of video games as expansive as its movie and TV content. Ideally, this would be achieved ethically, ensuring fair compensation for the game developers, creative teams, and voice actors who bring these games to life. However, after years of investment, it seems we’ve only seen glimpses of this potential.

Well, there are the 24 interactive projects we talked about, but most of those won’t exist anymore when the 2025 TV season rolls around. Then there’s the fine-enough library of third-party games that consumers can play on their computers, mobile devices and certain consoles. Some true bangers are included for just about any kind of gamer, but not really enough of anything to be a major draw.

It became clear why Netflix recruited Chacko Sonny, an executive producer for Overwatch, to collaborate with other skilled developers at their internal game studio named Blue. The team had supposedly been developing a major AAA game since April 2023. However, in October 2024, Netflix abruptly closed the studio without revealing any specifics about the project or concepts they were working on.

Beyond Blue, the streaming platform has expanded its horizons by acquiring and partnering with various other studios and game developers like Spry Fox, who created the sequel to a casual game titled Cozy Grove: Camp Spirit, following Netflix’s takeover. Yet, nothing launched so far has been as expansive as this acquisition.

In summary, Mike Verdu, who was previously mentioned, declared on November 4 via LinkedIn that he has taken up the role of Vice President of GenAI for Games at Netflix. This suggests that Netflix is joining other tech companies in investing heavily in AI without a clear strategy for implementation. If Netflix hasn’t yet found a way to make gaming appealing to its vast user base, it seems unlikely that adding more AI algorithms will lead to success, much like throwing ingredients into a cauldron without knowing the alchemical formula.

TLDR: We’re Probably All Paying Big For Netflix’s Gaming Woes

It appears that a significant portion of Netflix’s recent price increases might be attributed to their investments in uncertain gaming ventures, although it’s hard to prove this negatively impacts them. However, this would be more frustrating if I weren’t optimistic about the future.

While I recognize that the studio generates and distributes a significant amount of both scripted and unscripted content, some of which may warrant higher subscription fees, I believe it’s essential for Netflix to separate its gaming initiative as a standalone entity. This would allow non-gamers to avoid any potential issues related to this service, thereby preventing unexpected fee increases in the future.

Instead of altering the interactive specials, Netflix, you might have opted to leave them untouched. Remember, if there are any left unseen, be sure to catch up before they get removed on December 1st.

It wouldn’t bother me at all if they took some time to master adapting video games into movies and TV shows first, rather than diving straight into it based on the original content. That’s just my humble opinion, which is roughly equivalent to 0.45% of my current Netflix subscription fee.

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2024-11-06 22:07