When Michaline Babich developed Bravo’s “Next Gen NYC, ” she didn’t plan to select a roster of kids from the women featured in “The Real Housewives“. Instead, she aimed for a diverse group of young New Yorkers.
She explains to The Hollywood Reporter, “Many production companies might suggest ideas like ‘Let’s focus on the housewives’ children.’ However, these are just concepts, not already established cast members.
The showrunner developed the concept for the show partially due to a single cast member she encountered during her role as executive producer on “The Real Housewives of Salt Lake City” – Brooks Marks, Meredith Marks’ son.
She notes that it indeed originated from Brooks and he was surrounded by friends in New York. Furthermore, she highlights that being close to his fellow ‘Next Gen NYC’ cast members organically created a group that symbolizes the upcoming generation of New York City.
As a gaming enthusiast diving into this discussion, I can’t help but acknowledge the potential appeal of having Marks, Ariana Biermann, Riley Burruss, and Gia Giudice on the same show. After all, they are the offspring of the iconic cast from “Real Housewives.” However, when I first caught wind of this series, I must admit a sense of skepticism washed over me. Some critics have even labeled it as “Bravo’s nepo baby reality show,” suggesting preferential treatment based on family connections rather than talent or merit.
Babich acknowledges the initial skepticism some fans held about Next Gen NYC, but despite this, Bravo’s audience eventually relented and were drawn into what could potentially become the network’s newest success story.
The latest installment of Next Gen NYC, airing on Bravo, has become their highest-rated series and the most-viewed season premiere ever, shattering previous records. Additionally, it was the top-watched Bravo episode of all time on their streaming service, Peacock, across multiple platforms within a 35-day viewing window.
She comments that initially, they didn’t fully grasp the chemistry among the cast. However, once they began watching the series, their perception changed significantly. Bravo is adept at discovering intriguing characters, and on occasion, when fortune smiles, viewers develop an affection for these characters themselves. I believe this is something that resonates strongly with this particular cast.
The individual behind Next Gen NYC – the creator, executive producer and showrunner – discusses how Brooks put together the cast, the importance of choosing the first regular transgender cast member for a Bravo series, and the possibility of launching a spin-off in Los Angeles when the opportunity arises.
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Entering the first season of Next Gen NYC, there was a degree of doubt as to how it would unfold. This is often the case when Bravo introduces a new series. For instance, this happened with The Real Housewives of Salt Lake City and The Valley, both of which have since become successful for the network. It seems that the same thing is happening with Next Gen NYC, but what could be the reason behind the initial skepticism among fans towards the show?
It seemed like there were several factors at play. Initially, it might have been that the viewers didn’t fully grasp the chemistry within this particular cast. Additionally, some speculate that the show might be too young for Bravo’s typical audience. The term “Nepo babies” has been thrown around, suggesting a desire for a different kind of New York City-based show among certain fans. However, as people began to watch the series, their opinions seem to have changed. This often happens with Bravo shows – they discover compelling characters that viewers grow fond of. At times, this affection even extends to the individuals portrayed on screen, and I believe this is true for many of the cast members in question.
In the premiere episode, Brooks seemed to be the binding factor among the entire friend group, like a connecting thread. Since you’re an executive producer of The Real Housewives of Salt Lake City, when you started conceptualizing Next Gen, did Brooks serve as your starting point?
In the past, during our Salt Lake City presentation, I’ve always posed the same two questions to the cast: what are your apprehensions about TV work, and what do you hope to gain from it? Meredith and Seth [Marks] expressed their concern about anything that might embarrass or upset their children. Interestingly, Meredith mentioned that Brooks has always been intrigued by television, so we can trace his involvement back to that time as well.
What stood out about Brooks, and the original Salt Lake City cast, was their inherent generosity. They freely shared connections and advice, and it wasn’t just talk – I’ve witnessed this firsthand. They’ve been incredibly helpful to others, and even in casual situations like when Ariana was moving to New York, Gia connected Ariana with Brooks because that’s the kind of person he is. It might sound a bit sincere, but it accurately reflects my experiences with them. They’ve naturally built relationships where people reach out to Brooks for assistance.
Andy Cohen mentioned that the show might have been approved due to its idea of focusing on the children of housewives. When you began the casting process, was it originally intended to start with Brooks, Ariana, Gia, and Riley?
Brooks and his buddies were the ones behind it, not just an idea about the housewives’ children. Many production companies might have thrown around the suggestion of featuring the kids of housewives, but that’s only a concept, not a cast. The actual idea originated from Brooks, who had a group of friends in New York. I should add that friendships at that age are different. The Real Housewives of OC started because they lived in the same gated community. In your 20s, friendships can be more like intersecting circles where you have people coming in and out of each other’s groups. Brooks was close with Riley and Gia, and Gia introduced Brooks to Ariana. That’s how friendships work during your 20s, often circles of friends colliding with one another.
Why is it that this series seems incredibly contemporary and appealing to Generation Z? Is there a specific reason why introducing this innovative, cutting-edge program on Bravo now was the ideal choice?
In my opinion, the reason these cast members seem different from other 20-somethings I’ve worked with is likely due to their unique experiences growing up with their parents being public figures on television. This includes Ava Dash, whose father is Damon Dash, and Emira D’Spain, who has had her own encounters with the media. They possess a level of maturity and understanding about family and friendships that sets them apart. However, I’m not suggesting they are the most mature people in the world; they are still in their twenties. The fascination with the housewives is cultural, and these iconic women have children who know each other, which isn’t a rare occurrence, but it adds an interesting dynamic to the show. The connection between them wasn’t the primary focus when creating the show, but it certainly makes for an intriguing aspect to watch. Moreover, the appeal of the show lies in seeing these famous personalities, such as the housewives and Dame Dash, portrayed as parents, offering a glimpse into their lives beyond their pop culture personas.
Riley and Ariana appear to be the standout characters in the series. The narrative about their childhood friendship rekindled in adulthood is heartwarming, isn’t it? I’m curious about your experience portraying this storyline on the show, and if you had any expectations that they would share a connection given that both of their parents are from The Real Housewives of Atlanta?
It seems that Riley and Ariana are the breakout personalities on the show. The storyline about their friendship, initially formed in childhood and re-established as adults, is truly captivating, isn’t it? I’m intrigued to learn more about your process of portraying this story, and if you anticipated that they would have a connection due to both their parents being part of The Real Housewives of Atlanta?
It’s clear that they had known each other since childhood, yet there was an undercurrent of both apprehension and anticipation when they met again. Our field team skillfully created a space for them to bond naturally without trying to manipulate or sensationalize their interaction. They simply allowed them to converse freely and connect on their own terms. After filming, Ariana and Riley reportedly spent the rest of the day together. I think everyone involved in the project did an excellent job, especially the field producers who gave them the freedom to develop a relationship and record its best moments without overseeing every detail. The end result was genuine happiness, not necessarily surprise, but certainly more than anyone had initially anticipated – they have truly become close friends.
How would it feel to be part of the team, with you being the first full-time transgender cast member on Bravo in its history? Given the significance of this casting for the network, I’m curious about your experience during the first season of Next Gen NYC.
Emira is an exceptional individual, known for her humor and character. I can only imagine how much more we’d enjoy if there’s a second season, as she was quite occupied last summer. It’s crucial to have diverse representation, and Emira truly embodies this role, being perfectly cast as Emira while serving as an inspiring figure for many. She’s simply astonishing – her wit is contagious, she’s a delightful friend, and she manages to offer constructive advice in the most effective way possible on screen.
In addition, we have Charlie, quite the character. I’ve noticed many people drawing parallels between Charlie and another Bravo star, Jax Taylor, from Vanderpump Rules. Have you come across these comparisons, and if so, what are your thoughts on them?
From my observations, both characters are central figures in their respective dramas. Jax, having been on television for quite some time, seems well-versed in the industry’s workings. On the other hand, Charlie is a newcomer, making his debut in the first season and in the media spotlight for the first time. If we get another season and Charlie remains with the show, it will be intriguing to watch him develop further. I believe there are multiple facets to Charlie’s character. His initial appearance on television was undeniably a new experience (Laughs)), but he is an outspoken individual who isn’t shy about expressing his opinions.
If the series proceeds to a second season, could it be possible for more children of the housewives to potentially enter the show if they relocate to New York City? Could this opportunity extend to Chloe Marks, Brooks’ sister?
Chloe is fantastic, with her being incredibly entertaining and a strong character. She’d be an excellent newcomer since we didn’t get much of her in the first season. Indeed, she shines brightly.
As a devoted fan, I’m eagerly wondering if there might be a second season. If so, would you choose to stick with the current cast or introduce some exciting, new characters to keep things fresh and intriguing?
In essence, the most genuine approach is to observe how these friendships unfold naturally, and I believe that this is something you’re aware of, especially when it comes to individuals in their twenties who often find themselves moving in and out of friendships. I’m interested in discovering who else might be joining their circle, be it through romantic relationships or friendships. However, I strongly feel that each member of this diverse cast brings a distinct personality to the table, and if we were to delve deeper into their lives with a second season, I believe audiences would only grow fonder of them.
In general, how has the audience responded to Next Gen NYC, and what’s been the most rewarding aspect of producing this show?
I’ve truly appreciated the enthusiastic responses from both the press and social media about this project. Given my extensive experience in television, it’s heartening to see such a wave of positivity towards this particular series. There are two aspects that stand out for me. The first is the overwhelmingly positive feedback on social media platforms. Bravo audiences can be quite blunt, but their reactions to this cast have been mostly favorable. Another aspect I find particularly touching is witnessing the strong bond these cast members share with their parents. Considering they grew up under the public eye, I didn’t expect such deep respect and love for their parents. Additionally, I’ve genuinely enjoyed showcasing the relationships they have with their families, especially as it can be a challenging transition from living under someone else’s roof to mentorship or friendship. Overall, this cast has maintained remarkably strong family ties, which I found both surprising and delightful to capture on screen.
Have you considered perhaps creating a new series similar to Next Gen LA? And if that’s the case, would you still focus on a group of kids who are connected to Real Housewives or other celebrities with a public profile as their parents?
Indeed, that’s how it typically works with television. When viewers enjoy something, we aim to provide more of the same. We’ve encountered some talented individuals in Los Angeles and other places who could excel in a “Next Gen LA” production.
Have those conversations begun, or is it just a general idea that you’ve been bouncing around?
One of the perks of running a production company specializing in such programs is the frequent opportunity to meet exceptional individuals. In our journey, we’ve discovered some truly outstanding talent that, when the moment is ripe, could make excellent additions to the cast of Next Gen LA.
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In the final episode of the first season of Next Gen NYC, it was broadcasted on Tuesday on Bravo. You can stream the entire first season on Peacock.
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2025-07-23 05:25