Indian Rupee Forecast

Due to the challenging circumstances faced by movie theaters during and post COVID-19 pandemic, where they had to battle for survival and relevance, the traditional cinema experience has been reappraised as valuable and vital, particularly from filmmakers advocating for their films. The recent deal struck by Christopher Nolan with Universal Pictures is a response to safeguarding the cinematic experience following the controversy surrounding Warner Bros.’s flawed release of his 2020 film Tenet. Nevertheless, not every artist believes that their work loses its essence if not screened in a theater.

During the 1980s, slasher movies held sway over movie theaters and video store shelves, offering viewers an escape from reality. Creatures like Jason Voorhees and Freddy Krueger satisfied audiences’ cravings for gore and inventive murders, while also dishing out generous helpings of sexuality. This served to reinforce traditional American beliefs that drug use and pre-marital sex often led to characters meeting their untimely ends. In contrast, a different kind of film emerged in 1986, delving into violence in a nearly unfiltered realism. Titled “Henry: Portrait of a Serial Killer“, James McNoughton’s work offered a peek into the realm of serial killers.