As a seasoned researcher with a knack for deciphering the financial intricacies of tech giants, I find this development between OpenAI and SoftBank fascinating. The prospect of employees cashing out their share worth $1.5 billion is reminiscent of striking it rich in Silicon Valley gold rush days. Under the terms of the investment agreement with … Read more
Beware! This discussion contains plot details for Season 3 of “The Lincoln Lawyer”. To watch it, make sure you have a Netflix subscription and are all caught up on the previous episodes.
Why do we call someone a “princess” like Moana, and who earns the title of a Disney Princess? That’s an intriguing question, but the answer can vary depending on who you ask. For instance, Auli’i Cravalho, the star of both Moana and its upcoming sequel, wouldn’t consider her character a princess, even if she is considered one from the perspective of Disney Princess merchandising.
Discussing the key figures who significantly impacted cinema during the ’70s New Hollywood era, it’s hard to overlook the pairing of Paul Schrader and Martin Scorsese. Their first joint venture, the 1976 film “Taxi Driver,” where Scorsese directed Schrader’s script, was both a critical and commercial success, while also influencing the gritty antihero genre of that time. Together, they produced four more highly-regarded films — “Raging Bull” (1980), “The Last Temptation of Christ” (1988), and lastly, “Bringing Out the Dead” (1999).
Star Trek, a renowned multimedia franchise spanning decades, boasts numerous TV series and 13 theatrical releases. However, Paramount Pictures has been grappling with the production of Star Trek 4, experiencing repeated setbacks and changes in direction. This situation is perplexing given that Star Trek’s rich narrative history offers numerous standalone stories suitable for feature films, if adequately funded and developed.