Cooper Koch Has Empathy For Erik Menendez’s Response To Netflix Series

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The Netflix miniseries titled “Monsters: The Lyle and Erik Menéndez Story” has swiftly gained popularity on the platform, yet it has also faced a significant amount of criticism since its release last week. Much of this criticism is directed towards the creative liberties taken by the series, as claimed by the real brothers involved in the story and those who believe they were driven to kill their parents due to years of physical, sexual, and emotional abuse from their father.

The Featherweight Review | An Artistic Boxing Drama About Willie Pep

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“The Featherweight” delves into the life of retired boxer Willie Pep, who is struggling with both family troubles and financial woes while attempting to make a comeback in 1964 Hartford, Connecticut. Filmed in a pseudo-documentary style known as cinema verité on gritty 16MM film stock, the characters frequently address the camera as the narrative unfolds. Director Robert Kolodny truly shines with his debut feature, skillfully reenacting Pep’s fights by seamlessly blending classic newsreel footage and staged responses. The film’s realistic portrayal of daily life and compelling ensemble cast keep you hooked even as a conventional storyline becomes less engaging.

The Thaw Is a Better Version of True Detective Night Country

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For many years, detective stories have captivated audiences due to their intriguing premise: the perfect crime, the elusive criminal mastermind, and the clever means of apprehension that keeps minds racing. Some television shows elect to keep the narrative within a single timeline, often stretching out the resolution of a singular case across multiple seasons (as seen in The Mentalist, with Patrick Jane’s relentless pursuit of “Red John”). Conversely, others opt for an anthology format, starting fresh with a new crime and mystery every season.