The movie titled “Resurrection Road” presents an intriguing concept: a freed slave turned Union soldier leading a Black unit on a perilous journey with a chilling, otherworldly element. Regrettably, the film fluctuates between worn-out genre stereotypes, debatable cinematography, campy humor, and a storyline that sporadically reveals unexpected twists. Despite this, a capable ensemble cast gives their all, working within a tight budget and an unusually brief runtime — “Resurrection Road” finishes in just 77 minutes, including credits. This brevity leaves one wishing for a more intricate narrative, as there seemed to be ample material here to develop a richer, more elaborate tale.
As I, a movie buff, recall the chilling opening scene, Barabbas (Malcolm Goodwin) is painfully reminded of the brutal murder of his beloved wife (Leila Scott), confined within the cold walls of a prison cell. The vile figure (Michael Madsen) who perpetrated this heinous crime haunts him still, etched deep into his memories, and his skin bears the scars of his past as an escaped slave, branded during the conflict. Years have passed since his enlistment in the Union Army, yet justice for his wife’s death remains elusive. On the brink of a court-martial, Barabbas is presented with a despicable offer by the corrupt commanders of his regiment.
Bad Juju in the Civil War
General Craven (Jeff Daniel Phillips) and Colonel Havers (Bryan Whorton) offer Barabbas a deal: A signed pardon, freedom from execution, along with 40 acres and a mule. However, there’s a catch – he must return to the dreaded Confederate fort nestled in the Arkansas mountains. The fort has been wreaking havoc on Union troops using its powerful guns. Barabbas is tasked with leading six soldiers from the First Kansas Colored Infantry on a mission to infiltrate this fort, disable its weapons, and cause its destruction.
As the men set out, they do so with deep doubts and apprehension. No one has ever returned from the fort; everyone who’s dared to attempt it before has perished. The expedition starts on a chilling note at a farm where carcasses of mauled animals lie scattered, and a terrified survivor forebodes the dark forces lurking in the woods after sunset.
In the film “Random Acts of Violence,” directed by Ashley Cahill, an intriguing concept is presented. The initial act deftly delves into the complex predicament faced by soldiers, while effectively establishing their character relationships through rough-edged dialogue. Stevens (portrayed by Randall J Bacon) holds a strong faith that they will be safeguarded. Sergeant Abe (played by Bryan Tarron Jones) has previously endured hell with Barabbas, and this journey won’t be any easier. However, Washington (Okea Eme-Akwari) harbors a distinctly contrasting perspective. He sees it as suicidal to proceed, and he refuses to march towards certain death. Yet, Washington soon discovers the perils of defying Barabbas.
The novel “Resurrection Road” gets several aspects correct. Cahill doesn’t mince words about the characters’ circumstances: Both Barabbas and the soldiers understand their disposability. They were all once enslaved, subjected to inhumane treatment. Their lives are deemed worthless by both the Union army, and if captured by the Confederates, they face even greater suffering. Barabbas recognizes the wickedness within men’s hearts, but he believes he deserves his promised 40 acres and a mule, and is prepared to take lethal action to claim it. In essence, Barabbas embodies ruthlessness, and Goodwin, an experienced actor with numerous screen credits, delivers a commanding lead performance that enhances both the character and the script.
Cursed Woods
In the horror-comedy film Resurrection Road, racial themes do not control the narrative, but rather take a backseat. You’ll soon discern the type of antagonists these soldiers will encounter. The movie excels in its grotesque practical effects, with gunshot wounds, slit throats, and eviscerated bodies appearing convincing. The level of gore serves its purpose when required and escalates as the film progresses, adding a sense of authenticity when other elements seem to derail.
On a more negative side, “Resurrection Road” turns unintentionally comical with its over-the-top music and loud sound effects. Initially, the score contributes well to the film, but later transforms into an irritating symphony of dissonant strings and abrupt noises that undermines the suspense like a punctured balloon releasing air. Instead of enhancing the frightening elements, it ends up frustrating the viewers with an experience similar to strolling through a tacky haunted house with the speakers blaring loudly.
In a more simplified and conversational tone: The visual style and lighting of the movie, Resurrection Road, undermines its intended atmosphere. Filming at night in dimly-lit locations is challenging; it requires skill to create a balance between the unknown and visible action. Sadly, the film seems overly lit, like a brightly decorated Christmas tree. The forest scenes are excessively illuminated, giving off an artificial “full moon” glow. This becomes even more noticeable when the characters enter the fort: The Civil War era didn’t have electric lights, but the lanterns and candles in the set look unrealistic. In one scene, a floodlight is clearly visible in the background. This oversight is hard to ignore.
The portrayal of Madsen’s villain in “Resurrection Road” is a significant flaw that the movie doesn’t seem to overcome. One might wonder why his character wasn’t developed more, as he appears infrequently throughout the film and disappears for most of it. It seems like Madsen could only devote a day to filming this role, which makes it hard to take him seriously in this part. This underdeveloped antagonist weakens the movie, causing it to miss opportunities to improve in various aspects.
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2025-06-06 23:04