‘Spinal Tap 2’ Trailer: ‘The End Continues’ Begins…

In the ’80s, the most iconic (or arguably the most boisterous) band from that era has a brand-new film out. The anticipated sequel, titled Spinal Tap II: The Saga Continues, is the long-awaited follow-up to 1984’s classic comedy, This Is Spinal Tap, which remains one of the funniest movies of not just the ’80s, but perhaps of all time.

In a fresh movie production, we see the classic band members of Spinal Tap, including David St. Hubbins, Nigel Tufnel, and Derek Smalls – portrayed by Michael McKean, Christopher Guest, and Harry Shearer respectively – joining forces once more for what appears to be their last concert. The filmmaker Marty Di Bergi, played by Rob Reiner, is back on set, capturing the reunion in a similar fashion to his work in the original movie from years past.

Below, you’ll find the initial teaser for the upcoming sequel. It seems like just yesterday, doesn’t it? We can all concur, it appears no time has elapsed.

(Okay that is clearly not true. In fact, that’s largely the joke of the whole thing…)

Here is the film’s official synopsis:

Originally formed forty-one years ago, the band members David St. Hubbins, Nigel Tufnel, and Derek Smalls (Michael McKean, Christopher Guest, and Harry Shearer) from the iconic mockumentary Spinal Tap find themselves reuniting for one last performance due to unforeseen circumstances. The sequel, titled Spinal Tap II: The End Continues, also brings back documentary maker Marty Di Bergi (Rob Reiner), who seeks to document these legendary metal musicians as they ponder their own mortality and the possibility of their twelfth drummer joining them in the afterlife. In this concert, they collaborate with music legends Paul McCartney and Elton John, battling their past missteps to deliver a show that they aim will cement their place among rock ‘n’ roll royalty.

“Spinal Tap II: The Saga Goes On” is set to hit theatres on September 12. It’ll be quite a challenge for this sequel to rival the original “Spinal Tap,” but here’s hoping it manages.

The 10 Most Uncomfortable Cringe Comedies

The Discreet Charm of the Bourgeoisie (1972)

Film director Louis Buñuel was known for his surrealist and satirical style, frequently critiquing the upper class in society through his works. One of his most successful comedies, titled “The Discreet Charm of the Bourgeoisie“, stemmed from a dream experienced by producer Serge Silberman where he forgot about an arranged dinner party until his hungry friends arrived at his doorstep. The movie portrays a group of French nobles who intend to dine with a foreign ambassador, but their efforts to do so are constantly disrupted by various obstacles such as empty restaurants, drug dealers, terrorists, potential affairs, and bizarre dreams.

The King of Comedy (1982)

In its most uncomfortable and awkward form, cringe comedy thrives on relatability, and “The King of Comedy” exploits this principle masterfully. The film’s over-the-top storyline revolves around a universally identifiable situation: yearning for acceptance from someone more popular who seemingly ignores you. Robert De Niro plays Rupert Pupkin, an obnoxious comedian, who resorts to drastic measures to gain approval not only from his dream late-night talk show host (whom he eventually abducts and extorts for a spot on his show), but also from the world at large, seeking validation that we all crave. Scorsese’s darkly amusing movie explores what could transpire if the most irritating person you know actually took things to the extreme, spewing cringeworthy jokes as he pursued the attention he believed was owed to him.

Waiting for Guffman (1996)

Amongst Christopher Guest’s mockumentaries, none might surpass the awkwardness of “Waiting for Guffman.” This movie unfolds in the quaint town of Blaine, Missouri, where residents are striving to stage a musical. The eccentric director Corky St. Clair is convinced that this production is worthy of off-off-off-off-Broadway, leading him to invite his producer friend Mort Guffman for viewing. Despite the charm of numbers like “My Bubba Made a Kishka” and “Stool Boom,” rehearsals are fraught with mishaps, making it seem as though everything that could go awry, does. At one point, Corky is left to play multiple roles himself, donning costumes such as a passionate frontiersman and a young boy in a hat and shorts.

Meet the Parents (2000)

In the movie “Meet the Parents,” the climactic twist is that one of the main characters’ names is revealed to be Gaylord. Despite its numerous awkward scenes, it remains one of the top comedies from the 2000s. Ben Stiller plays Greg Focker, a man eager to gain his girlfriend’s stern father’s (Robert De Niro) approval, who is not only a former CIA agent but also shows little affection for Greg’s attempts at bonding. He continually undermines Greg’s efforts at camaraderie. The tension between them is palpable, but they eventually resolve their differences in an airport standoff, misplaced bong, and extended footage from home surveillance.

Borat (2006)

No matter if you liked “Da Ali G Show” or not, Borat, the eccentric Kazakh reporter character created by Sacha Baron Cohen, is undeniably famous. In the movie named after him, he embarks on an American adventure with the goal of creating a documentary about the “best country in the world.” Along the way, he falls for Pamela Anderson and decides to marry her following the death of his wife by a bear back home. The storyline may be simple, but the film is essentially a collection of unscripted moments featuring real Americans interacting with this peculiar man and his antics. While some argue that Borat stereotypes Middle Easterners, the movie can also be seen as a reflection of the racist attitudes prevalent in America after 9/11.

Bridesmaids (2011)

Social gatherings for bridesmaids are seldom the harmonious displays of female camaraderie that one might expect. Instead, they often escalate into bitter feuds and subtle power struggles, as the participants navigate their roles within the bridal party, keeping up appearances while concealing their conflicts to varying degrees. The film ‘Bridesmaids’ resonates deeply with anyone who has experienced this, exposing a truth about wedding festivities that is rarely acknowledged. In it, Kristen Wiig delivers an exceptional performance as the maid of honor, who inexplicably becomes consumed by jealousy towards another woman’s friendship with her best friend and struggles to maintain composure throughout the weekend, frequently breaking down in public amidst crowds of people, trying not to let her insecurities spoil the entire wedding.

Alan Partridge: Alpha Papa (2013)

As a die-hard fan, I can’t help but share my excitement about Steve Coogan’s character, Alan Partridge, finally stepping into the hero’s role in his debut feature film, “Alan Partridge: Alpha Papa.” In this movie, we see Coogan’s portrayal of a character who is known for being tactless, self-absorbed, and convinced of his own importance and celebrity status.

In a typical twist of events, Alan finds himself in the middle of a hostage crisis at his local radio station due to his own half-baked schemes. When one of his fellow DJs snaps after Alan attempts to secretly get him fired, the DJ takes everyone in the station hostage. The police, in an unusual move, enlist our dear Alan as the hostage negotiator.

Alan broadcasts the siege proceedings on the radio, showing off his unique charm and wit. He loses his trousers during a hasty attempt to get in and out through an open window, adding another hilarious moment to his repertoire. In the end, Alan gets shot twice but manages to bring the crisis to a resolution.

Through all the chaos, Partridge proves once again why we love him – he’s a character who, despite his flaws, always finds a way to prevail.

Force Majeure (2014)

The film “Force Majeure” marked the beginning of a new wave of awkward humor, combining dark wit that verges on unfunny and yet retaining numerous scenes of uproarious laughter as ordinary individuals crumble under the weight of conforming to strict societal expectations. During a ski trip in the French Alps, a man’s actions during an avalanche scare spark controversy when he prioritizes his own safety over his family, leading to ongoing ridicule from his wife. She publicly humiliates him by mentioning his actions to strangers, while he grapples with self-doubt and questions his masculinity and role as head of the household. Director Ruben Östlund excels in incisive social critique, turning a small error into an epic personal crisis.

The Lobster (2015)

Yorgos Lanthimos shares some similarities with Ruben Östlund in terms of social commentary, but with a slightly more playful approach. His masterpiece, “The Lobster,” offers subtle insights into societal norms related to gender and the stringent rules of relationships. Colin Farrell plays a recently single man residing in a hotel, where he has 45 days to find a romantic partner or face transformation into an animal of his choice – for him, this is a lobster. The film presents a bleak perspective on human behavior, exploring how far people will go to be attractive to others and the potential consequences in a society governed entirely by strict social rules, where violations lead to severe penalties.

Friendship (2024)

In a unique twist, Tim Robinson’s quirky humor is perfectly suited for the awkward comedy of “Friendship”. Instead of his typical stream of nonsensical gags, he delivers a poignant narrative about male isolation and bonding. Robinson portrays Craig, a socially challenged middle-aged man who befriends his cool, young neighbor Austin, played by Paul Rudd. Craig’s social awkwardness escalates when anxiety takes over during a guys’ night, leading to a series of disastrous events: He steals a gun, loses his wife in the town sewer system, shouts profanities at colleagues during an important meeting, and culminates in a house party debacle featuring a surprising wig reveal.

2025-07-25 02:56