As a die-hard movie enthusiast who has been following the ups and downs of Hollywood since the dawn of the multiplex era, I can confidently say that this summer has been a rollercoaster ride for cinema lovers like me. The unpredictable twists and turns in the box office earnings have kept us on our toes, with some films exceeding expectations while others fell short.
2024’s summer box office earnings are reported, showing a projected revenue of approximately $3.67 billion, which represents a decrease of about 10.4% compared to the previous year (2023). Despite this seemingly concerning drop, industry professionals in Hollywood such as studio executives and theater owners remain unfazed.
As a cinema enthusiast, I found myself grappling with contrasting feelings at the close of May – the kickoff of summer blockbuster season. The box office earnings for that month plummeted an alarming 29% compared to the same period last year, stirring fresh apprehension about the future resilience of traditional cinema in the face of pandemic aftermath, historic labor disputes, and formidable competition from streaming platforms.
Due to the ongoing strikes, I found myself waiting longer than expected for Marvel Studios and Disney to release “Deadpool & Wolverine,” which was originally planned for early May but has now been pushed back to late July. This is quite unusual as it means a Marvel superhero film won’t be starting off the summer season this year. Instead, that honor went to Universal’s action-romance movie, “The Fall Guy.” It lived up to expectations and delivered. The mid-month release of “Kingdom of the Planet of the Apes” by Disney and 20th Century was successful in reviving the franchise. However, Memorial Day weekend took a significant hit when Warner Bros.’ “Furiosa: A Mad Max Saga” experienced a flat tire and didn’t make it to the starting line.
Sony’s June release, titled “Bad Boys: Ride or Die,” sparked a significant turnaround and a two-month resurgence at the box office, causing the past errors to swiftly fade into insignificance, according to Comscore analyst Paul Dergarabedian. (In this paraphrase, I’ve attempted to maintain the original meaning while making the sentence more readable and conversational.)
The resurgence started when the extraordinary success of “Inside Out 2” reestablished Pixar’s presence in the industry, making it the highest-earning animated film ever, with over $1.667 billion earned globally as of September 2, including $651 million domestically. It is expected to surpass “Jurassic World” and rank as the 8th highest-grossing movie of all time at the worldwide box office.
Following that, the North American summer movie season took off at high speed. A variety of movies, ranging from small indies to big blockbusters, exceeded expectations in the domestic box office. Some notable successes include Paramount’s “A Quiet Place: Day One” ($139 million), Illumination and Universal’s “Despicable Me 4” ($335.6 million), Amblin and Universal’s “Twisters” ($259.6 million), Marvel and Disney’s “Deadpool & Wolverine,” which set numerous records, becoming the first title in the franchise to surpass $1 billion globally, and “Inside Out 2.” Over Labor Day weekend, the third installment of “Deadpool” reached another milestone by earning over $600 million domestically, pushing its global earnings to an impressive $1.262 billion.
“As a gamer, I’ve got to say, the summer season’s mid-point flipped things around for movie theaters in an astounding way. It served as a reminder of how this industry has consistently shown its ability to bounce back, even when doomsday predictions about a box office slump are thrown around like Chicken Little’s sky-falling acorns.” – Dergarabedian (paraphrased)
According to Shawn Robbins, an analyst at Box Office Theory, “The recent years have shown deeper dips and we’re still witnessing changes in audience preferences affecting certain movie genres. However, the latter part of this profitable period, filled with a range of popular movies, has been consistently delivering box office successes that the industry has long hoped for. This trend is expected to persist through fall, as the post-summer release schedule appears stronger than it has been since before the pandemic.”
During August, Wayfarer Studios’ movie “It Ends With Us” was part of the lineup that reinforced Sony’s dedication to offering films centered around women. The film has grossed $135.8 million domestically and continues to thrive despite the uproar on social media regarding a rumored conflict between its star-producer, Blake Lively, and director-star Justin Baldoni. Notably, Sony appears to be backing Lively, whose version of the movie playing in cinemas is the one they support.
Additionally, another significant surge during late summer came from the 20th Century/Disney production titled “Alien: Romulus“. In the U.S., it has garnered approximately $90.6 million, while globally, its total gross is estimated to be around $293.5 million, making it the second-highest grossing film in the franchise (not accounting for inflation).
Independent films have significantly contributed to the movie industry’s revival, with Neon’s “Longlegs” being a key player. This horror film has earned over $74 million and stands as the highest-grossing independent horror movie of the past ten years in the U.S. box office.
This summer, Disney’s movie studio regained its former heyday, contributing a massive $1.5 billion to total domestic box office earnings, equating to approximately 42% of the market share. Universal also had a strong showing with three films in the top 10 of the US summer box office chart, while Paramount followed closely behind with two.
According to analyst Daniel Loria from Box Office Pro, almost every studio had multiple movies exceed their projected box office earnings across various ratings and genres as the summer progressed. Disney led the way with hits like Inside Out 2, Deadpool & Wolverine, and Alien: Romulus. Universal was successful with Despicable Me 4 and Twisters. Paramount saw impressive returns from A Quiet Place: Day One, recovering from a lackluster opening weekend for IF to reach over $100 million. Sony ended the summer on a high note, with movies like Bad Boys: Ride or Die, which was just shy of earning $200 million domestically, and the late-summer hit It Ends with Us.
Loria goes on to say, “In 2024, Warner Brothers had a less extravagant lineup compared to their blockbuster summer of Barbie in 2023. Despite Max Max movies not traditionally being box office giants, Furiosa could have performed better. However, Horizon failed to attract audiences in theaters, whereas the Shyamalan-directed thrillers The Watchers and Trap managed moderate success without carrying the burden of being major studio earners.”
Despite the reservations, Warner Bros. has a major surprise in store: the highly anticipated release of “Beetlejuice” scheduled for next weekend. The sequel is projected to open domestically with earnings exceeding $80 million following its positive reception and grand debut at the Venice Film Festival.
Concurrently, the box office isn’t completely out of danger as the year-to-date earnings are over 14% lower compared to the same timeframe last year. However, an unexpectedly successful lineup of summer movies offers a glimmer of hope that we might see further improvements in ticket sales this autumn and winter seasons.
According to Robbins, the final notes of the summer box office are definitely stronger than its opening ones. It’s common in our industry to see fluctuations, or ups and downs.
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2024-09-03 03:25