The Most Powerful Women in Canadian Entertainment

advocating for equality, opportunities, and amplified voices for all.

Julie Adam
In February, Adam was appointed to the highest position, a dream-come-true moment for him. Having joined Universal Music Canada in 2023, he swiftly left an impression, enhancing ecommerce and direct-to-consumer sales while advocating progressive strategies to uplift artists. His counsel to his past self and children: “Remain steadfast in your principles, stand against bullies… and never let others discourage you from pursuing your aspirations. In essence: Believe in yourself.

Neishaw Ali

For over three decades, Toronto’s Ali has been leading Spin VFX, transforming it into a globally recognized entity with branches in Los Angeles, Atlanta, and a remarkable portfolio including shows like “The Umbrella Academy” and “School Spirits”. In 2024, her most significant achievement was rehiring laid-off employees following an industry-wide downturn – a first for the company. This action, she shares, made her feel human again. An advocate for technology in storytelling, Ali emphasizes the importance of AI and virtual tools complementing creativity rather than overshadowing it: “Our creative essence resides in our ability to breathe life into captivating narratives.

The Beaches
Moving beyond their status as Canada’s hidden rock gem, this Juno Award-winning Toronto quartet is reaching unprecedented heights. Formed back in 2013 when they were teenagers, the band consisting of sisters Jordan and Kylie Miller (lead vocals/bass and guitar), Eliza Enman-McDaniel (drums), and Leandra Earl (keyboards/guitar) sold out their hometown’s 16,000-seat Budweiser Stage last summer. They subsequently achieved another significant feat with a confirmed appearance at Coachella in 2025. “This is something we’ve always dreamed of and we’re thrilled to have it checked off our bucket list,” says Enman-McDaniel. Her advice to her younger self? “We encountered a lot of bullying because we were girls in a band, but we persisted – we all shared this common vision and goal.
Jully Black
In the past year, Canada’s reigning queen of R&B financed and headlined her first national tour in 17 years. She expressed, “I returned to the stage and demonstrated that Black music deserves a spot, not just a place, on every stage across this nation.” Black’s commanding voice and unwavering presence continue to make history. The tour, she explained, challenged the belief that age restricts ambition: “I’m not past my prime – I’m merely getting started.” Her advice to her younger self? “Shut down the internal compromiser… emotions are not facts.
Jennifer Brown
Leading Canada’s foremost performing rights organization, SOCAN, Brown has steered a course through an evolving music industry. “We’ve emphasized transparency, fortified our services, and intensified our advocacy initiatives,” she advises. To those women striving in the music industry, her advice is to make their presence known: “Your achievements will only unlock opportunities if the right people recognize them.
Kristen Burke
This year, Burke created a stir by expanding a collaboration with the Punjabi-Canadian sensation Karan Aujla, a joint effort between WMC and Warner Music India. As she stated, “This partnership showcases the strength of cross-cultural teamwork and our dedication to boost his global presence.” Moreover, Burke is not just about promoting women in business through words, but also in the actual rooms where significant decisions are made. She strives to guide, advocate, and foster opportunities for emerging leaders, innovation, and diverse viewpoints.

Amy Cameron

In her roles as executive producer for shows like “Mary Kills People” and “Law & Order Toronto: Criminal Intent,” Cameron has proven herself adept at crafting successful productions. The exceptional reception of “L&O Toronto” this year was a particularly noteworthy achievement for her. “We could have easily missed the mark with the tone, but we managed to hit it just right,” she shares. A self-professed enthusiast of editing techniques, she finds immense pleasure in witnessing how rhythm, structure, and unexpected elements seamlessly come together on screen. Her advice to aspiring producers is to not delay building a personal life while waiting for their career to become ‘established.’ Instead, pursue joy – it’s key to maintaining sanity.

Vanessa Case

As the strategist steering content at Paramount’s Canadian streaming platforms, I’m all about taking daring chances – from reviving “American Gladiators” to green-lighting the freshly announced “Canada Shore,” a reality show modeled after the ’00s U.S. sensation “Jersey Shore.” Though it’s still in casting, the buzz has already been enormous, with an outpouring of local enthusiasm. It was quite a triumph!

Having worked at Vice and Blue Ant before, I’ve seen the pulse of this industry. The biggest hurdle we face is our sluggishness when it comes to embracing change – be it technological or political. We need to move quicker, stay agile, and keep up with the times.

My advice for newcomers? Embrace the challenge, trust your gut, and don’t shy away from taking risks. After all, that’s where the magic happens!

Valerie Creighton

Few individuals have left as significant an impact on Canadian television as Creighton. In her role as CMF head, she’s been instrumental in funding internationally acclaimed series such as “Rookie Blue” and “Orphan Black.” A recent achievement she is particularly proud of was at the Banff World Media Festival, where she announced that the CMF’s Indigenous Program would be entirely managed by the Indigenous Screen Office. This move was recognized with a Siksika Nation blanket ceremony. She expresses that this moment moved her beyond words. Creighton views storytelling as an assertion of sovereignty: “Canadians are drawing a line in the sand. This ‘elbows up’ moment comes from pride — and necessity.

Susan de Cartier

This year, the artist manager played a key role in orchestrating Blue Rodeo’s 40th anniversary festivities, resulting in a CBC documentary and a special commemorative postage stamp. As she expresses, the real pleasure was in being able to share this milestone with fans. She facilitated the appearance of these country-rock veterans across theaters, TV screens, and digital platforms throughout the nation. Her piece of advice to her younger self, as well as to everyone else, is to not fear anything. She emphasizes that everything will unfold as planned, usually in ways or at times that are unexpected.

Tamara Deverell

In the midst of her recent nomination for “Nightmare Alley” in the Academy Awards, Deverell has completed an extensive two-year design project for Guillermo del Toro’s “Frankenstein.” She describes this experience as one of her most daunting production endeavors. Reflecting on the final celebratory toast at Wilton House in the U.K., she advocates preserving creative independence amidst an era dominated by artificial intelligence. Her belief is that we need authentic, truthful films that candidly explore the human experience. For those newcomers, her guidance is straightforward: approach your role as a storyteller with honesty and integrity, regardless of your position.

Michela Di Mondo

World started her professional journey immersed in the rich tapestry of filmmaking history, working as an intern at MGM and sifting through archives filled with old press kits from iconic movies like ‘Dr. No’, even finding handwritten notes on old napkins from years gone by. Currently, she heads Fremantle’s operations in Canada, managing successful productions such as ‘Canada’s Got Talent’, ‘Family Feud Canada’, and ‘Little Bird’. Her advice for the upcoming generation? “Never undervalue the importance of good preparation. Whether it’s a meeting in a boardroom or a dinner party, always respect your own time and that of others.

Nelly Furtado

25 years ago, “I’m Like a Bird” skyrocketed me into worldwide stardom. Today, I find myself soaring once more. After taking a break to prioritize family and self-release an album in 2017, I made a comeback unexpectedly when I collaborated with Drake at his All Canadian North Stars concert in 2022. The warm reception encouraged me to return to the recording studio, where over four years I wrote more than 400 songs and eventually released my seventh album, 7, in September. Now, at 46, I’m back on tour and proudly championing authenticity, reminding my fans that we’re all just tiny beings jumping around Earth seeking love.

Prem Gill

In the leadership role for British Columbia’s creative sectors, Gill champions local artists, eco-friendly sets, and diversity in employment. A defining point in her career was the production of a documentary series focusing on Sikh women in British Columbia – a significant achievement personally. This year, she rejoiced as homegrown productions like “Shogun” received numerous accolades. Her ambition lies in ensuring that BC is not merely a location for Hollywood crews but a wellspring of narratives. As she puts it, “We’ve made great strides to be recognized as more than just a service provider.

Humberly González

After gaining notable roles in “Orphan Black” and “Ginny & Georgia”, González is now carving out a space for herself in the U.S. with her first series regular role on Kevin Williamson’s “The Waterfront”. As a Canadian artist, she had always aspired to utilize her work visa, and this project seemed perfectly suited. Filmed in Wilmington, North Carolina, the show aligned with her ambitions and values. Her advice to women is: “Don’t suppress your voice. Stand behind stories you believe in and create your own opportunities.

Jocelyn Hamilton

Hamilton is known for orchestrating popular Canadian TV series like “Cardinal”, “Mary Kills People”, and “Burden of Truth”. However, her most cherished memories occur beyond the camera. As she puts it, “It’s the feedback from the cast and crew about their best experiences that truly resonates with me.” Having started in animation at Nelvana, she now leads Lionsgate’s Canadian television division. Her advice for aspiring young women in the industry is to “remain authentic to yourself. Avoid allowing the industry to put you in a stereotype.

Victoria Harding

As the leader of Ontario’s largest film and television union, Harding has navigated through tough economic periods and spearheaded significant labor discussions. This year, one of her most satisfying moments was observing her team and members thrive under challenging circumstances. In her words, their achievements were “extraordinary.” Harding started her career working on an incomplete movie – a fitting introduction to an industry characterized by unpredictability. Her guidance: “Nurture relationships and abide by the Golden Rule. You never know when someone may lend a helping hand along your journey.

Sarah Harmer
This year’s recipient of the Juno Humanitarian Award, Harmer, has consistently combined her musical career with activism. In 2010, she played a crucial role in halting a significant quarry project that posed a threat to Ontario’s Mount Nemo Conservation Area. Currently, she serves as co-chair for the Reform Gravel Mining Coalition, rallying citizens to safeguard the province from what she terms “unnecessary and risky” mining expansion. However, her most significant role recently has been as a caregiver. “I’m most thankful that I could work less over the past year and be present for my parents as they navigate their 90s,” she expresses. Her business approach is straightforward: “Employing [women] – across various roles such as techs, management, musicians, accounting, finance…

Susan Hummel

Following several decades of professional experience at MTV, Fremantle, MGM, and Nickelodeon, Hummel now heads Lionsgate’s Canadian distribution initiatives. Notably, she has recently managed the assimilation of eOne into Lionsgate’s local operations. Her most significant accomplishment? “Effectively rebranding the business as Lionsgate Canada,” she shares. An advocate for career adaptability, she encourages women just starting out to remain flexible: “Be open to every twist in your career path – there’s a growth opportunity lurking around each bend.

Devery Jacobs

Known for “Reservation Dogs” and Marvel’s “Echo”, Jacobs has risen to become one of Canada’s most recognized Indigenous actors. In addition, she is a producer, and this year, she purchased a ticket to her first feature film, “Backspot”: “Purchasing a seat to my own movie was a bucket list item I could finally check off.” She believes burnout, affecting both creators and viewers, poses the greatest industry danger: “We need to support each other. A rising tide lifts all ships.

Golnar Khosrowshahi

Born in Iran and raised in Canada, the founder of Reservoir Media, who made a name for herself last year by securing Snoop Dogg, k.d. lang, and Lebo M (the composer of The Lion King), generated quite a buzz. This trio solidified her company’s position as the biggest publicly-traded independent music firm. She remarks that this achievement underscores the high quality of talent we draw and the robustness of our creative and value enhancement teams. To young women, she advises, “Strive to be the most knowledgeable person in any room you find yourself in. Being well-prepared gives you the self-assurance to demonstrate your skills — regardless of who’s listening.

ShoShona Kish & Amanda Rheaume

Leaders Kish and Rheaume, who are part of one of the nation’s unique Indigenous and female-owned record labels, Ishkodé Records, are also accomplished artists in their own right. Kish is a member of the Juno Award-winning duo Digging Roots, while Rheaume recently released her latest solo album titled “The Truth We Hold“. Over the past year, Ishkodé Records welcomed four new talents to its roster, including up-and-coming artists Siibii and Logan Staats, as well as Native American icon Keith Secola, whom Rheaume considers an honor to work with, given his role in creating the 1992 anthem “NDN Kars”. Rheaume was also recognized with two community-nominated awards – the Spirit of Folk and King Charles III Coronation Medal. In addition, the duo is planning their largest International Indigenous Music Summit yet in Toronto this June. As Rheauma puts it: “At Ishkodé Records, nearly 90% of our team are women! Our team of women brings an incredible amount of care and love to all the work we do.

Carlyn Klebuc
Klebuc manages popular Canadian series such as “Shoresy”, “Transplant” and “Children Ruin Everything”. Yet, she never forgets her humble beginnings – working as a low-paid, overworked production assistant. With a chuckle, she admits, “I was a terrible PA.” Financially struggling, she decided to switch paths and pursue law school. She thinks the current industry shrinkage could spark change in Canada, particularly through strategic international collaborations for growth. Her advice for women entering the field: “Be bold, nurture your entrepreneurial spirit, and conquer that feeling of self-doubt.

Katrina Kowalski

After spending two decades with Bell Media, Kowalski now heads the international content strategy for Pluto TV at Paramount. This year, her most profound insight came from recognizing that she had been so focused on climbing the hill, she hadn’t taken time to appreciate the scenery – a reflection of a year filled with collaboration and team development. In an industry where numerous free ad-supported streaming platforms compete, Kowalski maintains that quality always rises above the rest. Her advice for young women: “Understand your worth, and be true to yourself.

Anita Lee

Lee played a crucial role in obtaining $23 million in federal financing for TIFF’s forthcoming content market. However, her background lies within independent filmmaking. As a producer at the National Film Board, she was involved in groundbreaking documentaries such as “Stories We Tell.” She expresses that change, while posing challenges, also presents our greatest opportunity: it uproots but provides access to fresh voices, innovative formats, and diverse audiences. Her guiding principle? Sometimes you need a spot at the table, and other times you must create your own table.

Laurie May

Overseeing Canada’s top independent film distributor, May played a crucial role in introducing “Anora,” “The Brutalist,” and “Conclave” to Canadian viewers. All three films received best picture nominations at the 2025 Oscars, marking a significant milestone in her career. Reflecting on this achievement, she remarked, “To be part of distributing three films that reached such heights was undoubtedly a pinnacle moment.” A former executive at Lionsgate, May has consistently advocated for theatrical releases, special editions, and now AVOD. Her advice to women in the industry? “Embrace financial literacy — regardless of your role. Mastering the numbers can unlock opportunities.

Jennifer Twiner McCarron
Since 2018, McCarron has been at the helm of Thunderbird, overseeing a varied collection of children’s and factual content that ranges from “Molly of Denali” to “Highway Thru Hell”. What she takes particular pride in is the company’s culture. As she puts it, “We strive to create an environment where no one feels like just a number. When people feel secure, they perform at their best.” For women entering this field, McCarron suggests, “A positive attitude can unlock more opportunities than anything else. And remember, you get out of something what you put into it.

Tate McRae

After sweeping four Juno Awards, including best album and artist, the popular pop sensation born in Calgary reached an all-time high this year as her album “So Close to What” topped the Billboard 200 chart. Her heartfelt lyrics and danceable tracks have resonated strongly with Generation Z, making her a highly sought-after choice for music supervisors seeking songs to add emotional depth or style to their productions. In essence, her catalog is becoming increasingly popular among those in the industry who want to incorporate music into scenes depicting heartbreak, confidence, or a blend of both.

Robin Mirsky
Over the past 30 years, Mirsky has aided numerous Canadian filmmakers in bringing their narratives to life – establishing the Rogers Documentary Fund in 1996 and subsequently the Rogers Series Fund. Her objective is clear: To make sure that Canadian content remains distinctive on a global scale. As she puts it, “We must persist in setting ourselves apart through exceptional documentaries and scripted content.” When it comes to advice for young women, she encourages them to be self-assured, assert their projects, and not let rejection discourage them.

Keziah Myers

Myers is creating lasting impacts rather than fleeting incidents. She spearheaded the initial groundbreaking research on the significance of Black music in Canada, a study that’s since served as a reference point worldwide. Her leadership at ADVANCE consistently advocates for transformative changes at a systemic level. To young women, she advises, “Recognize your value – never undervalue it for anyone.” Walk confidently into every space, because you rightfully belong there.

Eleanor Noble

Serving as ACTRA’s head, Noble stands for over 30,000 Canadian acting professionals. One of her most significant achievements this year? Securing a groundbreaking film and television agreement. “It was momentous,” she declares. Her initial role came just before graduation – a leading part in Are You Afraid of the Dark?. To those starting out, she advises: “Concentrate on what you’re most passionate about and surround yourself with individuals who treat you with dignity and respect.

Christina Piovesan

Known as a prominent figure in Canada’s independent film scene, Piovesan has contributed to critically acclaimed films such as “The Whistleblower” and “Infinity Pool”. In 2016, Elevation Pictures, a distribution company, established a Canadian film and TV production division and appointed Piovesan to lead it. The goal was to produce films in Canada, take advantage of tax credits, utilize local talent, and save on currency costs. This year, she is most pleased with expanding the Elevation production team. “Witnessing people rise to the challenge and create opportunities for filmmakers – that’s been incredibly fulfilling,” she notes. She attributes her early mentor, agent Ann Blanchard, for teaching her about advocacy: “She made me understand that I could accomplish anything if I set my mind to it.” When asked for words of advice, she suggests: “Focus on where the industry is headed, rather than just on its past.

Debra Rathwell

In July, following a decade’s worth of successful performances, Rathwell concluded by starring in the final act of Billy Joel’s historic Madison Square Garden residency – a remarkable 150 shows spanning over ten years, which she describes as “the pinnacle of honor and privilege.” By autumn, she was once again immersed in another legendary figure: Stevie Wonder. She expresses her admiration, saying he is both loving and gifted. “It was a truly enchanting and inspiring experience,” she adds. Within AEG, Rathwell is a seasoned mentor, often referred to as “Debra’s Finishing School.” Here, she nurtures the upcoming talent buyers with her unique blend of expertise and generosity.

Julie Roy

Roy initially worked in an editing studio at the National Film Board, where she previously encountered a young Denis Villeneuve. Currently heading Telefilm, she’s just unveiled a daring three-year strategy to boost Canadian cinema on a global level. “This validates the potency of our narratives and our role in the world,” she notes. Her advice for newcomers: “Dive deep into the community. Be courageous. Reliance and guidance are paramount.

Stephanie Shinkoda

Reflecting on my journey, I recall my first industry role at PolyGram Filmed Entertainment, a time when I had an empty business wardrobe and was baffled by the workings of a fax machine. Fresh out of film school, I admit I was as clueless as they come. Fast forward to today, where I co-manage Sony Pictures’ Canadian operation, handling distribution across multiple platforms including film, TV, and library content. To those starting their careers, my advice is simple: Cultivate curiosity, ask questions that extend beyond your job description, and actively seek out mentors – they won’t just fall into your lap.

Liz Shorten

From a temporary position cleaning a client’s database to leading strategic planning for the CMPA, Shorten has devoted her career to bolstering Canada’s independent film production industry. In this year alone, she played a crucial role in increasing British Columbia’s film tax incentive. “Canadians have rekindled their pride in our nation,” she remarks. “Sharing our narratives is essential to who we are.” She encourages young women to seek mentorship early on and later return the favor by passing on their wisdom.

Magali Simard

Simard’s film career took off with poster designs for TIFF, and now she oversees workforce programs that place diverse trainees on productions such as “Frankenstein” and “Law & Order: Toronto.” As she puts it, “We have the resources, the skills, and the spirit. Excellence is recognized — and we’re only at the beginning.” Her advice? “Grasp the whole industry picture. Expand your horizons beyond your specialty and acquire a comprehensive perspective.

Meg Symsyk

Symonique, who is in charge of the nonprofit organization responsible for distributing large sums of money to Canadian artists and music companies, has had a challenging year, marked by taking Scotiabank to court due to a one-time cyber theft worth nearly $10 million (CAD). “Given the information that has come to light so far, it’s hard to believe that FACTOR hasn’t recovered the stolen funds yet,” she states. “It was inspiring to see so many female entrepreneurs in the entertainment industry attend the court hearing to support us. What Scotiabank has attempted is unforgivable, and women were particularly attentive first. I am grateful for the men who also stood by our side.” She further notes, “It’s crucial to nurture the culture you cherish, and sometimes that means confronting liars, bullies, and thieves – a task that has never been more essential.

Patti-Anne Tarlton
Tarlton, who had spent years progressing within Ticketmaster Global, went back to her beginnings in 2024 by taking on a fresh position at Live Nation Concerts Canada – the same sector she joined at 15 as a summer receptionist for a concert promoter. In this role, she played a significant part in introducing Canada’s initial Economic Impact Assessment of the live music industry, demonstrating that concerts are crucial. Tarlton’s advice to women advancing their careers: “Persistently grow and expand your connections… Regard your network as your constantly evolving personal board of directors.

Karen Thorne-Stone

Previously serving as Toronto’s first film commissioner, Thorne-Stone now presides over the province’s foremost media agency, funding diverse projects ranging from conventional films to XR (Extended Reality) content. One of her most significant achievements was establishing Ontario’s Innovation and Product Development Fund after a two-year strategic planning process. In her own words, “It aims to foster innovation, growth, and global competitiveness.” Her counsel: “Keep your objectives crystal clear. Embrace chances that stretch you beyond your comfort zone – even if they initially seem daunting.

Lindsay Unwin

2025 has brought a pivotal point in my professional journey as I step into the role of CEO at Salxco, a game-changing management company that represents music titans like The Weeknd, Metro Boomin, and Brandy. This moment feels defining, not just for me, but for the future of our industry. As a Los Angeles-based Canadian, I’m determined to shape an inclusive music world that mirrors the diversity of tomorrow’s leaders.

I believe in creating opportunities – whether through hiring, mentoring, or ensuring women have a voice in crucial decision-making processes. My goal is to foster a culture that empowers and encourages the rising generation of influential figures.

So here’s my advice: dive deep into the business side of things. Mastering the numbers, contracts, and strategies behind the scenes is what transforms raw talent into strong leadership.

Colette Watson

Watson manages Rogers’ extensive television and sports domain, encompassing Sportsnet and Citytv. This year, she played a significant role in securing a 12-year renewal of NHL broadcasting rights and striking a groundbreaking content agreement with Warner Bros. Discovery and NBCUniversal. “That was a major success,” she notes. Beginning her career as a receptionist at a local station, she ascended through the ranks by expressing herself. “Regardless of being the youngest in the room,” she says, “your opinion holds weight.

Barbara Williams

*Williams played a crucial role in changing CBC from a local broadcaster to an international distributor of popular Canadian content. Her initial position was as the tape librarian at CFMT. This year, she oversaw CBC’s extensive coverage of the Paris Olympics. When asked for guidance, she doesn’t mince words: “Be bold. It won’t be simple.” However, she emphasizes that the reward is in shaping the story of what Canadian television can become.*

Tara Woodbury

In a different project, Woodbury was part of the team guiding the series ‘Wayward’, alongside Mae Martin and a captivating Montreal Expos baseball documentary. However, her most significant accomplishment this year took place away from the screen: witnessing her son master swimming. This experience reminded her about the significance of patience and determination. As a former independent producer transitioned into a Netflix executive, she encourages young women to identify where they can make a meaningful impact and remain grounded in what truly matters.

Danielle Woodrow

In her role as co-leader of Netflix Canada, Woodrow played a significant part in debuting the sitcom “North of North”, a joint project with CBC and APTN, which she describes as brimming with beautiful, messy, and heartwarmingly funny content. Starting off as an intern at Fox Searchlight, she now contributes to shaping Netflix’s Canadian lineup. Her words of wisdom? “Fuel your curiosity – immerse yourself in every show, every film, every story. Each one helps you develop the intuition required for success.

THR’s Icon Award
At the age of 85, Margaret Atwood continues to stay culturally relevant as her works like “The Handmaid’s Tale”, its sequel “The Testaments” for television, and a memoir titled “K of Lives” scheduled for November, demonstrate. This Canadian literary titan will be celebrated with the ICON Award at the second annual Women in Entertainment Canada summit held on May 29th at the Ritz-Carlton Toronto.
Additionally recognized: Indigenous activist and actress Tantoo Cardinal (known for her roles in “Dances With Wolves” and “Killers of the Flower Moon”), recipient of the Equity in Entertainment Award; longtime TV host and fashion guru Jeanne Beker, winner of the Impact Award; Amrit Kaur from “The Sex Lives of College Girls,” honored with the Breakthrough Award; and Christina Jennings, CEO of Shaftesbury, receiving the Glass Ceiling Award. Her long-running procedural “Murdoch Mysteries” is currently in its 18th season — making it one of Canada’s most widely distributed exports, second only to Ryan Reynolds.
The WIE Canada event, modeled after THR’s annual Power 100 breakfast in Los Angeles, debuted last year to great applause, attracting prominent figures from film, television, and music such as Kim Cattrall, Devery Jacobs, Lilly Singh, and Nia Vardalos. This upcoming event is expected to shine even brighter, with increased industry discussions, higher-profile stars … and of course, more red cloaks.
You can find this article in the latest issue of The Hollywood Reporter magazine, published on May 21st. To stay updated, consider subscribing!

2025-05-29 16:56

Julie Adam