This year, the Academy of Motion Picture Arts and Sciences is showing no mercy, having recently revealed that a significant number of 323 films in contention for Oscar nominations have been removed from the Best Picture category. Specifically, 116 films have been excluded. Over the course of 2024, enthusiasts had been compiling their own predictions for potential Best Picture nominees. However, the new rule set by The Academy could significantly reduce your list of possibilities.
Among the 116 films listed by The Academy, some highly anticipated ones, such as Ben Taylor’s emotional drama “Joy” about IVF discovery, Anna Kendrick’s directorial debut “Woman of the Hour”, and the drama led by Barry Keoghan titled “Bird”, did not make the cut to qualify due to not meeting The Academy’s required criteria. According to the official statement:
For a film to be considered a feature film, it needs to be premiered at a commercial cinema theater in at least one of six major American cities: Los Angeles County, New York City, San Francisco Bay Area, Chicago, Illinois, Miami, Florida, or Atlanta, Georgia, between January 1st, 2024, and December 31st, 2024. The film should run for a minimum of seven consecutive days in the same theater. Additionally, it must have a duration longer than 40 minutes.
Moreover, it’s worth mentioning that a number of the 116 movies barred from competition didn’t meet the Representation and Inclusion Standards (RAISE), a novel diversity criterion introduced by The Academy. This decision has also disqualified some popular films, which many viewers had surprisingly expected to be in the running for Best Picture. Notably, The Garfield Movie and Sonic the Hedgehog 3 are among those left out. Most notably, the film that seemed poised to dominate this year’s Oscars (though the sarcasm here is quite pronounced), Madame Web, has also been ruled ineligible for Best Picture consideration. You can find a complete list of the excluded titles at the end of this article.
Who Are the 2025 Best Picture Favorites?
Next year’s Academy Awards will happen on March 2nd at the Dolby Theater in Ovation Hollywood. Film enthusiasts are eagerly anticipating the announcement of the official nominee list. Nevertheless, there are already some standout contenders, particularly following last weekend’s Golden Globes ceremony. At the moment, Emilia Perez is considered the front-runner for Best Picture at the 2025 Oscars. Furthermore, A24’s film The Brutalist has gained significant attention, especially since its lead actor, Adrien Brody, was awarded a Golden Globe for his role in the movie.
The films “Anora” by Sean Baker, “Conclave” by Edward Berger, “A Complete Unknown” by James Mangold, and “Nickel Boys” by RaMell Ross are strong possibilities for the Oscars. Sci-fi enthusiasts are eagerly waiting to see if Denis Villeneuve’s “Dune: Part Two” will be nominated for Best Picture, much like the original was in 2022 and won six awards. After Demi Moore’s win at the Golden Globes, “The Substance” from Mubi is gaining a lot of attention as a potential winner this year. If “Dune: Part Two” and “The Substance” aren’t nominated for Best Picture, they’re likely to receive multiple nominations in other categories. Other films being widely discussed as contenders for Best Picture include “Sing Sing”, “All We Imagine as Light”, “A Real Pain”, “Nosferatu”, “September 5”, “Babygirl”, and “Queer”. Some are also hopeful that “The Wild Robot” might be considered for both Best Animated Feature and Best Picture.
All Movies Excluded from Best Picture Category for the 2025 Oscars
AFRAID
AMERICAN CATS: THE GOOD, THE BAD & THE CUDDLY
AMERICANS WITH NO ADDRESS
ARMAND
BAD BOYS: RIDE OR DIE
THE BIBI FILES
BIRD
BOY KILLS WORLD
BRIEF TENDER LIGHT
CAPTAIN AVISPA
CARVILLE: WINNING IS EVERYTHING, STUPID
CATCHING FIRE: THE STORY OF ANITA PALLENBERG
CHICKEN FOR LINDA!
CHRONICLES OF A WANDERING SAINT
THE COLORS WITHIN
COUP!
DAHOMEY
DAUGHTERS
THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE
THE DEVIL’S BATH
DON’T SAY IT
ERNEST COLE LOST AND FOUND
EVERYBODY LOVES TOUDA
FEDERER: TWELVE FINAL DAYS
THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED
FIGHTING SPIRIT: A COMBAT CHAPLAIN’S JOURNEY
FLIPSIDE
FOLLOWING HARRY
FOOD INC 2
FREE TIME
FRIDA
FROM EMBERS
THE GARFIELD MOVIE
GAUCHO GAUCHO
GHOST CAT ANZU
THE GIRL WITH THE NEEDLE
GIRLS WILL BE GIRLS
GLITTER & DOOM
THE GRAB
HAROLD AND THE PURPLE CRAYON
HIGH TIDE
HOLLYWOOD DEAL
HOMEGROWN
HUMMINGBIRDS
I AM CELINE DION
I CAN’T BREATHE
IN BETWEEN STARS AND SCARS: MASTERS OF CINEMA
IN HER PLACE
INDIGO GIRLS: IT’S ONLY LIFE AFTER ALL
INSIDE THE YELLOW COCCOON SHELL
JOY
KNOX GOES AWAY
LAKE GEORGE
LEFT BEHIND
THE LISTENER
THE LONG WAY OF CARLOS GUERRERO
LOOK BACK
LOST LADIES
THE LOST LEGACY OF TONY GAUDIO
LOVELY JACKSON
LOVER OF MEN, THE UNTOLD STORY OF ABRAHAM LINCOLN
MADAME WEB
MAHAYOGI
MARS EXPRESS
MARTHA
MEAN GIRLS
MEETING YOU, MEETING ME
MILESTONE
MISS OR MISSES
MOTHER’S INSTINCT
MOUNTAIN QUEEN: THE SUMMITS OF LKAHPA SHERPA
MURDERESS
NO RIGHT WAY
NURSE UNSEEN
OMNI LOOP
PEDRO PARAMO
REAGAN
REBEL MOON – PART TWO: THE SCARGIVER
THE REMARKABLE LIFE OF IBELIN
REZ BALL
RYUICHI SAKAMOTO | OPUS
SAMUEL: HOLLYWOOD VS. HOLLYWOOD
SEBASTIAN
SEPARATED
SHE TAUGHT LOVE
SIROCCO AND THE KINGDOM OF WINDS
SKYWALKERS: A LOVE STORY
SMILE 2
SONIC THE HEDGEHOG 2
SPELLBOUND
STATE ORGANS: UNMASKING TRANSPLANT ABUSE IN CHINA
STOP MOTION
SUMMER SOLSTICE
THE TASTE OF MANGO
THAT CHRISTMAS
THELMA THE UNICORN
THERE’S STILL TOMORROW
UNIVERSAL LANGUAGE
UNSTOPPABLE
UNSUNG HERO
VESEKLA: THE RAINBOW ON THE CORNER AT THE CENTER OF THE WORLD
VIGILANTES: AMERICAN’S NEW VOTE SUPPRESSION HITMEN
THE WAIT
WAVES
WE WILL DANCE AGAIN
WOMAN OF THE HOUR
THE ZEBRAS
ZURAWSKI V TEXAS
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2025-01-07 18:32