The Sandman Season 2 Post-Credits Scene With Fate’s Poetry Explained

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Netflix’s The Sandman Season 2 closes out on a powerful and poetic note—literally.

Following Morpheus’ passing and Daniel Hall assuming the role of Dream, Episode 11 in Volume 2 discreetly includes an additional scene after the credits roll. This secretive moment reintroduces the cryptic Kindly Ones, or the Fates, as they leisurely drink tea while cracking open a fortune cookie.

The text that comes next is a mysterious poem filled with deeper implications, despite its seemingly straightforward nature. Fans continue to dissect it because they can’t help but wonder about the hidden messages and how they summarize the main ideas in The Sandman series.

What Fate’s poetry means in The Sandman Season 2 post-credits scene

Towards the end of The Sandman Season 2, Episode 11’s closing scene, the enigmatic Kindly Ones make a chilling reappearance. They gather in their dwelling, nibbling on cookies and sharing a fortune cookie, much like previous episodes. However, this time, the prophecy within it deviates from its usual themes of monarchy or conflict; instead, it states something different.

“Flowers gathered in the morning;

Afternoon, they blossom on;

Still are withered in the evening;

You can be me when I’m gone.”

The poem in question hails straight from The Sandman Volume 9: The Kindly Ones. Although one of the Fates offhandedly dismisses it as a poor poem, its underlying message resonates profoundly within the narrative of the series. The post-credits scene explicitly mirrors the recurring theme of life, death, and rebirth that permeates throughout The Sandman Season 2, encompassing Morpheus’ sorrowful demise and Daniel’s transformation into the new Dream.

As a devoted fan, I must admit that this series has given hints before about the imminent nature of change. In this very episode, Despair ponders over the previous incarnation of herself. Once upon a time, Delirium was Delight. The Endless aren’t exempt from transformation, and the poem serves as a gentle reminder of that fact. “You can be me when I’m gone” isn’t merely about Morpheus; it echoes the potential fall, fade, and replacement of each and every one of them.

As Daniel takes up his position as Dream within the domain of the Endless, the scene that follows after the credits serves a gentle but impactful jab. In this realm where deities and ideas reign supreme, not even they can escape the relentless march of time.

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2025-07-25 07:16