As a seasoned moviegoer with over two decades of cinema-going under my belt, I must say that the 4DX experience for Venom: The Last Dance was nothing short of exhilarating! The feeling of riding a Venom Horse and the dance scene between Venom and Mrs. Chen were definite highlights, and I can attest to the fact that it truly feels like having a Symbiote poking out of your back (in a fun way, of course).
Six long years since Tom Hardy’s Eddie Brock and Venom graced our silver screens, it’s now time for us, their dedicated fans, to bid a heartfelt farewell. The air is filled with the melody of a final ballad, the kind that swans dance to; yes, this is indeed Venom: The Last Dance. Given the grandeur of the finale, one would expect an equally magnificent ending.
And with that comes another question that’s worth asking: To 3D or Not To 3D? Or better still, to 4DX or not to 4DX? That’s right, friends, the final chapter in Eddie Brock’s adventures splashed out big time! As such, we now have another combined 3D/4DX evaluation to discuss, and there’s a lot to talk over as well.
If you prefer a classic perspective on this movie’s performance, read Eric Eisenberg’s review of “Venom: The Last Dance“. Alternatively, put on your spectacles and brace yourself, as it’s now time to determine if Venom and Eddie deliver an outstanding premium experience or if you should instead consider purchasing more comics.
Overall Fit Score – 5/5
The Venom trilogy has consistently presented a tale of superheroes, with the anti-hero duo of Eddie Brock and Venom (portrayed by Tom Hardy) providing the type of action-packed adventures reminiscent of films that hark back to the pre-MCU era of Sony. Such excitement seems tailor-made for immersive experiences offered by both 3D and 4DX technology, allowing all their cinematic effects to shine at their best.
However, since Venom first appeared in 3D format back in 2018, it’s been clear that a high fit score doesn’t necessarily mean a good overall product. Now, with the introduction of 4DX, this notion becomes even more relevant as we’re combining two premium viewing experiences into one immersive one.
Overall Planning & Effort – 3.5/5
Regarding the Planning and Exertion put into creating an exceptional overall experience for Venom 3, it appears that the realm of enhanced thrills through glasses is receiving preferential treatment during its preparation. This isn’t unexpected, given the impressive 3D presentation of this year’s crossover between Godzilla and Kong, which was expertly handled by the stereo conversion team at DNeg. The same team is also known for their work on The Last Dance, a visually breathtaking production.
In the 4DX experience, there was a noticeable decrease in certain areas, with one sensory element completely missing. Notably, the motion effects were the stars of “Venom: The Last Dance” in 4DX, and if you’ve been curious about how the Venom Horse scene played out, it’s worth mentioning that this is one of the two significant highlights of this action-packed ride.
3D Before The Window – 3/5
In an outstanding example of “Before the Window” 3D conversion, viewers often have the sensation that objects might pop out towards them. This could range from fingers, weapons, or tendrils, and a blend of these elements, along with items seemingly thrown from the screen, are typically anticipated by discerning spectators.
Though I acknowledge that Venom: The Last Dance doesn’t fully seize the potential offered, there are moments when General Rex Strickland (played by Chiwetel Ejiofor) seems to be addressing you directly, making it feel quite intense. However, it falls short of generating the level of excitement I anticipated from a film featuring Tom Hardy hurling a Croc at a tough criminal. The appearance of alien creatures and Knull (Andy Serkis) wielding his blade does create an impact, but the overall immersion isn’t as profound as I had envisioned for such a movie.
3D Beyond The Window – 5/5
As a diehard fan, I couldn’t help but be utterly captivated by the stunning visual spectacle that unfolded in the climactic scene of Venom: Beyond the Window. What truly left me spellbound were the unanticipated moments that outshone my expectations. One such instance, showcased at this year’s New York Comic-Con, involved a thrilling horse chase involving Venom, which culminated in an unexpected skirmish between Eddie and Strickland’s troops along a riverbank.
Imagery set underwater, along with characters suspended in mid-air, demonstrate the spatial awareness and depth expected from high-quality productions. Similarly, this clarity is evident in several instances when Stephen Graham’s character, Patrick Mulligan, is confined within Area 55.
In a space that resembles a tightly packed Apple Store rather than a cell in prison, there’s an impressive amount of depth created with just Graham and a few pieces of light furniture to contrast the background. The entirety of ‘Venom: The Last Dance’ mirrors this effect, whether Eddie Brock is galloping across open landscapes or he’s positioned before a wall in a dimly lit Mexican alleyway.
3D Brightness Score – 3.5/5
It’s interesting to note that in both movies, Venom and Venom: Let There Be Carnage (in their 3D versions), there seems to be an issue with the brightness levels. While this might not be a problem for everyone, as theater conditions can vary greatly, I personally recall both earlier films being quite dark.
In the case of “The Last Dance”, it doesn’t significantly surpass its predecessors in this aspect, and there’s a slight possibility that it could even tie with them. However, considering the overall experience, I lean towards giving it the edge over its older versions. A subtle gloom persists when the glasses are on, an observation I’ve made during all my 3D/4DX viewings at this particular theater. Yet, the visuals are incredibly sharp; notably the post-credits scene from “Venom 3” featuring Knull himself, which stands out as particularly crisp.
3D Glasses Off Score – 5/5
Surprisingly, the 3D effects in “Venom: The Last Dance” remain active throughout the entire film. From the opening studio logos to the sneak peeks in the end credits, you’ll definitely get your money’s worth when it comes to this aspect of the movie. With all that engaging 3D enhancement showcased, you might find yourself taking off your glasses occasionally, which will result in a slight blurring effect on the screen.
Here, you’d typically find the degree of manipulation that delivers top-notch 3D thrills, and the finale of Venom makes full use of this area extensively. If you prefer wide shots that seem like a double vision, they’re provided. Close-ups with 2D reference points to ensure characters and objects appear correctly? You can find those as well.
Instead of “Special Venom-themed 3D classes?”, you could say: “Are there any 3D classes based on the theme of Venom nowadays?” and the response would be: “No, they don’t offer those anymore.” To add a touch of humor to the second part, you could say: “And just because a movie uses Maroon 5 as an emotional trigger doesn’t mean it’s still 2012!
4DX Water Effects: 4/5
In Venom 3, you might find yourself doubting Eddie Brock’s bartending skills, but you’ll also be convinced you were there for the experience! The scene that left the biggest impression on me during the 4DX viewing was when I got a light misting – it happened just as Venom attempted to mix Eddie a drink upon their home dimension’s return. It made me curious about what that drink tasted like on-screen, leading me to wonder if Venom pours drinks as generously as I do when making cocktails for friends.
Otherwise, Venom: The Last Dance gives us some pretty solid, yet intermittent showers throughout. While we obviously can’t be submerged for the river chase, moments where Venom and his pursuers splash about in the water result in some minor waterworks. I also thought it was kind of wise not to turn the sprinklers on when certain acid showers were going off, as who wants to feel like they’re being melted alive? (Which offers a prime moment to remind you all that yes, Wicked: Part 1 will be in 3D/4DX!)
4DX Scent Effects: 1/5
It’s high time for a playful remark, everyone: the aromatic enhancements in 4DX for Venom: The Last Dance were truly odious. To be frank, it seemed as though no extra scents were added to the space. In actuality, I only perceived a faint hint of smoky burning, which coincidentally occurred when we met Knull in the initial scene.
During the Venom 3 screening, I found myself wondering if some of Eddie Brock’s scenes had a distinct cologne aroma or if it was just the person sitting in front of me wearing their own. To be honest, this unexpected addition made the movie’s scent more memorable than the film itself. Fortunately, the individual’s cologne smelled nice, so I appreciate the added touch to my cinematic experience. As a result, despite Eddie Brock’s absence on screen, it still felt like he was present.
4DX Light/Air/Smoke Effects: 3/5
Have you noticed how I often criticize 3D movies for their inadequate brightness? Similarly, 4DX might provoke the same criticism from me due to its excessive use of light, air, and smoke effects which comprise the overall experience. For instance, we encounter brief bursts of strobe lighting during Juno Temple’s heart-wrenching lightning strike backstory, and certain areas are illuminated occasionally as well.
But even in these limited uses, much like Transformers One’s 3D/4DX version, inconsistency reigns. Also, the air effects fare better than the smoke in the remaining run of aspects in this section’s criteria. While I’m starting to doubt that anything will match the scene where Alien: Romulus’ 4DX experience safely makes you feel like you’re in a rapidly decompressing airlock, feeling the wind in my hair during the ride of Venom Horse felt rather nice.
In conclusion, the smoke effects weren’t as impressive as expected, despite numerous chances to dramatically amplify the desert chase scenes with abundant sand and a critical fire-related danger in the final act. These potential enhancements seemed to have been overlooked or misplaced.
4DX Motion Effects: 4/5
Instead of delving too much into the motion effects in “Venom: The Last Dance,” I’ll say they were as good as anticipated. We’ve moved past the DBox era when people questioned the purpose behind seat movements, and if you enjoy the sensation of having a Symbiote protruding from your back, this movie will undoubtedly be an enjoyable spectacle for you. Furthermore, if you watched the 2D version and pondered over the significance of the dance scene between Venom and Mrs. Chen (Peggy Lu), it’s there to create a scene where we can truly sense Venom dancing.
Apart from the prime part, enjoying a ride on a Venom Horse seems an additional delight. It’s something to anticipate. However, there are some peculiar actions involved, such as giving us the sensation of a camera circling around the Statue of Liberty. But if 4DX had existed during the era of pre-MCU blockbusters like Fantastic Four and Daredevil, you can imagine it would have been incorporated extensively; hence, I won’t dwell too much on that aspect.
Overall Audience Health – 5/5
Are you concerned about feeling queasy while watching “Venom: The Last Dance”? You needn’t worry! The motion effects aren’t nearly as intense as I’ve experienced in a 4DX screening; the title for that still goes to “Twister” with its record-breaking showing this summer. Although the 3D could be brighter, it’s perfectly watchable, even in a prison constructed by vengeful Symbiotes. Just remember to review the official 4DX safety guidelines before attending with younger audience members. These guidelines were created for everyone’s wellbeing.
Final Verdict: 42/55
To fully enjoy “Venom: The Last Dance,” it’s highly suggested that you opt for the 3D/4DX experience. If forced to choose between the two, the 3D version would be my top pick due to its expertly crafted element of madness. If available, I’d suggest checking out “The Wild Robot” 3D/4DX adventure during its extended run in larger films’ final weeks.
Oh bummer, it seems that event isn’t on the cards just yet. But fear not! November is shaping up to be quite the spectacle with the arrivals of “Red One” and “Gladiator II”, along with “Wicked: Part 1”. These should make for a fantastic holiday viewing. If by chance there are any remaining screenings of “Joker: Folie á Deux” or “Smile 2” in the immersive 4DX format, do let me know. I’d relish the opportunity to hone my gaming skills before our next rendezvous, and perhaps distract myself from the bittersweet farewell of Venom’s cinematic journey so far.
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2024-10-26 01:08