As someone who has spent years in the music industry and worked closely with bands like TV on the Radio, I can tell you that the anticipation for their return is palpable. The energy around their fanbase is electric, and it’s a joy to see how much their music resonates with people.
In “Twisters,” led by Glen Powell, Daisy Edgar-Jones, and the powerful presence of Mother Nature, some viewers might be unaware of the extra attractions in Lee Isaac Chung’s sequel to the 1996 blockbuster. Among Powell’s team of weather enthusiasts streaming online are Brandon Perera, Katy O’Brien, Sasha Lane, and an exciting addition for music lovers from the late ’90s and 2010s: Tunde Adebimpe, famously the lead vocalist for TV on the Radio. Adebimpe portrays Dexter, a character who spews technobabble as a weather expert, even though he doesn’t have much screentime, he manages to steal every scene he appears in.
Adebimpe has a rich background in both film and music. He acted in the indie film “Jump Tomorrow” back in 2001, even before his band began recording. His resume includes roles in major productions like Jonathan Demme’s “Rachel Getting Married,” where he was the groom, and a small part in “Spider-Man: Homecoming.” Furthermore, Adebimpe has graced our TV screens numerous times, lends his voice for animated projects, creates music (such as for the PBS series “City Island”), and is an accomplished visual artist. Beyond his successful music career with selling hundreds of thousands of albums and performing at prestigious venues, Adebimpe’s recent on-stage appearances by TV on Radio have taken a backseat.
I’m thrilled to share that my next major venture is joining the Star Wars: Skeleton Crew team on Disney+, alongside Jude Law, Kerry Condon, and none other than Jaleel White! Showrunner John Watts is leading this exciting project. The Hollywood Reporter recently interviewed me via Zoom, where we chatted about the Twisters shoot, the future of TV on the Radio, my art projects, and the heartwarming feeling of having people care about what I create.
I’ve always been a big fan of movies that leave the audience in stitches, and “Twister” is no exception. While I can’t reveal any spoilers to those who haven’t had the pleasure of watching it yet, let me tell you, there’s one particular line that never fails to bring the biggest laugh from me every single time I see it.
At the premiere, I indeed attended your performance. It’s amusing how frequently we’ve rehearsed that line, anticipating what follows. Suddenly, an unexpected moment arrived, eliciting uproarious laughter from the audience. You couldn’t help but laugh along, as it was a hit.
This is an exciting moment for you, as your deep interest and passion for weather, which is a significant part of who you are – I use this term with admiration and affection – can be called a “weather enthusiast.” Do you enjoy discussing and learning about the weather in everyday life?
I enjoy watching storms because they showcase nature’s power. It’s humbling to be a part of something so vast. Admittedly, I wasn’t particularly interested in weather beforehand. However, my experience with the meteorological experts at NOAA introduced me to true “weather gurus.”
In Oklahoma, we received information about the upcoming tornado season. I had the chance to meet Kevin Kelleher from the National Severe Storms Laboratory, and now his number is saved in my phone. I also have Sean Waugh’s contact, as well as other significant storm chasers and climate scientists, who have been valuable resources for me. Now, I can discuss wind shear and tornado magnitudes with some understanding.
In your travels in life, have you ever seen a tornado?
In Oklahoma City, filming was temporarily halted due to frequent severe thunderstorms. I fervently wished someone had braved the elements to capture B-roll footage, saving us the expense of special effects. As Glen Powell and I arrived in Oklahoma City, we gazed out at the landscape illuminated by continuous lightning strikes, exchanging concerned glances, wondering if it was safe to proceed with our shoot.
In Oklahoma City, there’s an enthusiasm for storms that’s contagious. From Uber drivers to hotel staff, everyone shows a keen interest in meteorology. Meteorologists are considered local celebrities.
The film effectively portrays the destructive impact of storms on people, while simultaneously delivering an enjoyable and entertaining experience for the audience. A significant part of this success can be attributed to the talented cast.
Isaac Chung is an accomplished filmmaker with a background in producing emotionally resonant independent films. His unique talent lies in creating authentic and relatable stories. Now, with ILM (Industrial Light and Magic) at his disposal, he’s able to bring his visions to life in an extraordinary way. Witness as he skillfully combines raw emotions with the power of CGI, unleashing a tornado that obliterates entire cities. It’s a captivating experience to behold.
As a huge fan of movies, I can understand why some might consider it risky for the studio to back “Minari.” While this film is truly exceptional, it doesn’t necessarily scream action-adventure or special effects. But let me tell you, taking a chance on films like “Minari” is exactly what makes cinema so diverse and exciting. It’s a testament to the power of storytelling and the determination of smaller filmmakers who dare to dream big.
I agree with that assessment. Jon Watts is someone I’ve known for a long time before he directed the “Spider-Man” movie. He started out by making music videos for TV on Radio’s “Wolf Like Me,” and then went on to create smaller projects that were showcased at Sundance. During lunch with him, he mentioned his intention to pitch for “Spider-Man.” At the time, I couldn’t believe it when I thought, “Who would give him the opportunity to make ‘Spider-Man’?” But, amazingly enough, he managed to do it!
I firmly believe that having individuals with diverse backgrounds and perspectives enriches any creative project. Growing up, I was captivated by the grandeur of blockbuster movies. Yet, despite this passion, I have always nurtured my unique sense of empathy for people. This combination of awe-inspiring visual effects and deep human connection makes for a compelling and grounded narrative. Isaac’s life experiences have shaped him into an artist who can weave together heartfelt stories with the backdrop of terrifying catastrophes. It’s a rare talent that adds depth to his work, making it resonate with audiences on a personal level.
Based on your experience in films and extensive live performances, this current project is by far the most grandiose one you’ve taken part in. As you embark on this costly production, what have been your initial thoughts or observations?
In my experience, the preparations for the significant outcomes in the storm scenes were carried out towards the end of filming. Mostly, we spent our time in large open fields, working in teams and exploring dirt roads. Consequently, it felt akin to a minuscule production; an assortment of brief films. The grandeur was added later on for me.
After expressing my passion for animation and films, I frequently visited Prairie Surf Studios to explore their special effects departments. It was then that I discovered vast hangars brimming with props, leaving me in awe at the grandeur of it all.
One does get the sense of camaraderie with the storm chasers.
In Oklahoma City, we had ample free time. A multiplex was situated in Bricktown, and the cast regularly attended its screenings. The latest Indiana Jones film had recently been released, and Glen was thrilled about it. Not all of our group, including Daisy Edgar-Jones and Katy O’Brien, had previously watched an Indiana Jones movie. This realization made some of us feel quite old. Consequently, we decided to catch up with the new release together, as it marked a significant departure from its predecessors.
After exiting the theater, those unfamiliar with the character asked, “So, does Indiana Jones actually travel through time? Is he both an archaeologist and a time-traveler?” At dinner, we attempted to clarify who Indiana Jones is, but they were puzzled, asking, “Is he like Doctor Who, carrying a whip and hat instead of a sonic screwdriver? What exactly does he do?”
We also had a night when everyone went line dancing. I sat down that night and observed.
Because of the labor strike, our production schedule was disrupted. We were set to finish in July, but the strike occurred, forcing us to resume work in December instead. Despite the drastic change in weather from hot 110 degrees Fahrenheit to chilly 28 degrees, we continued to wear shorts while working in the water. However, this unexpected delay brought some festive perks – we explored various Christmas markets and wonderlands, went ice skating, and enjoyed the unique holiday experience.
Who had the best figure skating moves in the company?
Anthony Ramos. He’s a very lithe and coordinated person.
I’ve been hesitant to bring up an important topic: the last time TV on the Radio performed live was back in March 2019 at Madison Square Garden.
Absolutely, that was it.
And now it’s 2024.
It sure is.
I’ve noticed that there’s quite a fanbase for that particular group. Some people are really excited about the possibility of seeing them perform live in person. Do you think there’s any chance we could make that happen and maybe get tickets to a TV on Radio concert?
As a gamer, I use a simple strategy when it comes to using Instagram. I jot down important information on a post-it note, take a deep breath, and then bravely step into the fiery den that is the Instagram app. I paste the note onto my profile wall and then make a swift exit. I’m not particularly fond of the platform, but I recognize its importance as a place for announcements.
Based on my personal experience and recent achievements, I am thrilled to announce that I have recently completed recording my own project. Although I cannot provide an exact release date yet, rest assured that it will be coming out at some point in the future. For those of you who are fans of TV on Radio or similar genres, you may have the chance to purchase a ticket to an event related to this new venture or perhaps something connected to TV on Radio in due time. My life journey has led me to this point, and I am excited to share the fruits of my labor with you all.
This will make many people happy.
It’s nice to know that someone is interested in what I or the band are up to. As a solitary type of person, I don’t get much interaction, so your concern is truly valued.
As a musician who has spent years pouring my heart and soul into creating music, I can only imagine the excitement and honor it would bring to learn that a renowned band like Phish had covered one of my songs, “Golden Age.” The fact that they do it frequently, exploring its depths through long, jammed-out versions, makes me feel a profound connection to them and their fans.
As a musician who has been in the industry for decades, I can’t help but be humbled and surprised when I hear that my music is still resonating with audiences and inspiring cover versions from other bands. It brings me back to the early days of our career when we were just playing shows, often to small crowds, and receiving feedback was few and far between.
I’ve been at Phish shows when they bust out “Golden Age,” and everybody goes nuts.
Did they do it at the Sphere?
They did do it at the Sphere!
Oh, wow, maybe that’s our in to the Sphere!
TV on the Radio at the Sphere feels like a natural to me.
Let it be known! We’ll play the Sphere!
Title achieved! I shared with a friend earlier today that I would be speaking with you, and without missing a beat, she exclaimed, “That’s your best Letterman appearance yet!” It was an instinctive reaction. Were you aware that during your 2006 interview, you aced it right from the start?
During the performance, I found myself momentarily unable to recall my lines as Dave introduced me. It felt like one of those “use the Force” moments where you just have to trust yourself and go with it. After the show, we headed to Zebulon bar in Brooklyn to unwind. As we left the next day, we were met with stares from people on the subway and the street. Everyone was complimenting us, but the sudden recognition was unsettling – a reminder that our faces were now familiar to many.
A moment ago, you suggested using “the Force,” and although you may not be able to reveal much, I have reason to believe you’re part of the Star Wars storyline, specifically in “Skeleton Crew.”
As a gamer, I’ve been sworn to secrecy about the upcoming Star Wars series set to release at year-end. I’m part of this production, yet I’m not at liberty to reveal my role. The fear is that Lucasfilm could still edit or remove parts of the show. But with wrapping up, I finally got to work with Isaac, who directed an episode, and Jon Watts and Christopher Ford, the creators, brought me on board.
I was still, you know, vetted. They didn’t just tag me in.
Do you wear a cool cloak or space makeup and play around with ships?
There’s all the stuff.
Instead of saying “But I spent so much time looking into the special effects because I am such a production nerd. I had these deep-rooted inquiries, and Watts indicated towards this seemingly insignificant man by the monitor and suggested, “Have a conversation with John Knoll.””
I spent countless hours bothering Knoll, a pioneer in Photoshop creation and responsible for numerous remarkable special effects. Simultaneously, I was present at the stop motion workshop and Phil Tippett’s place. Balancing this with my responsibilities, I haven’t fully viewed it yet. If I were my 10-year-old self preparing to watch “The Empire Strikes Back,” I’d be utterly astonished. Based on what I’ve seen, I believe audiences will appreciate its traditional filmmaking approach.
Based on my personal experience and interactions with various fan communities online, I can empathize with your situation. It’s disheartening to feel limited in expressing yourself due to potential confrontations, especially when it comes to something as beloved as Star Wars. However, it’s important to remember that while there are unfortunately some individuals who may engage in hostile or combative behavior, the vast majority of fans are passionate and respectful in their discussions. It’s unfortunate that you’ve encountered negativity, but try not to let it deter you from sharing your thoughts and engaging with the community as much as you feel comfortable. Perhaps consider seeking out positive and supportive communities or forums where you can connect with like-minded individuals who value constructive dialogue and mutual respect.
As a passionate fan, I’m all geared up for this discussion. I’m prepared to defend my views, engage in lively debates, and even inject some humor into the conversation. But why get worked up over it? At the end of the day, we’re talking about Star Wars. I just don’t get it. Instead of wasting our energy on anger, let’s focus on enjoying the journey of exploring this epic universe together.
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2024-07-18 23:26