As a longtime fan of eerie, intricate storytelling, I find myself utterly captivated by the enigmatic world of “From.” Being someone who has spent countless hours poring over the minutiae of narratives, I can’t help but be drawn to the myriad theories that attempt to unravel the mysteries hidden within this show.
One theory that particularly piques my interest is the Cromenockle theory. The way the writers have woven storytelling and imagination into the fabric of the show suggests a deeper connection between human thoughts and the manifestation of reality in Fromville. If this were true, it would be a fascinating exploration of the power of imagination, and I’d love to see how such a concept plays out over the course of the series.
Now, let me share a little joke that I think fits this theory quite well: You know what they say, “Fromville is a place where your darkest fears come to life… or is it just your imagination?” Ah, humor and suspense – a classic combination!
In the third season of the MGM+ sci-fi show “From,” we’ve been navigating a growing maze of puzzle box mysteries related to the monstrous creatures haunting Fromville at night. The big breakthrough about their origins was unveiled in the Season 3 finale, “Revelations: Chapter Two,” through two significant conversations.
The initial shocking disclosure unfolds when Fatima (Pegah Ghafoori) speaks up shortly after her harrowing pregnancy pod vanishes, escorted by the ubume doula. Ellis (Corteon Moore), who arrives in the root cellar to express relief that she’s alright, listens as Fatima shares her horrifying sight of the monstrous entities. “The creatures that emerge at night, I witnessed their true nature. They offered sacrifices of their offspring, promising them eternal life,” Fatima explains. This revelation gains credibility when Smiley (Jamie McGuire) emerges from Fatima’s pregnancy pod in the midst of her statement, surrounded by his monstrous kin from the Fromily family. The fact that these creatures seemingly cannot die – at least not completely – seems to be further substantiated by this event. Shortly afterwards, Tabitha (Catalina Sandino Moreno) recalls that she and Jade (David Alpay) were initially in Fromville and have made numerous attempts to rescue their daughter, implying that Fatima’s vision could indeed be accurate.
In a realm where illusions and echoes can deceive people living there, it’s essential to scrutinize any revelation carefully. If Fatima’s assertion that the monstrous entities were actually humans offering their children in exchange for everlasting life holds some truth, the complete story behind these beings remains shrouded in mystery – thus allowing for intriguing fan interpretations.
What we know about the monsters so far
Appearing as characters from the “Andy Griffith Show” on the surface, these creatures known as “Nightmare Creatures” include figures like a milkman, farm hand, bride, cowboy, cheerleader, librarian, and nurses. At first glance, they may seem friendly and ordinary humans. However, they can suddenly become vicious, tearing their victims’ bodies into gruesome remains. As the creator John Griffin mentioned in a making-of video, “They approach you with smiles. They approach you with an allure and enticement.
The beings can disguise themselves, uncovering hideous forms concealed within their masks. These distorted appearances seem to draw inspiration from Irish artist Francis Bacon’s 1953 painting titled “Study after Velázquez’s Portrait of Pope Innocent X.” They cannot be destroyed by ordinary means and do not appear to feel pain, a fact that has been confirmed. If they are somehow killed, they must be brought back to life. The autopsy performed on Kristi in “Belly of the Best” reveals Smiley’s shriveled internal organs, implying that these creatures were once human.
During the day, these cunning beings reside within the network of tunnels beneath Fromville. Known for their intelligence and manipulative nature, they’re adept at adapting their tactics. They take great pleasure in hunting and tormenting their prey, though they spare Randall (A.J. Simmons) and Boyd (Harold Perrineau) when presented with the opportunity to end their lives. Despite being kept out of homes by talismans, they can be enticed indoors if invited, and will go to great lengths to secure such an invitation. It’s eerie how much they seem to know about the townsfolk beyond mere nighttime stalking in the woods.
They seem to reside in a pocket dimension
One thing we can confirm about Fromville is it doesn’t appear on any familiar map of our world. This detail becomes clear in the series from the map displayed at the former post office-turned-sheriff’s station, showing people arriving in Fromville from various parts of the United States. The question remains whether the monsters are confined there or choose to stay, and the nature of the world they reside in is a topic for discussion.
Among fans, there are various theories about where the monsters live: some believe they’re in a spiritual realm called Purgatory, while others think the entire reality is created within young Ethan (Simon Webster)’s mind. Some fans even argue that “From” follows a simulation theory. However, many fans of Fromily seem to favor the idea that Fromville exists or resides in a parallel dimension, similar to the Christmasland pocket universe in “NOS4A2.”
According to The Faceless Girl on her YouTube channel, it appears that the story “From” takes place in a world where thoughts shape reality. She speculates that places like Fromville might be drawn from people’s memories. This could explain some of the seemingly irrational things found there, such as a hotel sign and pool without an actual hotel. If this theory is correct, it could also account for Fromville’s unusual power system, where power lines seem to lead nowhere yet still supply energy to the community.
Has the sluagh/dark fae hypothesis been disproven?
For quite some time, the theory that “dark fae/sluagh” played a significant role in “From” was widely discussed among Facebook groups and Reddit communities. However, this theory appears to have vanished rather unexpectedly following Tabitha and Fatima’s latest announcements. Despite seemingly being debunked, it had strong supporting evidence, with some pointing out that the term “fae” could mean “from” in certain Scottish dialects. Drawing from Celtic folklore, proponents of this theory argued that fairies (or fae) were frequently dark and violent beings, often human-sized, godlike entities who only emerged during the night. A type of fairy known as the sluagh are the spirits of unforgiven, restless dead, rumored to be cannibalistic.
Although Tabby and Fatima’s revelations may not entirely disprove this theory, it remains plausible given the myth-laden world of Fromville. It is understandable that those who traded their children for immortality might be cursed to wander a separate dimension as cannibalistic souls, doomed by their own transgressions. The appearance of the doula yokai, cairns, and a tree resembling Yggdrasil from Norse mythology, in addition to the abundant runic symbols scattered throughout Fromville – from talismans adorning clothing to Ellis’ blue jeans – all support the notion that mythology significantly influences this reality.
Season 3’s ending supports the Wendigo/Skinwalker theory
An intriguing hypothesis posits that the terrifying entities of Fromville could be modern adaptations of Native American legends like Wendigos or Skinwalkers. If this is correct, it may explain why only people from the contiguous U.S. seem to arrive in Fromville. The Wendigo folklore stems from Algonquian oral tales, while Skinwalkers originate from Navajo mythology, as portrayed in episodes like the second of “Supernatural” and the movie “Antlers.” However, upon closer examination of these Indigenous stories, the theory that the townspeople’s practice of sacrificing their children for eternal life aligns with the Wendigo curse seems to weaken.
In a TikTok video on the subject, Cherokee author Calla Claire explained that legends about Skinwalkers and Wendigos stem from Indigenous beliefs concerning the concept of “human duality.” As she put it, these creatures become human-like when one chooses evil actions, serving as a warning. Additionally, Shanclen, an Indigenous YouTuber, shared that Skinwalkers were once medicine people who hastily gained their shapeshifting powers by sacrificing a loved one.
The monsters are controlled by a single entity according to the Red Jellyfish theory
Similar to the enigmatic narrative of the show “Lost,” produced by Jack Bender and Jeff Pinkner from “From,” the events unfolding in Fromville have left viewers yearning to pause the screen and delve deep into intricate details, seeking hidden meanings. Unlike their past series centered around mysteries, the producers behind “From” claim they now possess a coherent plan to complement their unconventional storytelling approach.
With this thought in the back of their minds, Fromily members have noticed various subtleties such as dates etched on the lighthouse and cave paintings of what fans refer to as the “red jellyfish,” which is found next to a drawing of Jade’s tree root symbol. Many viewers suspect that this red jellyfish could represent an omnipotent force governing Fromville, influencing everything from the weather to the radios and jukeboxes. This entity might not necessarily resemble an actual red jellyfish in appearance.
Based on this theory, it’s suggested that the monsters are being controlled by a mysterious figure, who may have persuaded them to offer up their children as sacrifices. This theory implies that these creatures sometimes seem to work together, like when they unexpectedly altered their usual behavior one evening. YouTuber Dan Underscore has noted that multiple characters could potentially represent the jellyfish entity. He observes this by suggesting that the “ghosts” of Abby, Khatri, and Tom might all be disguises for the entity assuming different forms.
The Cromenockle theory says the monsters are connected to human thoughts
The writers have subtly emphasized throughout the series that stories, storytelling, thought, and imagination play a significant role in its narrative. Ethan frequently discusses his journey as akin to a hero’s quest, at one point stating, “It seems we need to save someone if we’re to return home… I sometimes imagine Thomas is on a magical adventure, and if I try, I can aid him in saving the kingdom.” Intriguingly, his parents enact a scene from their favorite book, “Flight of the Cromenockle,” which includes a reference to a cave.
It doesn’t seem too far-fetched to consider Sara’s (Avery Konrad) idea that Fromville brings nightmares to life, as Nathan’s fear of cicadas was proven true when a real swarm appeared. Some viewers have proposed that the creature which pulled Sarah and Boyd’s tent might be the giant spider from Ethan’s tales. An alternative theory proposes that Victor and Tabitha, whose husband Jim Matthews is played by a well-known actor, could be the storytellers in this context.
In another interpretation, if the Anghkooey kids channeled their dreams into tree trunks to form the Faraway Trees, and their elders are beings born from nightmares, it might suggest that Fromville is influenced by thoughts and things people believe can reshape reality permanently. This idea could explain all the deserted structures on the map, such as the Victorian house and colonial-era cabins, like the one outside Fromville — structures that seem to belong to different eras. If this hypothesis holds up, it’s also plausible that the initial villagers might have been changed into monstrous forms by their own thoughts due to the horrific act of offering their children as sacrifices.
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2024-12-29 22:30