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- ‘Idle Hands’ Is Very ’90s
- ‘Idle Hands’ Shines Because It Was Different From Its Horror Movie Counterparts
- ‘Idle Hand’s Financial Failure Was Out of Its Control
As a child of the late ’90s and early 2000s, I remember the excitement that surrounded the release of “Idle Hands” back in 2003. The marketing campaign was everywhere, and my friends and I were eager to witness this unique blend of horror and comedy that seemed tailor-made for us teenagers. Unfortunately, life had other plans, and I missed the movie during its theatrical run.
In the spooky-funny movie titled “Y2K“, filmmaker Kyle Mooney, working alongside Evan Winter on the script, guides us through a trip down memory lane as people were gearing up to tackle the Year 2000 issue, leaving 1999 in their rearview. The movie capitalizes on the anxiety that technology might take control as soon as the clock struck midnight and 2000 arrived, transforming that fear into a riotously funny scenario. This film masterfully combines humor with genuine terror, which can be challenging to pull off effectively. Often, in movies of this genre, the horror is authentic, but the jokes fall flat, or vice versa. However, Mooney manages to strike a perfect balance between the two, much like director Rodman Flender achieved back in 1999 with his own horror comedy.
While enjoying the movie Y2K, you’ll notice a striking resemblance in style to the horror comedy Idle Hands, a film that was released 25 years ago and would probably catch the interest of the characters in Mooney’s movie. Idle Hands was produced during the peak of teen movies in the late ’90s, when the horror genre was particularly popular among young viewers. Despite high expectations, it became a significant financial failure and received mostly negative reviews from critics. However, against all odds, it had all the makings of a cult classic, and since its release, it has amassed a dedicated fanbase far larger than the creators ever imagined.
‘Idle Hands’ Is Very ’90s
Idle Hands, penned by Teri Hughes and Ron Milbauer, explores the potential outcomes when one fully immerses in slacker lifestyle, choosing to be completely inactive throughout life. The story revolves around Anton Tobias (Devon Sawa), a lethargic teenager who indulges in cannabis, whose hand gets supernaturally possessed and starts acting independently. This possessed hand urges Anton towards a violent rampage, leading him to unintentionally kill his parents and two closest friends, Mick (Seth Green) and Pnub (Elden Henson).
In the style reminiscent of “An American Werewolf in London,” his deceased friends resurface to aid their comrade with his predicament. However, Anton’s unconventional approach – severing his own hand – fails to halt the rampage, and instead, it turns violent on its own, potentially endangering his love interest, Molly (Jessica Alba). To add to the chaos, a druidic high priestess named Debi LeCure (Vivica A. Fox) is hot on the trail of the spectral entity causing this bizarre hand possession. The plot gets quite eccentric, but it’s an incredibly entertaining ride.
‘Idle Hands’ Shines Because It Was Different From Its Horror Movie Counterparts
The movie “Idle Hands” appeals to horror enthusiasts who seek something a bit more unconventional, given that the film “Scream” from 1996 not only rejuvenated the horror genre but also inspired numerous imitators. These subsequent films, like “I Know What You Did Last Summer,” “Disturbing Behavior,” and “Urban Legend,” while entertaining in their unique ways, followed a familiar pattern as generic slasher movies.
The film “Idle Hands” stood out distinctly, leaning more towards the eerie atmosphere of Sam Raimi’s 1981 horror movie “The Evil Dead,” yet bearing a stronger resemblance to his humorous sequel, “Evil Dead II.” It seemed tailor-made for viewers who stay up late and might stumble upon it on cable during the night, or those who relish attending midnight screenings with a group of similarly eccentric fans. In essence, Idle Hands was crafted for those who aren’t shy about their quirks and aren’t afraid to flaunt them.
The film’s main character, Anton, isn’t odd or peculiar, but he converses with individuals who might have had a single-minded focus during that era. Anton appears to be a character who could discover his purpose if he so chooses, yet in the interim, he merely wants to smoke marijuana, socialize with his friends, and pine for a girl who may be beyond his reach. This situation is strikingly familiar, which is why the film and its character have remained popular among fans over the years. Anton’s friends share similar interests, but through their conversations, they seem to look down on Anton while also participating in those activities with their best friend. In essence, the characters feel genuine, although this authenticity might not be immediately apparent to some, but entirely relatable to people who have known individuals like him or were treading a similar path at that time.
The film’s acclaim is significantly attributed to Sawa, whose underestimated physical portrayal is utterly dedicated, providing some of the movie’s most substantial humor. Watching this actor is draining yet delightful before he detaches his hand, Sawa emulates some of the great silent actors of yore as he wrestles with managing his co-star. He imbues his hand with a life of its own that he can’t master, and as the central character in a horror movie, he becomes one of the most intriguing figures of that period. Unlike the conventional “final boy,” Sawa does not fit the mold because he confronts an inner struggle instead. By the time he disconnects himself from it, the battle transforms into a confrontation with an extension of himself. In another homage to Evil Dead II, when Bruce Campbell’s Ash clashes with his possessed hand, Sawa can rightfully claim that he holds his ground against Campbell in the arena of battling evil appendages.
Additionally, Alba’s character Molly, played with delightful innocence, might not be as innocent as she appears on the surface. This portrayal could potentially raise eyebrows today due to its appeal to teenage male audiences, yet Alba seems to be in on the playful nature of her role. The entire cast excels in this film, suggesting a shared awareness and acceptance of their part in creating it. Notably, Christopher Hart, a Canadian magician well-versed in the art, took on the challenging task of portraying Anton’s severed hand. Hart, who previously played ‘The Thing’ in Barry Sonnenfeld’s Addams Family films, seemed perfectly suited for this role.
‘Idle Hand’s Financial Failure Was Out of Its Control
The film “Idle Hands” struggled both critically and financially upon its debut, earning $4.2 million against a production budget of $25 million. It garnered only 18% approval on Rotten Tomatoes. However, it’s important to note that this movie was not primarily aimed at critics but at the audience who were expected to appreciate and support it. The Los Angeles Times acknowledged its own critique by stating, “‘Idle Hands’ may lack originality, but it compensates with an abundance of energy and audacity. Despite its questionable humor, you might find yourself amused, unwillingly, by the film’s boldness, if not its jokes.
It’s widely believed that the financial underperformance of the movie was due to its promotional efforts and release being impacted by the Columbine High School massacre, which occurred during the same month. Columbia Pictures debated postponing the film but ultimately chose not to hold a premiere instead. Several theaters, particularly those in Colorado where the shootings happened, declined to show the movie, significantly limiting its box office prospects. The movie, titled Idle Hands, also drew criticism in Congress when Senator Joe Lieberman described it as “another violent film aimed at teens that employs killing for comedic effect.
In time, it became clear that art, movies like “Idle Hands,” and music weren’t responsible for such behavior, and they shouldn’t have faced trial. After being taken out of the tragedy and released to home video, “Idle Hands” found its niche audience, an audience that has grown with each passing year. Today, the allure of “Idle Hands” is so potent that Sony Pictures has approved a remake featuring Finn Wolfhard, which, if successful, might confirm the enduring popularity of the original film over the years. It’s a well-crafted blend of insanity that balances its horror and comedy elements, creating a movie that wears its cult classic status with pride. You can stream “Idle Hands” on Prime Video.
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2024-12-09 01:02