As a cinephile who has spent countless hours immersed in the world of cinema, I must say that Yasujirō Ozu’s films have left an indelible mark on me. His poignant portrayals of family dynamics, love, and conflict resonate deeply with my own experiences and emotions.
Reaching a consensus on movies is no everyday task, but filmmaker Yasujirô Ozu accomplished this remarkable feat not just once, but numerous times throughout his distinguished career. This legendary Japanese creator was renowned for crafting poignant and authentic portrayals of family life that were so delicate and moving that not a single critic on Rotten Tomatoes could find any flaws in his artful cinematic techniques.
Ozu began his career as a film director during the silent film era, becoming renowned for his exceptional storytelling of ordinary moments. He frequently captured tranquil dramas and everyday routines within a household setting on camera. Over a period of more than three decades, he produced and directed approximately 50 movies, many of which were deeply rooted in Japanese culture, traditions, societal norms, change, the passage of time, and social transformations.
As Yasujirô Ozu delved deeper into relationships and generational themes, his viewers found greater resonance with his productions. The blend of nostalgia and contemporary elements was often highlighted in his films. Moreover, the rhythm, strategic camera positions, and creation of enigmatic characters yearning for liberty and personal growth contributed to 11 of Ozu’s films earning a perfect 100% on Rotten Tomatoes. Two additional titles from his silent era, specifically “The Lady and the Beard” and “Walk Cheerfully“, received a maximum audience approval score of 100%. Here is the list of these films, arranged by their release date.
11 I Was Born, But… (1932)
A classic black-and-white silent comedy titled “I Was Born, But…” was written and directed by Yasujirô Ozu. The story revolves around two brothers, Keiji and Ryoichi, who relocate with their family to the Tokyo suburbs. At first, they avoid school due to local bullies, but eventually give in and rise through the ranks of the neighborhood gang. However, when they see their deeply respected father humiliated by his superior at work, their world is dramatically altered.
Explores Childhood Innocence
In simpler terms, this movie tells a heartfelt story about children losing their childhood illusions about someone they considered strong and influential. Ozu’s skillful direction beautifully portrays the humor and sadness in family relationships and societal pressures. The acting, especially by young actors Tomio Aoki and Hideo Sugawara, adds depth to the transition from innocence to maturity, making it both moving and thought-provoking.
10 A Story of Floating Weeds (1934)
In the spotlight is another acclaimed silent film titled “A Story of Floating Weeds“. The narrative revolves around Kihachi Ichikawa, a renowned actor and head of a traveling kabuki troupe, who revisits a coastal town where his past love resides along with their son, Shinkichi. Mistaking Kihachi for an uncle, Shinkichi establishes a genuine bond with him. However, this friendship infuriates Otaka, Kihachi’s current companion, who endeavors to sabotage them. Yet, her scheme backfires, culminating in a sequence of intense emotional encounters.
A Masterpiece of Complex Emotions
In my perspective, Ozu masterfully weaves a heartfelt and genuine tale of love, envy, and obligation through his work. The everyday scenes and travels, coupled with the quiet dialogues and intricate interactions, resonated deeply, adding layers to the emotional intensity of the narrative. Outstanding performances by Takeshi Sakamoto and Chōko Iida, along with the stunning cinematography, make for a captivating viewing adventure. Lastly, the bittersweet minimalism of the conclusion is more than deserving of its perfect rating.
9 There Was a Father (1942)
Yasujirō Ozu has a knack for telling heartwarming and relatable human tales, and “There Was a Father” is one such film. This movie centers around Shuhei Horikawa, a widowed schoolteacher, and his son, Ryohei. Following a devastating incident with one of his students at school, Shuhei decides to step down and relocate to Tokyo, leaving Ryohei behind in a boarding school. Many years pass, and when Ryohei becomes an educator himself, Shuhei falls ill, prompting Ryohei’s return to care for his father. A poignant reunion and introspective moments ensue.
A Poignant Tribute to Growing Up
The film, titled “There Was a Father“, was meticulously crafted to convey the profound bond shared by a father and son spanning decades. Notable for its subtle grace and tangible emotional depth, the movie stands out. Chishū Ryū’s performance as the leading character is truly commendable. He portrays quiet strength, dignity, and unwavering dedication to shaping his son’s values, even in his role as a single father. The narrative delves into the complexities of the child-parent relationship through everyday moments, making it deeply impactful enough to garner a perfect score.
8 Record of a Tenement Gentleman (1947)
“Tenement Gentleman’s Chronicle” is a film by Ozu, produced post World War II. The narrative is set in the aftermath of the war in Tokyo, and it weaves a story steeped in poignant post-war sentiments. The plot revolves around Kōhei, a young boy, who finds himself in the care of a hesitant widow, O-tane, after being deserted by his father. As the story unfolds, we witness the transformation in their relationship, from O-tane’s initial coldness and disinterest towards Kōhei to her eventual warmth towards him. The film also explores the challenges faced within their community.
When Unexpected Bonds Are Formed
Released shortly after the war, the film “Record of a Tenement Gentleman” vividly portrays the grim setting and transforming era with an authentic elegance that resonates deeply. The 100% Rotten Tomatoes score attests to its unparalleled quality. Critics praised Ozu’s direction for subtly diverting the emotional pull of the narrative by observing it all through his calm, accepting perspective. Furthermore, Chōko Iida’s portrayal of O-tane, a woman shaped by life yet discovering her ability to love again, is truly captivating.
7 Late Spring (1949)
Under the collaboration of Ozu and Kogo Noda, renowned for their joint work on many of his screenplays, the film “Late Spring” was based on a short story penned by novelist and critic Kazuo Hirotsu. Actress Setsuko Hara, another frequent collaborator, portrays Noriko, a 27-year-old woman who resides with her widowed father, Professor Shukichi Somiya. Content with caring for her father and managing the household, Noriko finds herself in a predicament when Shukichi succumbs to societal expectations and arranges her marriage. This arrangement ultimately leads to a bittersweet goodbye.
Japanese Cinema’s Most Heartbreaking Father-Daughter Story
In simple moments, Yasujirō Ozu found great truths. A masterclass in understated storytelling, Late Spring is one of the few movies that captures generational conflict and the tension between personal desires and societal expectations in a way that’s piercing, timeless, and universally relatable. Hara plays a sympathetic Noriko, torn between her duties and dreams, representing every generation. Watching the calm but authoritative Chishū Ryū is oddly exquisite as well. Overall, the movie is a perfectly paced character study.
6 Early Summer (1951)
In the second part of Yasujirō Ozu’s supposed “Noriko trilogy,” titled “Early Summer,”, Setsuko Hara plays the lead character, a 28-year-old woman who lives contentedly with her family. However, following a visit from her uncle, they arrange for her to marry a businessman. Yet, everyone is taken aback when Noriko decides to marry Kenkichi Yabe, an old friend and widowed father, instead.
Setsuko Hara and Ozu’s Stunning Collaboration
Ozu’s Noriko trilogy stands out as a significant piece in Japanese cinema due to its central theme revolving around single women in post-war Japan, who strive to challenge societal norms and expectations. In the movie “Early Summer”, we see Ozu’s skill in portraying the complexities that arise when family harmony is disrupted. Hara’s character’s personal growth and pursuit of independence is vividly and powerfully depicted, making her journey captivating. Furthermore, Chishū Ryū and Chikage Awashima provide valuable contributions to this uplifting film with their insightful performances.
5 Tokyo Story (1953)
In a different wording, “Tokyo Story” stands as the last film (and arguably the most famous among many) in a trilogy by Yasujirō Ozu. This movie centers around an elderly couple, Shūkichi and Tomi Hirayama, who journey from their peaceful village home in Onomichi to spend time with their adult children residing in Tokyo. Despite their best efforts, the children are too engrossed in their lives to give their parents sufficient attention, leading the Hirayamas to feel neglected and disillusioned. The one individual who truly appreciates them is Noriko, a widowed daughter-in-law.
A Sorrowful Reflection on Family and Aging
Tokyo Story, praised by critics as a “timeless masterpiece whose depth and impact remain undiminished after over half a century,” boasts a perfect rating on Rotten Tomatoes. In this new portrayal, Hara assumes the role of Noriko, showcasing her gentle and empathetic personality to steer the story. Chishū Ryū and Chieko Higashiyama deliver subtle performances as the elderly couple, poignantly expressing a lifetime of love and sorrow. The film’s roaming camera angle and sparse stylistic approach symbolize the idea that home is not a location but rather the people who inhabit it.
4 Early Spring (1956)
In “Early Spring,” Ozu aimed to illustrate the emotional depth of white-collar existence, as he phrased it. The narrative unfolds around Shoji Sugiyama, an office worker ensnared in a humdrum marriage and rigid job. Following a hiking excursion with his peers, Shoji initiates an affair with a young typist affectionately known as “Goldfish.” As the relationship deepens, Shoji’s wife grows increasingly wary of his actions, ultimately leading to a breakdown in their union.
One of Ozu’s Most Acclaimed Later Works
Ozu’s films capture not only the everyday interactions within his central characters’ relationships but also the hardships, both emotional and societal, faced by the working class in a turbulent and disenchanted post-war Japan. His straightforward narrative style transforms marital disputes and contemporary life pressures into a gripping depiction of authenticity. Moreover, he pays close attention to the subtle feelings and intuitions of his characters, allowing viewers to comprehend why their relationships developed or deteriorated by the film’s end.
3 Tokyo Twilight (1957)
“Tokyo Twilight” recounts the narrative of two siblings, Akiko and Takako. While Akiko grapples with an unexpected pregnancy and a boyfriend who appears uninterested in her, Takako departed from her discontent marriage, returning to live with their father and caring for a young daughter. A peculiar incident brings them back together and ultimately leads to the reunion of their long-lost mother, Kisako, after several decades apart. This event prompts them to delve into the challenges they faced growing up without a mother’s presence and its influence on their current lives.
A Dark and Relatable Family Drama
In the films of Yasujirō Ozu, family relationships and hidden feelings often surface repeatedly. By shooting Tokyo during a period when it was undergoing transformation, he manages to encapsulate the essence of rebuilding as well as the wistfulness for bygone customs. This is particularly evident in Tokyo Twilight, one of his most emotionally charged works. The film’s subdued atmosphere and complex character interactions converge into a compelling storyline. Ineko Arima and Setsuko deliver captivating performances as the tormented sisters, and combined with the stark black-and-white visuals, it makes for an extraordinary drama.
2 Late Autumn (1960)
“Late Autumn,” Yasujirō Ozu’s final black-and-white film, is another portrayal of family, love, and conflict. The story revolves around Akiko Miwa, a widow, and her close relationship with her daughter, Ayako. When three old friends of Akiko’s deceased husband propose finding a husband for Ayako, Akiko reluctantly agrees, as Ayako doesn’t want to leave her mother alone. The plot becomes more complex when the friends suggest that Akiko should remarry too, believing it would motivate Ayako to do the same.
Ozu’s Most Affecting Work Of All Time
The movie titled “Late Autumn” has earned universal acclaim with a perfect score on Rotten Tomatoes. It’s been praised by critics, some even going so far as to describe it as “equally ambiguous and complex in tone and morality as anything [Ozu] ever created.” The film is visually appealing and delves deeply into the characters’ yearnings for meaning and connection. Ozu skillfully elicits profound and moving performances from Setsuko Hara and Yoko Tsukasa, portraying the mother and daughter, thus weaving a vibrant canvas of human feelings.
1 The End of Summer (1961)
It is ironic that The End of Summer is the last of Yasujirō Ozu’s movies with a 100% Rotten Tomatoes score as it is also the penultimate film in the director’s illustrious career. Set in rural Japan, it follows the Kohayagawa family, led by the aging patriarch Manbei, who runs a sake brewery. He has two daughters and a daughter-in-law. His carefree and childlike behavior, which includes rekindling his romance with an old flame, causes distress among them and the entire Kohayagawa family is forced to come to terms with their dilemmas.
A Bittersweet Meditation on Change
Made in the 1960s, “The End of Summer” offers a profound exploration of how time and generational shifts impact a family, with a blend of comedy and tragedy. It beautifully portrays the fragile equilibrium of family life. The dialogue between characters, expertly acted by Nakamura Ganjirō II, Setsuko Hara, and Yoko Tsukasa, still resonates with vitality and nostalgia that remains unparalleled to this day. Although it may not be the most notable work in Ozu’s career, “The End of Summer” is nearly flawless filmmaking nonetheless.
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2024-09-29 05:02