4 underrated live albums that deserve more love

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Live albums often take various forms. Sometimes an artist simply plays their popular songs, but these performances may not differ significantly from what you hear on the radio. Instead, such performances can become monotonous.

As a devoted admirer, I can’t help but feel that when an artist shines brightest during a live performance, it’s essential to share this raw talent with everyone. That’s pure, unadulterated skill we’re witnessing. There’s simply nothing better.

The upcoming recordings you’ll hear come from various time periods. Among them, two hail from the 1990s, while just one represents an authentic musician from that era. Regardless of when they were recorded, each track is considered a classic.

These live albums deserve a lot more attention than they get

Alison Krauss and Union Station – Live (2002)

In a way that seems almost unreal, Krauss’s voice sounds as if it’s being sung live without any backing tracks. However, this isn’t true – it’s just how incredibly talented she is. But let me tell you, their skills don’t end there; each member of the band is extraordinarily gifted.

This concert was held at Louisville Palace in April 2002, and the sound quality is exceptional. Moreover, the band delivers an impressive performance. In total, there are 25 songs, with “I am a Man of Constant Sorrow” being one of them. Though faster tracks may be popular, it’s the slower numbers like “Ghost in This House” that truly showcase their talent.

James Taylor – James Taylor Live (1993)

Taylor doesn’t skimp on this collection, offering us a lengthy journey instead. Comprising of 30 tracks, this double-set spans across the singer-songwriter’s discography from the late ’60s to the early ’90s. The melodies and harmonies are captivating throughout, and Taylor usually prefers to let the narratives in the songs unfold naturally rather than overcomplicate things.

Despite this, you’ll likely find a track you enjoy among the collection. Both “Country Road” and “Fire and Rain” are included, and they sound just as fantastic as their original studio versions. Additionally, there are lesser-known treasures like “Copperline” and “New Hymn” that are worth discovering too.

Suede – Love and Poison: Live at Brixton Academy, 16 May, 1993 (2021)

Unlike the last two entries in this article, Suede’s recording was completed in just one day. On May 16, 1993, they produced this musical gem, drawing from excellent B-sides and their self-titled debut album. The sound is boisterous and suggests a touch of glam, but don’t be fooled, this is a rock record.

This album showcases Suede in their initial and, arguably, peak form. They retain a rawness that sets them apart from the polished albums released post their third album, “Coming Up.” For a taste of the ’90s at its finest, this album is your go-to choice.

David Bowie – Live Santa Monica ’72 (2008)

When this album was produced, Bowie had already showcased the brilliance of Ziggy Stardust. Interestingly, the initial Santa Monica recordings were actually a high-quality bootleg. However, let’s not dwell too much on its origins. What mattered was the recording itself, as it beautifully encapsulated Bowie in his true essence – and can anything be more extraordinary than that?

As a dedicated fan, I’ve got to say, this recording isn’t polished, it’s got its quirks, but let me tell you, it’s David Bowie being David Bowie – raw, unfiltered, and utterly captivating. The Spiders from Mars? They sound like they were born for this moment, electrifying the stage with every note. It’s no wonder these bootlegs became legendary. After all, it’s Bowie who makes them so iconic.

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2025-03-10 13:00