9 hard-hitting Haider dialogues that make Shahid Kapoor starrer a must-watch

As a connoisseur of Bollywood cinema, I have had the privilege of witnessing some truly remarkable films that transcend the boundaries of mere entertainment and delve deep into the human psyche. Among these gems, Haider stands out as an exceptional masterpiece, a testament to the brilliance of its cast, crew, and storyteller Vishal Bhardwaj. The dialogues in this film are not just words strung together, they are poetic expressions that resonate long after the credits roll.

One of the most highly praised films in Bollywood, “Haider,” features Shahid Kapoor, Shraddha Kapoor, Tabu, and Irrfan Khan. This movie, helmed by Vishal Bhardwaj, is adapted from William Shakespeare’s renowned play “Hamlet.” The powerful dialogue of Haider has significantly contributed to its status as a must-see film that remains memorable.

9 powerful Haider dialogues that make Shahid Kapoor starrer a classic watch

1. “Hello? Hello? Mic testing 1,2,3… Hello…? Awaz aa rahi hai aap laog ko? Hello, hello, hello, hello, hello? “

The Haider movie and Shahid Kapoor’s dialogue from it are timelessly impactful. One of the many emotional scenes in the film showcases Kapoor’s exceptional acting skills. In this scene, he humorously introduces himself while addressing a crowd about law and order: “Is this thing on? Checking 1,2,3… Can you hear me now? Is anybody there? Hello, hello, hello, hello, hello?

2. “Yeh hota hai chutzpah”

In the Haider movie, they call cheating “chutzpah.” During that particular scene, when Kapoor’s speech becomes serious, and he helps the citizens understand their own exploitation, he says, “This is what we call ‘chutzpah.’

3. “Darya bhi main, darakht bhi main … Jhelum bhi main, chinar bhi main … dair hoon haram bhi hoon … shia bhi hoon, sunni bhi hoon, main hoon pandit … main tha, main hoon aur main hi rahoonga”

The Haider movie has earned its acclaimed status due to impactful dialogue scenes, particularly those delivered by the exceptional actor Irrfan Khan. In a heart-wrenching scene where his character Roohdaar is executed in prison, his courage shines through in the profound words, “I am the river, I am the tree … I am the Jhelum, I am the chinar… I am a sinner and I am pure… I am Shia, I am Sunni, I am Pandit… I was, I am, and I will always be.” This dialogue symbolizes his unity with all religions and castes.

4. “Aap jism hain, main rooh … aap faani hai, main lafaani”

In the same scene, Narendra Jha’s character Dr. Hilal Meer shares his heartbreaking belief, wondering that the two would die in prison. However, Roohdaar being his confident self reflects on his calm belief stating, “aap marne wale hain, Dr saab main nahin marne wala” and when Meer further asks how would that happen, he throws his another poetic thought, “Aap jism hain, main rooh … aap faani hai, main lafaani.”

5. “Mar ke hi pata chalta haiki zinda rahe toh jeeye nahin…aur marke bhi bache nahin”

In an intriguing sequence, Shahid Kapoor’s character, Haider, unearths a skull in a snowy graveyard. This discovery leads a young child to ponder why skulls laugh, and Kapoor’s character offers a profound response that has become a memorable line from the movie and encourages self-reflection: “Only the dead know the secret of living, and even the dead don’t last long.” Indeed, it’s a thought-provoking concept, isn’t it?

6. “Dil ki agar sunun toh hai, dimag ki toh hai nahi … jaan loon ki jaan doon, main rahoon ki main nahi”

This Vishal Bhardwaj scene showcases Shahid Kapoor alongside Shraddha Kapoor. In a deeply troubling state of mind, Kapoor’s character grips a gun, as Arshia watches him with confusion. The dialogue “If you could hear my heart, it would be clear; but my mind isn’t… I may live or die, I remain or disappear,” encapsulates the emotional and mental struggle portrayed in the scene.

7. “Disappeared logon ki biwiyaan aadhi bewa kehlati hain, half widows”

In the movie, Tabu portrays a multi-layered character with a profound influence that lingers during viewing. Following her husband’s disappearance, Dr Hilaal Meer, she identifies herself as a “partial widow,” referring to herself as “half wives of those who have vanished,” which translates to “half widows” in English.

8. “Talaashi ki itni aadat ho gayi hai yahan logon ko jab tak koi tatol naa le tab tak apne ghar mein bhi ghusne ki himmat nahin hoti”

The film takes place in the beautiful yet complex setting of Kashmir, and this dialogue accurately reflects the political tension portrayed within it. When Irrfan Khan’s character seeks a message from Haider’s father through Arshia, he delivers an ironic comment: “People here have become so accustomed to searching that they don’t even dare venture into their own homes when no one is looking for a needle.

9. “Gulon mein rang bharein, baad-e-nau bahaar chale, chale bhi aao ki gulshan ka kaarobaar chale”

Ultimately, upon encountering Haider, I found myself reciting a verse, a phrase my father frequently shared. “Paint the winds with hues, stride into the new bloom, come stroll with me through the garden’s dance,” a line that resonates anew after witnessing the film.

Fans who truly love the movie deeply remember the dialogues from Haider, a film that came out in 2014 and was praised by critics. Directed by Bhardwaj, it delved into the complex political issues and history of Kashmir, as well as the sexual tensions found in Shakespeare’s play.

2024-11-14 18:54