10 Best Westerns 90 Minutes Long

10 Best Westerns 90 Minutes Long

As a connoisseur of Westerns who’s spent countless hours riding the dusty trails of celluloid, I must say that these three films truly stand out. The first, “Dash to Safety,” presents an intriguing twist with the Apaches serving as the peacemakers – a refreshing change from the norm in Indian-themed Westerns. Shot on the breathtaking landscapes of the Grand Canyon, it’s a visual treat that stirs both the heart and the mind.


Generally speaking, Western movies tend to be lengthy affairs. For instance, “The Good, the Bad & the Ugly” lasts a hefty 161 minutes, while “Unforgiven” stretches out until the 131-minute mark. Many other notable Westerns share this extended runtime, meaning viewers need to set aside considerable time for enjoyment. Despite the arid landscapes portrayed in these Old West films, there’s no shortage of tales to uncover, so filmmakers and writers often take their time to delve into these narratives fully.

If you’re worried that these Westerns might be too lengthy for your schedule, don’t be! These films are concise and fast-moving, with minimal time spent on detailed explanations of the world they’ve created. Despite this, their stories make perfect sense. What truly sets them apart is the compelling characters they feature. So, relax and enjoy these fantastic Western classics.

10 Wild Bill Hickok Rides (1942)

82 minutes

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As a passionate movie buff, I’d put it this way:

Key Business Lessons

Ray Enright’s bold portrayal of capitalism and crime during the late 1800s deserves praise. The film functions as a warning to business owners, illustrating how quickly one can inadvertently sign an unsound agreement. Moreover, Constance Bennett outshines her fellow actors with her dedication and skill. Hired for the lead role at a time when it was rare for women, she demonstrated why gender parity in casting is crucial.

9 Old Yeller (1957)

84 Minutes

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Drawing inspiration from Fred Gispon’s book titled “Old Yeller”, the story is set in post-Civil War Texas, far from any outlaw or sheriff drama. Instead, it focuses on a young boy named Travis (played by Tommy Kirk) who befriends a Black Mouth Cur dog he finds and names Old Yeller. As the story unfolds, a series of hardships arise, putting the bond between Travis and his beloved pet to the test. Despite these trials, Travis perseveres in an attempt to keep his friendship with Old Yeller intact.

A Heartwarming Boy-and-His-Dog Film

Old Yeller is a film that appeals to both children and adults, offering heartfelt moments and valuable life lessons. One of the main messages is that despite unfortunate events, life continues. In a poignant third act, the dog passes away, leaving young Travis heartbroken. However, he eventually learns to move on, particularly when he sees the striking resemblance between the departed Old Yeller and its puppy replacement.

As a movie enthusiast, I can’t help but sing praises about the profound impact “Old Yeller” has had on me. This film, at times heart-wrenching, cleverly humorous, and deeply moving, towers above many others in the realm of dog movies. Despite its relatively simple script, the extraordinary chemistry between the boy and the canine protagonist elevates it to unparalleled heights.

8 The Ox-Bow Incident (1943)

75 Minutes

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In “The Ox-Bow Incident,” two travelers named Gil Carter (played by Henry Fonda) and Art Croft (Henry Morgan) encounter trouble in a small Nevada town. This town is plagued by cattle thieves, leading to initial suspicion towards the cowboys. However, they successfully manage to prove their innocence to the residents, as they were not involved in any wrongdoing.

Not long after, Carter and Croft join forces to track down the wanted gang. When their search brings them near what could be the culprits, they’re faced with a crucial decision that affects many lives. To their surprise, this mission turns out to be more challenging than they had anticipated.

One of Clint Eastwood’s Favorites

In the late 1800s, the novel “The Ox-Bow Incident” serves as a scathing critique on the destructive effects of cattle rustling and those who exploit it heartlessly. Greedy and devoid of empathy, the antagonists radiate chilling malevolence as they seize what isn’t rightfully theirs. Additionally, Fonda delivers an impressive portrayal of a resolute gunslinger in this role. The book was even nominated for Best Picture, and notably, Clint Eastwood listed it among his favorite Westerns.

7 Three Hours to Kill (1954)

77 Minutes

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As a passionate moviegoer, I recently watched “Three Hours to Kill,” a gripping tale that unfolds in a quaint little town. In the initial moments, the townsfolk unjustly expel Jim Guthrie (played by Dana Andrews) when he’s falsely accused of murder. Determined to clear his name, he returns years later. Armed with his fists, quick thinking, and an altruistic resident named Chris, I found myself drawn into a thrilling detective-like journey as Jim sets out to find the true perpetrator and restore his reputation.

A Race Against Time

In the movie “Three Hours to Kill,” emotion plays a crucial role, just like it does in films about wrongly-accused characters. The protagonist’s downcast expression and sorrowful eyes hint at his unfortunate fate even before he can attempt to clear his name for the crime he’s been charged with. However, there is still a chance for him to restore his dignity by solving the homicide.

There’s a palpable tension since Jim has just three hours left to discover the murderer, or else his fate will be sealed forever. Interestingly enough, this plot point seems to have influenced Roger Corman in creating his movie, Gunslinger, as noted by Senses of Cinema.

6 Bad Day At Block Rock (1955)

81 Minutes

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Taking place just post World War II, A Troublesome Day in Black Rock depicts John J. Macreedy (Spencer Tracy), a war veteran missing an arm, on a quest to find a Japanese-American individual named Komoko. Upon reaching the minuscule town of Black Rock, where he presumes Komoko once resided, he encounters hostility that leaves him questioning whether the townsfolk and the sheriff are concealing a significant secret.

Thought-Provoking Western With Traces of Film Noir

In a style reminiscent of film noir, the Western stands out by emphasizing Macreedy’s inquisitiveness and alertness to his surroundings. Spencer Tracy, who became the first actor to win two consecutive Oscars for Best Actor, portrays the character’s feelings and habits exceptionally well. The overall acting is impressive due to the presence of several past Academy Award nominees, notably Dean Jagger, Robert Ryan, and Lee Marvin.

Viewed from a thoughtful standpoint, “Bad Day at Black Rock” offers numerous pleasures. It stands out as one of the initial movies that strongly criticizes the unfair treatment of Japanese Americans during post-World War II era in the U.S. Moreover, it tackles important themes such as McCarthyism and racial discrimination.

5 Westworld (1973)

88 Minutes

The HBO remake might be more popular, but the original MGM production is also a fun ride. In Westworld’s world, there is Delos, a techno-powered adult amusement park featuring three themes: Western World (American Old West), Medieval World (Old Europe), and Roman World. The parks are full of humanlike androids, and, for $1,000 a day, guests may make all their fantasies (including sexual ones) come true.

Infusing Sci-Fi Into a Tired Genre

In the early ’70s, the Western genre faced challenges similar to those encountered today by superhero films. However, science fiction was thriving at that time. Wisely, director Michael Crichton combined these genres to create a successful mix.

The movie effectively portrays the hectic, exhausting world of the hospitality industry, showing its impact on employees. Even for robots, the intense workload can be too much. However, the amusement park adventure remains engaging. It’s like a paradise, albeit one with significant violence. Watching the film seems more enjoyable than worrying, despite the violence.

4 The Hired Gun (1957)

64 Minutes

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In “The Hired Gun,” I, Gil McCord, a seasoned gunslinger, am hired to apprehend a secretive murderess named Ellen Beldon (Anne Francis) and deliver her to the sheriff for trial. However, my expectations are flipped when I discover that the alleged murderer is none other than Ellen. She stands accused of slaying her spouse, yet she adamantly claims innocence. Initially, I pledge to uphold my duty and bring her in, but as our encounters deepen, my emotional resilience starts to falter. Over time, I find myself aligning with her quest for justice and set out to track down the true culprit behind the crime.

Pressure-Cooked Movie with All the Necessary Ingredients

Ray Nazarro, nicknamed “The 10-day picture guy,” was famous for creating low-budget Westerns swiftly. During his peak, he produced more than ten movies a year. Yet, “The Hired Gun” doesn’t seem like a B-movie; instead, it presents itself as an engaging and ambitious feature film. The storyline beautifully depicts the bond between outlaws and gunslingers, reminiscent of Blondie and Tuco in “The Good, the Bad & the Ugly.”

The story unfolds amidst a vast setting of economic hardship. Moreover, Nazarro employs wide-angled shots, skillful framing methods, and authentic desert lighting to craft a stunning Old West scene. Consequently, this film becomes a striking cinematic masterpiece, often ranked among the top productions of its era.

3 Smoke Signal (1955)

88 Minutes

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In the year 1852, a fresh cavalry contingent takes over a new outpost near the Colorado River. Their goal is to assert control over the region, but their dreams are swiftly dashed as they’re met with fierce resistance from the Ute tribes upon arrival. Tragically, only nine soldiers manage to survive the initial onslaught. The remaining men, terrified of another Indian attack, hastily escape downstream in boats. Simultaneously, discord begins to brew among the soldiers themselves.

Beautiful and Refreshing

As a history enthusiast who has always been captivated by the American West and its complex narrative, I find “The Draft-to-Safety Western” to be a refreshing take on the genre. Having grown up with countless Western films that portrayed Native Americans as savage antagonists, it was intriguing to see a story where the Apaches are depicted as peacekeepers, which adds depth and nuance to their characterization.

2 Taggart (1964)

85 Minutes

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In Taggart, the peaceable life of character Kent Taggart is shattered when his family and livestock are brutally attacked, leading to Kent avenging their deaths by killing the culprit’s son. On the run with a $5000 bounty on his head, chaos ensues. The theme of retribution, “an eye for an eye,” permeates this story.

The Fun Side of Revenge

In a stark, unyielding Western setting, this film embodies everything a vengeance-themed movie ought to be. What makes it stand out is that it’s not solely about revenge; instead, it weaves a tale where our protagonist, Kent, finds himself in a series of uncomfortable situations. Among these, he encounters unwanted advances from the wife of a wealthy man while on the run.

1) In addition, the conversations are captivating. One character laments, “I speak too much and think too little.” The antagonist then declares, “This document is a warrant for Taggart’s apprehension. It states ‘dead or alive.’ You can cease reading after the word ‘dead.'” A wife who has strayed justifies her actions, remarking, “A woman such as myself deserves more than a man who snores loudly.”

1 High Noon (1952)

85 Minutes

One of the most poignant Westerns ever produced, “High Noon” tells the story of Will Kane (Gary Cooper), a marshal who must abandon his honeymoon plans when he learns that an outlaw he previously imprisoned will soon be released. The ominous outlaw is due to reach town at high noon, and Kane understands the implications: more conflict. His new bride urges them to flee, but Kane decides to remain. Heartbreakingly, no one in the town is willing to assist him.

The Presidents’ Movie

In Western films, it’s typically effortless for the main character to gather a group of allies. However, our protagonist, Kane, encounters such difficulties that it borders on the absurd. One man he tries to recruit lies to his wife about his whereabouts. A subordinate insists on getting promoted before joining, and his wife, who is peace-loving, threatens to leave if he does. Despite everyone acting as though this isn’t their concern, Kane remains undeterred. Remarkably, all these events unfold in real-time.

As a cinephile, I can’t help but sing praises for the masterpiece that is “High Noon”. It has found favor not just among film enthusiasts like myself, but also amongst political heavyweights such as Bill Clinton, Ronald Reagan, and Dwight Eisenhower. Each of them have voiced their admiration for this timeless film.

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2024-08-11 04:32