As a lifelong fan of the Alien franchise, I must say that Fede Álvarez has truly outdone himself with Alien: Romulus. The ending, as controversial as it may be, is exactly the kind of shocking twist that keeps me coming back to this series.
Note: Discussions ahead contain spoilers about the ending of ‘Alien: Romulus’. If you’re yet to watch this movie, consider yourself forewarned.
It appears that some filmmakers believe their role is to stir things up, particularly within studio settings. As director and co-writer Fede Álvarez’s 2024 movie, “Alien: Romulus“, garners box office success, a murmur among fans discusses certain choices made in this new installment of engineered horror. Specifically, the ending of “Romulus ” has become a significant point of contention, due to its unexpected twists that close the film. Notably, Álvarez is now speaking openly about the resistance he encountered from Disney regarding that finale’s implementation.
It’s understandable that the director of “Don’t Breathe” shared with THR that there was resistance from Disney executives towards that ending. Fede Álvarez gave insights into his conversations with Disney and his methods for assessing scripts, thus illuminating these discussions.
As a gamer, if the team nods enthusiastically after hearing my bold ideas and says “Let’s roll with it!” without any hesitation or doubt, I feel like I’ve missed an opportunity for creative growth. Ideally, I want the studio to express some apprehension, asking questions like, “Are you absolutely certain about this? Are you sure you want to go through with that?” This interaction is a common occurrence in my movie-making journey. For instance, when discussing the script for ‘Don’t Breathe’, they questioned the feasibility of various elements, and during ‘Evil Dead’, they were puzzled by the idea of blood rain. These moments of pushback are reassuring to me because it means we’re pushing the boundaries, and that’s when the magic happens.
Just as the Engineers in the Alien movie timeline aimed to produce an ideal organism to eliminate humanity, Fede Álvarez appears to crave his studio associates to scrutinize his work. Financially, it’s clear that this approach is effective, given Romulus’ impressive box office debut during its opening weekend. While fans may argue over the means and motives behind the movie’s narrative direction, the commercial success cannot be ignored.
As a dedicated fan, let me share some insights into Disney’s decision to alter the ending of Alien: Romulus. To elucidate this point, allow me to introduce you to an intriguing character who played a significant role in the story – a friend I’ve come to know quite well during my voyage through the Renaissance station. However, if you haven’t experienced the ending of Alien: Romulus firsthand yet, beware of the impending spoilers that follow.
Hey there! You got it, I’m referring to a specific character that the game developers seemed a bit anxious about – can you imagine?
Initially, there was resistance towards the concept of the Offspring, not because it wasn’t appreciated, but rather due to doubts about its necessity or potential excessiveness. My response was, “Indeed, now that you’ve raised that point, I know I will.” Consequently, we followed through with our plans in this project. If a corporation under Disney’s ownership were to quickly approve an Alien movie, it would suggest a lack of creative risk-taking or originality. Therefore, we deliberately tested the boundaries, and I am content that we did so.
When creating a new addition to a series such as the Alien films, it’s crucial to think about ways to maintain an original and engaging narrative while also respecting the established universe. Maintaining a balance between innovation and adherence to the existing storyline is another important consideration, avoiding significant alterations that might disrupt the continuity.
In simpler terms, the recently created Offspring combines the fundamental aspects from two different approaches, reinforced by Mr. Álvarez’s characteristic all-or-nothing attitude. However, there are concerns whether Isabela Merced’s mother-to-be, Kay, was the right choice for carrying this questionable move towards a stronger workforce.
Linking the controversial works of ‘Prometheus’ and ‘Alien: Covenant’, as well as connecting the dots between ‘Alien’ and ‘Aliens’, is a challenging task with potentially significant consequences for the entire series. However, whether this endeavor proves successful will ultimately hinge on the reception of ‘Romulus’ in theaters, so it’s best to reserve final opinions until then.
Via the distinctive horror approach of Fede Álvarez, a new creature emerges, providing insights into how he and co-writer Rodo Sayagues perceive Weyland-Yutani’s ongoing endeavors to construct superior worlds. As a devotee of the series that began with the 1979 masterpiece Alien, I am eagerly anticipating where the narrative unfolds next.
As a passionate fan, I’m aware that my new take on this space saga might face some resistance from fellow enthusiasts. After all, in a fandom, the loudest silence is when everyone is shouting their opinions!
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2024-08-21 18:37