The Best Toronto International Film Festival Movies & Shows of 2024

As a cinephile with a keen eye for both timeless classics and contemporary masterpieces, I find myself utterly captivated by the rich tapestry of stories unfolding at this year’s Toronto International Film Festival (TIFF). Among the many intriguing titles, three stand out as particularly compelling.

Each year after the summer slump following Cannes, the high-speed race of international film festivals revs up in late August with the Venice Film Festival, a tantalizing (and wet) prelude to what’s coming next. The Toronto International Film Festival (TIFF), widely acclaimed, continues the cinematic momentum from September 5th to the 15th. Following this, there will be Fantastic Fest, the New York Film Festival, London, Chicago, Tokyo, Stockholm, and numerous others.

currently, TIFF is leading the film market and cultural focus, and it’s justified since numerous anticipated series and films of 2024 are being showcased in Toronto. We’ve rounded up the most promising movies from the festival. While some titles have more definite potential than others (Anora, Cloud, Disclaimer, Faithless, Kill the Jockey, M – Son of the Century, The End, Presence, The Life of Chuck, The Listeners, We Live in Time), all of these films deserve attention from movie enthusiasts. It’s worth mentioning that descriptions for some films were provided by the skilled programmers at TIFF, and their names are noted accordingly.

40 Acres

(Dir. R.T. Thorne, The Porter, The Lake)

In a future after a catastrophic collapse of food supply, the last descendants of a Black farming family who immigrated to Canada following the American Civil War struggle to safeguard their homestead against an aggressive militia determined to seize their land. Writer-director R.T. Thorne weaves this dystopian tale with modern resonance and a poignant historical allegory, featuring Black and Indigenous characters as central figures in a saga about people fighting for their territory against those willing to take it by force without remorse. Discover more about 40 Acres and locate screenings here.

Aberdeen

(Dir. Ryan Cooper, Eva Thomas)

In a peaceful, idyllic childhood with her grandparents in Peguis First Nation, Aberdeen found solace. However, this haven was shattered by Aberdeen’s own parents who were often wild and absent. As an adult now, Aberdeen finds herself homeless in Winnipeg, struggling to survive. The few stable aspects of her life are fading – her healthy brother Boyd is unwell and surrenders their grandchildren to foster care. To make matters worse, she also loses her identification.

In my situation, homeless and lacking official identification, I’ve been turned away countless times as I search for aid. However, it wasn’t until I managed to return to my home community that I was finally treated with dignity and saw a glimmer of hope to break the cycle of generational trauma. Discover more about Aberdeen and screening locations here.

Addition

(Dir. Marcelle Lunam, Habana Shakes)

For Grace Lisa Vandenburg, numbers hold immense importance. As a mathematician residing in Melbourne, Grace’s life is significantly influenced by her arithmomania – an intense compulsion to count things repetitively for accuracy. This ranges from the seeds on her cake to the bristles on her toothbrush. In a world that often feels chaotic, unpredictable, and tragic, Grace finds solace in this fixation, as it provides her with a sense of order and control.

In a surprising yet not entirely unwelcome twist, Grace’s well-organized existence is shaken up when she encounters Seamus, an enchanting British immigrant drawn to Grace’s quirky appeal. As their bond deepens, Grace struggles with disclosing her inner compulsion. Navigating this unfamiliar landscape, Grace is forced to confront the ghost of a past childhood trauma and embark on a journey towards equilibrium.

All of You

(Dir. William Bridges, Soulmates, Black Mirror)

Simon, portrayed by Brett Goldstein, joins his closest friend Laura, played by Imogen Poots, on a novel test promising to pair people with their soulmates. As Laura advances in her relationship with this new partner, Simon starts to realize the depth of his feelings for her, even though he’s not yet willing to acknowledge it. Amidst their emotions, Simon and Laura must traverse the course destiny has set for them, before things get too intense and their affection overflows into their complex lives.” Discover more about All of You and upcoming showtimes here.

An Unfinished Film

(Dir. Lou Ye, Spring Fever, Saturday Fiction)

Filmmaker Xiaorui and his team stumble upon captivating old footage from a project they had left unfinished a decade ago. A longing for the past and a drive to finish a project close to his heart, inspires Xiaorui to gather his original crew once more to complete it. However, their work is halted when COVID-19 breaks out in Wuhan, resulting in lockdown for the team. Director Lou Ye fuses fiction with real footage from social media to create an exceptional narrative in a documentary style, depicting the early phases of the pandemic. Discover more about The Unfinished Film and its screenings here.

Andrea Bocelli: Because I Believe

(Dir. Cosima Spender, Palio)

For the past three decades, Andrea Bocelli, renowned for his unique blend of pop, rock, and opera music, has moved the souls of countless people worldwide with his remarkable voice. The documentary “Andrea Bocelli: Because I Believe” offers a personal glimpse into the life of this extraordinary singer, drawing heavily on last year’s spectacular performance at the Baths of Caracalla as its foundation.

This enlightening film chronicles Andrea Bocelli’s journey to stardom and his unwavering commitment to his art, using interviews, historical performance clips, and casual gatherings like a lively party where Bocelli’s companions share memories over food and drink. When Bocelli sings, it seems like the heavens are opening, but watching Because I Believe serves as a reminder that this exceptional artist is deeply connected to the earth. Discover more about Andrea Bocelli: Because I Believe and find screening information here.

Anora

(Dir. Sean Baker, The Florida Project, Red Rocket)

In Sean Baker’s new film, Mikey Madison plays Anora, or Ani as she likes to be known, a sex worker residing in a run-down Brooklyn apartment with the constant hum of the subway below. Yet, when the sun sets, Ani transforms herself, adorning glamorous attire and flashing a captivating smile for the patrons at a nearby club. Amidst numerous lap dances, Ani frequently engages in conversation with Vanya, a lively Russian youth who lavishly spends his parents’ wealth.

Ani is captivated by his innocence, and the two quickly settle into a comfortable pace. She introduces him to enjoyable experiences, and he ushers her into a life filled with charm she had previously dreamt of. Their romance blossoms rapidly, but their happiness is put at risk by Vanya’s influential family. Ani clings desperately to this enchanting illusion using her long, pink-painted nails.” (Paraphrased by MeMyselfAndI) Discover more about Anora and catch screenings here.

Anywhere Anytime

(Dir. Milad Tangshir, Star Stuff)

Ibrahima Sambou, often referred to as Issa, is a young, undocumented immigrant from Senegal residing in Turin, Italy. Despite the city’s hustle and bustle, he struggles daily to make ends meet and send money back home, all while being largely unnoticed by society. His situation is precarious, with international politics and those he encounters having a significant impact on his life. Recently dismissed from his job, Issa secures employment as a food delivery rider, courtesy of a compassionate friend named Moussa Dicko Diango.

In my role as a dedicated worker, I’m expected to arrange my own mode of transportation for this tough job. Unfortunately, just when things were starting to look up for me, my newly purchased bicycle was stolen during a delivery. Determined to face and conquer another obstacle, I immediately set off on a grueling journey through the city streets to retrieve my means of transport and sustenance. Want to know more about Anywhere Anytime? You can check out screenings here.

Babygirl

(Dir. Halina Reijn, Bodies Bodies Bodies)

In the movie “Babygirl”, Nicole Kidman’s character Romy, a successful executive, strays from her husband, the theatre director played by Antonio Banderas. It’s not that their physical relationship has faded, as a passionate scene at the beginning of the film indicates. However, when he goes to sleep, Romy leaves the room to fulfill something she couldn’t accomplish with him.

When I encounter Harris Dickinson, a sassy intern at my firm who seems to understand me better than I intended to disclose, and who relishes exerting control, it’s just a question of when we’ll wind up in a shady hotel. We grapple, both physically and metaphorically, with a complex power struggle. My age and status might give me the upper hand, but Samuel makes it clear that he could wreck my life with a simple phone call. Discover more about Babygirl and upcoming showings here.

Better Man

(Dir. Michael Gracey, The Greatest Showman)

Stepping into the shoes of a film critic:

Bird

(Dir. Andrea Arnold, Fish Tank, American Honey)

12-year-old Bailey, portrayed by the captivating Nykiya Adams, resides with her father Bug, who though devoted, is emotionally unstable (played by Barry Keoghan). They inhabit a dilapidated apartment building adorned with graffiti. When Bug reveals his impending marriage to his new partner, Bailey feels both anger and sadness, fearing the future. Her mother lives with an abusive man, and while Bug exhibits intense affection for his daughter, he sometimes fails to comprehend a growing teenager’s needs.

Whenever I need solace, much like any other movie enthusiast seeking refuge in the silver screen, I escape to the sprawling meadows on the edge of my beloved hometown. It’s here, among nature and its gentle creatures, that I feel most authentic – an unusual talent for understanding animals and experiencing the world around me on a profound level. On one such stroll, I encounter a peculiar yet intensely significant moment with a creature that guides me in facing a challenging confrontation with my mother’s cruel partner. Discover more about this captivating story and catch it at screenings here.

Bonjour Tristesse

(Dir. Durga Chew-Bose)

During the peak of summer vacation, 18-year-old Cecile (Lily McInerny), beloved by many, finds herself lazing at a French seashore with her charismatic father Raymond (Claes Bang) and his free-spirited companion Elsa (Naïlia Harzoune), who is not much older than Cecile. Aside from nurturing a blossoming relationship with a local lad (Aliocha Schneider), Cecile has plenty of leisure time to drift and dream, offering her an unobstructed view into the grown-up chats over appetizers, devoid of judgment.

As Cécile constructs her sandcastle as the sea approaches, her idyllic existence is disrupted by the arrival of Anne, a renowned fashion designer from Paris who shares the same circle, yet casts a dark cloud over Cécile’s everyday bliss. Despite yearning for connection, this meeting stirs up complexity. This film, an adaptation of Françoise Sagan’s iconic novel and remake of the timeless Preminger film with Jean Seberg, marks the debut of Montreal-based writer-director Durga Chew-Bose, introducing a unique talent to the cinematic world. Explore Bonjour Tristesse and its screenings here.

Bring Them Down

(Dir. Christopher Andrews)

Exploring a longstanding feud between neighboring clans in the Irish countryside, the gripping tale “Bring Them Down” immerses us into a world of stark, haunting beauty and desperate characters. Michael (Christopher Abbott), the sole caretaker of his family’s sheep farm, struggles with both guilt over a past tragedy and a hidden secret he fervently wishes to keep concealed. His father (Colm Meaney) is disabled, while his mother perished in a car accident years ago – an incident in which Michael was behind the wheel. Plagued by remorse ever since, Michael’s life takes a turn when his prized rams are found deceased. This tragic event reignites old wounds and sets two families on a dangerous path towards conflict. (Robyn Citizen) Discover more about Bring Them Down and find showtimes here.

By the Stream

(Dir. Hong Sangsoo, Woman on the Beach, Walk Up)

Jeonim (Kim Minhee) spends the beginning and end of each day peacefully sketching by a stream, drawing inspiration from nature to create intricate textile designs in her notebook. A professor of art at a women’s university, she faces a problem within her department as a scandal has disrupted the group and led to the dismissal of their original director. To resolve this issue, she enlists the help of her uncle Chu Sieon (Kwon Haehyo), a once-renowned actor-director, to direct the annual skit festival production.

Throughout the practice sessions, as the moon gradually expands to its full glory and energies intertwine, both students and instructors delve into their vulnerable, error-prone selves. The latest work by South Korean auteur Hong Sangsoo, titled “By the Stream“, is a poignant narrative about solitude, bonding, and artistic production as a source of comfort. (Andréa Picard) Discover more about By the Stream and upcoming screenings here.

Can I Get a Witness

(Dir. Ann Marie Fleming, Window Horses)

Do You Have Any Testimony? narrates the journey of a mother and daughter in a future scenario where significant sacrifices are necessary to sustain life on Earth. The planet’s resources have been depleted by electronic waste and overpopulation, leading to an anthropogenic breakdown. To cope with this, technological advancements are avoided. People live without electricity, and only exceptions are given access to cars. Crucially, there is also a societal pact that no one can surpass the age of 50.

In Sandra Oh’s series, Ellie shares her home with her teenage daughter Kiah (Keira Jang), who embarks on her first day as a Documenter, an essential role in this revised societal structure. She expresses her talents creatively through animations to depict the final rituals, as printing and photography are now forbidden. Kiah is partnered with Daniel (Joel Oulette), a young man who carries out the contractual aspects of each individual’s end-of-life ceremony. He handles these tasks in a straightforward manner by presenting the available options, setting them up when necessary, and performing the burials. However, Kiah finds it challenging to cope with the emotional toll of the job. (For further insights on “Can I Get a Witness”, visit this link.)

Caught by the Tides

(Dir. Jia Zhang-Ke, Mountains May Depart, A Touch of Sin)

Jia Zhang-Ke’s latest masterpiece, ‘Caught by the Tides’, is a captivating work that defies traditional concepts of time, having been created over a span of 20 years. This film serves as a reinvention of his cinematic style, a reinterpretation of his career, and a vivid depiction of China’s recent history. A film that opposes the tide of conventional thought, ‘Caught by the Tides’ is a heartfelt tribute to actress Zhao Tao, who has significantly influenced and shaped Jia’s cinema. Exploring the enchanting depth of her performances, she continues to be a source of inspiration for his films. For more information about ‘Caught by the Tides’ and upcoming screenings, click here.” (Paraphrased by Assistant)

Cloud

(Dir. Kiyoshi Kurosawa, Cure, Pulse, Charisma)

2021 has been a fruitful year for Kiyoshi Kurosawa, one of the renowned filmmakers in Japanese cinema. He’s directed not only a French-language remake of his 1998 film “The Serpent’s Path” but also the mid-length mystery horror “Chime”. His latest work is the action-packed thriller “Cloud“, which follows Ryosuke Yoshii (Masaki Suda), a worker in Tokyo who supplements his income by selling items online under an alias. However, Yoshii’s apparently peaceful life takes a turn for the worse when he experiences mysterious attacks from unidentified attackers. As he delves deeper, he realizes that multiple adversaries are after him, disrupting his tranquility.

Conclave

(Dir. Edward Berger, All Quiet on the Western Front)

Upon an unforeseen demise of the Pope, Cardinals from various parts of the globe swiftly make their way to the Vatican. They then isolate themselves within its walls, putting aside digital gadgets, securing doors, and drawing curtains as they ready for the selection of a new head – a figure who will not only offer spiritual direction to Catholics worldwide but shape the course of things to come. Starring Oscar-nominated actors Ralph Fiennes, Stanley Tucci, and John Lithgow, Conclave offers a glimpse into a clandestine procedure that impacts millions yet remains hidden from many. For more information about Conclave and screening details, click here.” (Paraphrased by me) Learn more about Conclave and find screenings here.

Dahomey

(Dir. Mati Diop, Atlantics)

“For centuries, the Kingdom of Dahomey, within the borders of modern-day Benin, was a central cultural meeting point in West Africa, a site of European colonial conquest and the transatlantic slave trade. In 1892, the French invaded and looted hundreds of treasures from the royal palace, alongside thousands of other works. Following years of appeals and reports, in 2021 an agreement was made for several of these artworks to be returned from France to Benin. French-Senegalese filmmaker Mati Diop was granted access to the multipartite process.

Exploring the journey of 26 royal artifacts, once housed at the Musée du quai Branly in Paris, from their packaging, overseas transportation to Cotonou, evaluation, and unveiling, Diop meticulously details the physical and logistical aspects. However, his work also stirs echoes of displacement’s past. Immersed in a dreamlike, disconnected narration (utilizing a Fon-speaking bronze figure) and haunting melodies by Dean Blunt and Wally Badarou, the film thoughtfully points to unresolved chapters of colonial growth and exploitation. For further insights on Dahomey and upcoming screenings, click here.

Daniela Forever

(Dir. Nacho Vigalondo, Colossal)

In this story, we first encounter the character Nick (Henry Golding) in Madrid, grappling with a profound sadness following the unexpected passing of his girlfriend Daniela (Beatrice Grannò). A friend worried about him signs him up for a medical trial involving a drug that induces incredibly vivid dreams as a means to cope with his grief. However, Nick disregards the medication guidelines and the experiment takes an unforeseen turn.

He starts exploring his dreams as a way to rekindle his relationship with Daniela, creating a dream world tailored to their idealized interactions. As he sleeps, this world becomes increasingly realistic, but Daniela displays an unsettling independence that raises complex ethical questions.” (Paraphrased by ChatGPT) Discover more about Daniela Forever and its screenings here.

Dead Talents Society

(Dir. John Hsu, Detention)

As a passionate cinephile, I can’t help but extend an invitation to you all to venture into the realm of the Dead Talents Society, reminiscent of Tim Burton’s “Beetlejuice,” but with a unique twist – a world inhabited by East Asian specters. Prepare to lift the veil and delve deep into their hidden netherworld where these professional haunters compete in terrorizing the living.

A timid teenager who has just passed away discovers that she only has 30 days left to frighten someone. Upon the urging of a compassionate ghost agent, eager to help her be noticed, she joins forces with a group of unconventional haunters, all under the guidance of a spectral diva aiming to rejuvenate her waning fame. Working together, they devise plans to elicit shrieks, and with their over-the-top antics and heartfelt earnestness, their terrifying acts promise not only to bring laughter to the audience’s lips but also stir a few tears of happiness. Explore more about Dead Talents Society and find screening details here.

Disclaimer

(Dir. Alfonso Cuarón, Gravity)

In the “Disclaimer,” renowned journalist Catherine Ravenscroft (played by Cate Blanchett) has built a reputation on exposing wrongdoings. One unexpected day, she receives an enigmatic book in the post. As she delves into its pages, she discovers that the main character is modeled after her younger self and the story unveils a long-hidden secret from her past.

Alfonso Cuarón delves into the following questions in his seven-part psychological thriller based on Renée Knight’s 2015 novel: Who is responsible for this? What are their intentions? And how will Catherine shield her husband Robert (Sacha Baron Cohen), son Nicholas (Kodi Smit-McPhee), and her own standing if the book is linked to her past? These inquiries are central themes in his work. For additional details about this production, including screenings, visit our Disclaimer page.

Do I Know You From Somewhere

(Dir. Arianna Martinez)

A devoted pair encounters a gradual dissolution of their lives, not due to any specific actions, but because the narrative of their past seems to be erasing. In essence, yet somewhat figuratively. The initial film from Fredericton director Arianna Martinez is more felt than explained. It’s a cinematic exploration without a single special effect, if one doesn’t consider the actors as such. Several years post their first encounter — at a wedding, naturally — Olive (Caroline Bell) and Benny (Ian Ottis Goff) are passing an everyday day at their lakeside home. However, normalcy fades when subtle changes begin to occur.

Eden

(Dir. Ron Howard, A Beautiful Mind)

In 1929, Dr. Friedrich Ritter (played by Jude Law) and his companion Dora Strauch (Vanessa Kirby) decide to leave their homeland, Germany, rejecting the materialistic values they think are damaging human essence. On the island of Floreana, Friedrich finds solace for his writing, while Dora embarks on a journey to heal her multiple sclerosis through meditation practices.

Initially, the isolated trio – consisting of Margaret (Sydney Sweeney), Heinz Wittmer (Daniel Brühl), Eloise Bosquet de Wagner Wehrhorn (Ana de Armas) along with her companions – disrupts their peaceful seclusion on Floreana. Battling against harsh weather, uncontrollable wildlife, and limited facilities, all four groups find life here challenging. Yet, the true test of their resilience arrives when they must endure neighbors who resort to theft, deceit, and even more sinister actions. Discover the intriguing tale of Eden and catch its screenings here.

Else

(Dir. Thibault Emin)

Shy and uneasy with himself, Matthieu Sampeur’s character Anx doesn’t see himself as a natural fit for the bold and self-assured Cass, who he awakens next to after an assumed one-night stand. Yet, a romance unexpectedly sprouts. However, their budding relationship is put to the test when a mysterious illness starts to sweep across the globe, causing those infected to fuse with whatever they touch.

Emilia Pérez

(Dir. Jacques Audiard, A Prophet)

Experiencing Jacques Audiard’s latest masterpiece feels like a thrilling symphony of pop opera, narco thriller, and affirming gender drama. As Emilia Pérez, I embark on an exhilarating journey where crime, redemption, and karma intersect. With fearless performances from Zoe Saldaña, Selena Gomez, Adriana Paz, and the exceptional Karla Sofía Gascón, our ensemble earned the Best Actress award at this year’s Cannes Film Festival, making it a cinematic experience not to be missed.

“Rita Moro Castro (Saldaña) is a Mexico City defense attorney whose brilliant strategies have kept many murderous but wildly affluent clients out of jail. Her reputation draws the attention of Manitas Del Monte (Gascón), a notorious kingpin, who is secretly transitioning. He hires Rita to arrange an itinerary of under-the-table procedures with the world’s best surgeons, while making a plan for the wife (Gomez) and kids he’s leaving behind.” (Jane Schoettle) Learn more about Emilia Pérez and find screenings here.

Escape from the 21st Century

(Dir. Yang Li, Nuts)

In the year 1999, on a planet similar to ours but located 3,000 light years away, three teenagers encounter a mysterious chemical substance that grants them an extraordinary ability: when they sneeze, their consciousness leaps forward in time by 20 years. Now able to travel back and forth through time with each sneeze, they face two truths: the future is bleak, and they possess the power to alter it. Escape from the 21st Century is a thought-provoking exploration of friendship, the malleability of destiny, and the pursuit of creating a better tomorrow. Discover more about Escape from the 21st Century and upcoming screenings here.

Faithless

(Dir. Tomas Alfredson, Let the Right One In)

Originally developed from Ingmar Bergman’s original script, the miniseries titled “Faithless” delves into the life of Marianne (Frida Gustavsson, known for her role in Vikings: Valhalla), a contented actress who is married to Markus (August Wittgenstein, recognized from The Crown). The arrival of Markus’ friend David (Gustav Lindh, famous for his work in Queen of Hearts) during a summer stay sets the stage for a blossoming attraction between Marianne and David. This romantic entanglement ultimately leads to profound emotional repercussions that span several decades. By being presented as a series rather than a film, Faithless provides a broader perspective on the far-reaching consequences of this affair.

Forty years have passed, and David and Marianne, who are still dealing with the aftermath of their intense relationship, come back together. In this adaptation, David is portrayed by the seasoned Danish actor Jesper Christensen (Casino Royale), while Lena Endre, a Swedish actress, reprises her role as Marianne, as she did in the initial film. Discover more about Faithless and get screening details here.

Families Like Ours

(Dir. Thomas Vinterberg, The Celebration, Another Round)

Imagine if your homeland had to be abandoned. How would you adapt to life as a refugee, far from friends and loved ones? This is the predicament that Thomas Vinterberg, an Oscar-nominated director, along with co-writer Bo Hr. Hansen, explore in Families Like Ours, a grand series unfolding in a not-so-distant Denmark where the government evacuates its entire population due to widespread flooding.

Laura Amaryllis August, a senior in high school with feelings for Elias Albert Rudbeck Lindhardt, is at the heart of this story. Laura’s family, consisting of her father Jacob, a successful architect; stepmother Amalie; journalist mother Fanny; uncle Nikolaj, partnered with Henrik; and the rest, all offer support as they face the challenges that arise from an evacuation.” (Paraphrased by Assistant) Discover more about families like ours and screening details here.

Freedom Way

(Dir. Afolabi Olalekan)

Software developers Themba (Jesse Suntele) and Tayo (Mike Afolarin) have officially unveiled their latest project, Easy Go – a novel rideshare app linking bustling motorcyclists in Lagos State (“Okada riders”) with local customers. Fueled by investments and government promises, the enterprising South African and Nigerian duo can now see the rewards of their hard work. However, following a night of festivities, these business partners face an obstacle common among Nigerian youth – encounters with the police. This seemingly routine extortion will prove to be the least of their worries.

Friendship

(Dir. Andrew DeYoung, Our Flag Means Death)

As a movie critic, I found myself captivated by the tale of an ordinary suburban father named Craig Waterman (Tim Robinson), whose tranquil existence was disrupted by the arrival of his enigmatic neighbor, Austin Carmichael (Paul Rudd). Our heroes’ friendship appeared to flourish on a whimsical night of city exploration, punk rock music, and shared admiration for ancient artifacts from the Stone Age. However, what could have been the foundation of a profound bond took an unexpected turn as Craig’s fixation started to drive Austin away, setting off a downward spiral that puts Craig’s entire life at risk. Discover more about the complexities of friendship and catch screenings here.

From Ground Zero

(Dir. Rashid Masharawi, Leila’s Birthday)

In November 2023, Rashid Masharawi, a Palestinian director born in Gaza, established the Masharawi Film Fund. Their inaugural project, titled “From Ground Zero“, aimed to offer artistic opportunities to internally displaced individuals who had survived over a year of intense conflict with Israel. This conflict led to catastrophic living conditions, devastation, loss of life, starvation, disease, and profound emotional trauma for the people of Gaza. Essentially, the project was intended to give these artists a platform to share their personal experiences.

This assortment showcases 22 brief films ranging from three to six minutes. The genres and storytelling methods are diverse, encompassing documentaries, hybrid works, dramatic narratives, stop-motion animations, essays, and avant-garde video art. Explore From Ground Zero and its screenings by clicking here.” (Paraphrased by Me) Learn more about From Ground Zero and find screenings here.

Grand Tour

(Dir. Miguel Gomes, Arabian Nights)

The adventure portrayed in the movie title commences in 1917, in Rangoon – the capital of Burma. A gloomy British diplomat named Edward (Gonçalo Waddington) is expected to meet his fiancée Molly (Crista Alfaiate), who had been on a long-distance engagement. Instead, he becomes anxious and escapes, boarding a ship to Singapore, initiating a journey across Asia that grows heavier with self-doubt, hangovers, and existential turmoil. On the other hand, Molly, showing resilience and optimism, handles her unexpected desertion with grace, humor, and vigor reminiscent of Katharine Hepburn, resolved to locate and marry her timid lover. (Andréa Picard) Discover more about Grand Tour and its screenings here.

Happyend

(Dir. Neo Sora, Ryuichi Sakamoto: Opus)

Director Neo Sora’s captivating first fiction film, ‘Happyend’, takes us on a journey to a Tokyo of the near-future, teetering on the brink of catastrophic earthquakes and inching towards total surveillance. The story revolves around a group of defiant teenagers navigating their way through a morally corrupt society, clinging to the hope of a brighter tomorrow. ‘Happyend’ is a tribute to youth’s unyielding spirit and their determination to envision a better future.” (Giovanna Fulvi) Discover more about Happyend and screening details here.

Harbin

(Dir. Woo Min-ho, Inside Men)

“Harbin

Following his survival from a fierce battle, Ahn Jung-geun (Hyun) orchestrates a mission to assassinate Itō Hirobumi, the first Japanese Resident-General of Korea, who was a prominent symbol of brutal colonial oppression. This operation involves Ahn and his team secretly traveling through Russia, collecting supplies and allies while devising intricate disguises. Facing life-threatening dangers at every step, relentless security forces hot on their heels, and the entire plan teetering precariously, one wonders: how many Korean lives will be sacrificed in pursuit of their nation’s freedom? Discover more about Harbin and screening details here.

Hard Truths

(Dir. Mike Leigh, Naked, Life Is Sweet)

Revisiting the talented actress Marianne Jean-Baptiste, who was nominated for an Oscar in “Secrets & Lies,” and delving back into modern London for a narrative opposite to his 2008 hit “Happy-Go-Lucky,” the newest work by seven-time Oscar-nominated director Mike Leigh offers a raw, humorous, and insightful perspective. The film, titled “Hard Truths,” explores the complexities of an extended Black family in London through various characters, creating a deeply psychological ensemble piece as only Leigh can craft. To discover more about “Hard Truths” and find screening details, click here.

Heretic

(Dir. Scott Beck and Bryan Woods, 65, Haunt)

Darkly amusing and often humorous, the chamber horror film ‘Heretic’ by writers-directors Scott Beck and Bryan Woods (known for their work on ‘A Quiet Place’) explores how a casual conversation about religion can take a sinister turn. Featuring a standout performance from Hugh Grant in an unconventional role, this wickedly blasphemous story revolves around the struggle of deeply held beliefs.

As a devoted filmgoer, I’d rephrase it like this: “Me, being a passionate follower of The Church of Jesus Christ of Latter-day Saints, along with my fellow sister missionaries Sister Paxton and Sister Barnes, are spreading joy and knowledge door to door. On our list for the day was the tranquil suburban abode of Mr. Reed (Grant). He greeted us not just politely but warmly, showing a keen interest in our faith’s history and teachings. Remarkably, he proved to be well-versed in various world religions, sparking engaging discussions with us. It seemed that he was eager to delve deeper into the subject matter.” (Robyn Citizen) Discover more about Heretic and its screenings here.

Hold Your Breath

(Dir. Karrie Crouse & Will Joines, Westworld)

In a different phrasing: “Hold Your Breath, though primarily a ghost tale, showcases Sarah Paulson’s unique ability to create an unsettling atmosphere. Set in the dusty plains of Oklahoma during the 1930s, a mother struggles to safeguard her daughters from both the destructive winds and the haunting memories of her own traumatic past. As the older daughter shares the tale of the Grey Man with the younger one, this legend seems to resonate deeply within the entire family.” (For further details about Hold Your Breath and screening times, click here.)

I, The Executioner

(Dir. Ryoo Seung-wan, Smugglers)

Renowned action movie director Ryoo Seung-wan is set to deliver the long-awaited follow-up to his 2015 hit, Veteran. Titled I, The Executioner, this enthralling detective thriller combines pulse-pounding action sequences and exhilarating chases with a deep examination of the damaging effects of misinformation and mob mentality on our communities.

Detective Seo Do-cheol, played by Hwang Jung-min, balances his new role as a father with the harsh realities of his profession. His partner in this endeavor is the ambitious rookie officer Park Sun-woo (Jung Hae-in), who finds excitement in the criminal underworld and the power that comes with it. Together, they pursue a serial killer who targets criminals evading justice. Discover more about I, the Executioner and catch screenings here.

Ick

(Dir. Joseph Kahn, Bodied)

Imagine if an alien force arrived, but instead of causing widespread panic or fear, people showed a carefree disregard. This is the situation in the quaint American town of Eastbrook, where residents have grown accustomed to a strange vine-like growth known as “the Ick,” which has been spreading for almost two decades. While most people seem oblivious to this anomaly, Hank Wallace (Brandon Routh), who was once a promising high-school football player and is now an unlucky science teacher, and his intelligent student Grace (Malina Weissman) are among the few who take notice. Discover more about Ick and catch screenings here.

It Doesn’t Get Any Better Than This

(Dir. Nick Toti and Rachel Kempf)

Nick Toti and Rachel Kempf are deeply into horror films, so when they discover that the rundown duplex they’ve recently purchased seems to have a haunted past, they can hardly contain their excitement. What makes it even more chilling is that their home in Missouri starts drawing in mysterious, spellbound strangers who gather ominously on the front lawn in larger numbers day by day. The situation only grows more unsettling and terrifying as time goes on.

As a film enthusiast, I can’t help but notice something truly unique about this found-footage horror. Unlike other independent films in its genre, it boasts an extraordinary sense of authenticity, achieved by incorporating over two decades of real-life footage that chronicles the relationship between Nick and Rachel. The line between documentary and terror becomes increasingly blurred as the eerie supernatural events unfold, juxtaposed against the raw vulnerability of its subjects, making it a must-watch for any horror connoisseur. Discover more about It Doesn’t Get Any Better Than This and find screenings near you here.

K-Pops

(Dir. Anderson .Paak)

Anderson .Paak, renowned for his exceptional music journey, steps into uncharted territory with his debut feature film, “K-Pops.” In this movie, .Paak takes on the roles of director and actor, working alongside his real-life son Soul Rasheed in a heartfelt family project. The film is deeply rooted in his personal history and his connection to Korea.

One day, urged by his friend to journey to South Korea for a pop idol show, he encounters Tae Young (Rasheed), a promising young talent vying to be the country’s next musical sensation. Not long after, BJ is acquainted with Yeji (Jee Young Han), a woman from his past whom he had a fleeting romance over a decade ago. Unbeknownst to him, Tae Young is the son he never knew he had. This film offers a delightful blend of growing-up tales, as both parent and child embark on their personal journeys.” (Jane Schoettle) Discover the world of K-Pop and catch screenings here.

Kill the Jockey

(Dir. Luis Ortega, Narcos: Mexico)

Remo Manfredini, portrayed by Nahuel Pérez Biscayart, is a renowned jockey, but his self-destructive actions are overshadowing his skill and jeopardizing his bond with his girlfriend Abril. On the day of the race that could clear his debts with mobster boss Sirena, he experiences a grave accident, vanishes from the hospital, and roams the streets of Buenos Aires. Without his identity, he embarks on a journey to uncover his true self. However, Sirena is determined to find him, either dead or alive.” Explore more about Kill the Jockey and check out showtimes here.

Love in the Big City

(Dir. E.oni)

In a society as homogeneous as South Korea’s, Jae-hee (Kim Go-eun), who stands out from the crowd, has sparked countless whispers. One day, she encounters Heung-soo (Steve Sanghyun Noh), another individual struggling to fit in the bustling city. Unlike Jae-hee, however, Heung-soo wishes to conceal his unique identity. When Jae-hee accidentally discovers his secret, they develop an unconventional bond. Often misunderstood by others, these young adults journey through life’s challenges in Seoul, seeking love and self-discovery. Discover more about Love in the Big City and find screening details here.

M – Son of the Century

(Dir. Joe Wright, Atonement, The Darkest Hour)

In the backdrop of the growing influence of right-wing populist governments and authoritarian leaders, renowned director Joe Wright has transformed Antonio Scurati’s novel M. Son of the Century into a series titled ‘M.’ Similar to the original piece, this adaptation vividly depicts parallels between contemporary politics and the initial fascist leader, Benito Mussolini.

In this film, Luca Marinelli masterfully portrays the enigmatic figure of Benito Mussolini, who recounts his own tale. Frequently, he addresses the viewers directly, breaking the traditional boundaries between actor and audience. Post World War I, Mussolini found an opportunity to further his political aspirations by appealing to disheartened soldiers. These veterans, initially hailed as heroes, were instead met with disdain upon their return home. Desperate for recognition and understanding, they gravitated towards Mussolini, forming a volatile faction of extreme nationalists. This group eventually evolved into the National Fascist Party. For more insights on this intriguing character, explore ‘M – Son of the Century’ and find screening details here.

Meet the Barbarians

(Dir. Julie Delpy, Two Days in Paris)

As a movie critic, I found myself in the quaint, age-old town of Paimpont, nestled in the heart of Brittany. Priding itself on its rich heritage, mouthwatering crêpes, and self-admiration, the town council was eagerly anticipating the arrival of Ukrainian refugees. However, upon the arrival of a van one day, it became evident that France had already accommodated more than enough Ukrainian families, leaving our Syrian refugee family as an unexpected houseguest. An awkward situation indeed.

In a traditional village, the Fayad family, newly arrived, are testing established norms, prompting everyone to question their initial opinions. Will the local entrepreneur maintain his prejudiced stance? Can the Fayads reconcile their experiences from war-torn Syria with their current struggles in Paimpont? Might the town’s progressive champion succumb to small-mindedness herself? Julie Delpy’s latest film is a timeless tale of cultural assimilation, filled with comedic twists and turns. Discover more about Meet the Barbarians and upcoming screenings here.

Megalopolis

(Dir. Francis Ford Coppola, The Godfather, Tetro)

Francis Ford Coppola, an esteemed Oscar-winning filmmaker, presents his long-awaited creative endeavor, starring Adam Driver in a captivating role as a visionary architect. His idealistic designs conflict with the practicalities of contemporary urban life. Blending elements of political intrigue, thought-provoking sci-fi concepts, and poignant love stories, Megalopolis delves into the boundaries of genius and the vulnerability of empires.

Overwhelmed by sorrow following his wife’s demise, Cesar Catilina (Driver) channels all his intensity into the development of his revolutionary creation, megalon – a flexible and extraordinarily robust building material that could potentially grant its creator the ability to manipulate time and space. For further insights about Megalopolis and screening details, check it out here.

Millers in Marriage

(Dir. Edward Burns, Beneath the Blue Suburban Skies)

“Millers in Marriage” – A poignant drama series that delves into the complexities of long-term relationships and the potential for self-transformation, all while boasting a remarkable ensemble cast. In her youth, Eve (portrayed by Gretchen Mol) was a rock star, yet she chose to dedicate herself fully to motherhood. Her husband, Scott (played by Patrick Wilson), channeled his energy into his music, often accompanying it with excessive drinking. With their children grown and moved out, Eve contemplates whether she can rekindle her passion for art once more.

As a film enthusiast, I’m particularly intrigued by the story unfolding on the screen. Eve, our protagonist, is finding herself drawn towards a captivating music critic, Benjamin Bratt, whose attention seems to extend beyond professional boundaries. Meanwhile, my sister Maggie (Julianna Margulies) is growing increasingly frustrated with her husband Nick (Campbell Scott). Both are authors, yet while Maggie thrives in her creative process, Nick appears stuck in a perpetual writer’s block.

Misericordia

(Dir. Alain Guiraudie, Stranger by the Lake)

Upon returning to his small-town home of Saint-Martial in southwestern France, Jeremie, played by the enigmatic Felix Kysyl, stirs an instant and unsettling suspicion. This unexpected visit follows the death of his former employer, the town’s revered baker. It seems there may have been a romantic bond between them. Jeremie is alluring yet shrouded in mystery, causing discomfort among the locals as he stays longer with widow Martine (Catherine Frot), further unnerving the townsfolk.

In a film buff’s perspective, “Misericordia” plunges into the shadows of noir, with hints of the absurd weaving through its narrative. As the plot unfolds, I find myself drawn into an intricate investigation that revolves around a solitary neighbor, bumbling police officers, and a meddling country priest – seemingly the sole inhabitants in this misty, mountain village, forever enshrouded in twilight. (Andréa Picard)

Learn more about Misericordia and find screenings here.

Mr. K

(Dir. Tallulah H. Schwab, Confetti Harvest)

In my take, I’d say:

The next day, it’s no surprise that Mr. K is puzzled upon his inability to locate the exit. However, being a magician, he doesn’t have long to look for it as the hotel is filled with various characters who require his time, such as an imposing group of musicians, a busy kitchen staff, and the elegant elderly guest portrayed by the talented Fionnula Flanagan. Discover more about Mr. K and catch screenings here.

My Father’s Daughter

(Dir. Egil Pedersen)

Born and brought up by a solitary mother in the northern Norwegian Sámi village of Unjárga, near the coast, Elvira has never met her father. She was led to believe that she was conceived in Copenhagen, and as a young girl, she nurtured a dream that her father might be Nikolaj Coster-Waldau, the renowned Danish actor famous for his role in the popular series Game of Thrones. When Elvira’s mother discloses that her new partner will be moving in, Elvira clings to the hope that her half-Danish heritage could one day open the door to a life beyond their small town and its limitations. (You can discover more about ‘My Father’s Daughter’ and upcoming screenings here.)

Nightbitch

(Dir. Marielle Heller, Can You Ever Forgive Me)

An exceptionally unique portrayal of motherhood and self, the movie “Nightbitch” is poised to spark numerous conversations this year. In it, Amy Adams stars as Mother, a once urban artist and curator who trades city life for suburban domesticity, tending to her young son while her husband frequently journeys for work. Her affection for her child runs deep, yet she can’t escape feelings of loneliness and fatigue. How did her days transform into a monotonous routine of diaper changes and slicing bananas into bite-sized pieces?

In the near future, Mother starts experiencing strange nighttime phenomena that summon her; an ancient, wild instinct awakens within her, enabling her to tap into and reclaim her hidden strength and individuality. Scoot McNairy portrays Mother’s Spouse, a realistic, empathetic figure grappling with his own parenting issues. However, it is Adams who steals the show with her fearless, authentic, and intellectually sharp portrayal that makes Nightbitch such an unforgettable journey. For more information on Nightbitch and screening locations, click here.

No Other Land

(Dir. Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor)

Since childhood, Basel Adra has been capturing the displacement and decline of his community in the small mountain village of Masafer Yatta, located in the southern West Bank. As a child, Adra’s memories are haunted by the sight of Israeli soldiers invading his home, watching as his activist father Nasser, a Palestinian, was taken into custody, and enduring the relentless Israeli military occupation and aggression from settlers. By using his camera, Adra persistently exposes the truth to those in power, faithfully recording his life: the looming forced displacements, homes being demolished by bulldozers, and the violence that ensues as a result. To learn more about No Other Land and find screening information, click here Thom Powers.

Nutcrackers

(Dir. David Gordon Green, George Washington, Pineapple Express)

Michael Stiller, a high-flying real estate developer based in Chicago, had little time for family matters. His sister once claimed that he was devoid of affection. However, when his sister and her spouse meet with a tragic accident, the responsibility of their farmhouse, land, and four sons falls on Michael. Expecting to merely sign some papers and return to the city, he heads to the rural Ohio town. Yet, things prove far more complicated than anticipated. With a family services worker still searching for a new home for the boys, Uncle Mike temporarily assumes guardianship.

Oh, Canada

(Dir. Paul Schrader, First Reformed, American Gigolo)

4 decades after their collaboration on “American Gigolo”, Richard Gere teams up with Schrader once again. In this new project, he portrays Leonard Fife, a man who fled the US during the Vietnam War draft and settled in Canada where he achieved fame as a documentary filmmaker in Montreal. As time passes and illness takes its toll, Fife permits his former students, led by Malcolm (Michael Imperioli), to interview him. Uma Thurman plays Emma, Fife’s protective wife who stands vigil over her husband’s legacy. However, as Fife’s recollections are shared through the camera and brought to life in flashbacks, the established narrative about his life begins to shatter. Discover more about Canada and find screening details here.

On Becoming a Guinea Fowl

(Dir. Rungano Nyoni, I Am Not a Witch)

Uncle Fred, Shula’s uncle, tragically passed away in the middle of an isolated road. Even though it’s late and she may not want to, Shula understands that her family will depend on her to stay with the deceased. Bemba funerals are for the living, and there will be many questions from the family as the multi-day ceremony starts promptly. The resilient Shula tries to avoid participating in the ominous events. However, in this household, grief is not optional. In her anticipated second work, renowned Zambian-Welsh filmmaker Rungano Nyoni brings us a courageous allegory that explores how family secrets can burden their guardians.” (Nataleah Hunter-Young) Discover more about On Becoming a Guinea Fowl and screening information here.

On Swift Horses

(Dir. Daniel Minahan, Fellow Travelers, Game of Thrones)

In the 1950s, Muriel (Daisy Edgar-Jones) and her husband Lee (Will Poulter) depart their home in Kansas, embarking on a new journey to San Diego. They’re seeking a life with stable jobs, a house for raising a family. On the other hand, Lee’s brother Julius (Jacob Elordi) comes back from the Korean War without any set future plans.

Skilled at poker, he ends up in the vibrant city of Las Vegas where he works as a pit surveillance officer in a casino. Here, he meets Henry, a charismatic Chicano with a penchant for gambling, much like himself. The excitement of gambling also captivates Muriel, who secretly starts betting on horses and is surprisingly successful. Moreover, both Muriel and Julius find themselves embarking on intertwined paths involving covert actions that might expose them to dangers beyond what they initially anticipated. Discover more about On Swift Horses and its screening details here.

Paul Anka: His Way

(Dir. John Maggio, The Perfect Weapon)

Born in Ottawa to Syrian/Lebanese immigrant parents, Anka demonstrated his musical prowess at a young age. At the age of 16, he displayed both courage and aspiration by borrowing money and moving to New York City. His debut single “Diana” catapulted him onto the charts, leading to a string of record-breaking hits. What distinguished Anka from his contemporaries was his knack for composing his own songs. As he traveled the globe and entertained millions, he also penned songs for musical legends like Frank Sinatra, Buddy Holly, Michael Jackson, Céline Dion, and eventually Toronto’s own Drake.

As a passionate cinema-goer diving into the captivating world of documentaries, let me share my excitement about “Paul Anka: His Way.” This intriguing film stands out not only for its vast collection of archival footage but also for the remarkable candor displayed by Paul Anka himself. In this documentary, he openly shares a wealth of untold stories from various aspects of his life – from his triumphant business ventures to the lessons learned from past mistakes (ensuring they were never repeated). The film also delves into the pressures and challenges he faced in his first marriage under the spotlight of fame, as well as humorous anecdotes about his collaborations with other music legends. If you’re curious to uncover more about this musical icon, don’t miss out on “Paul Anka: His Way.” Check out the screenings here.

Piece by Piece

(Dir. Morgan Neville, 20 Feet from Stardom)

Instead of following Pharrell Williams’ illustrious career through a traditional documentary, we chose to create Piece by Piece, an innovative film that uses LEGO to portray his story. This vibrant, playful, and dynamic approach perfectly encapsulates the boundless creativity of this extraordinary musician. The movie takes us on a journey through Pharrell’s lively childhood in Virginia, his early days at a record label, the formation of the Neptunes with Chad Hugo, the creation of N.E.R.D., and much more.

In ‘Piece by Piece,’ Oscar-winning filmmaker Morgan Neville expands his impressive body of work. He cleverly portrays Pharrell’s distinctive rhythms through intricate LEGO structures that burst into life as the songs progress, eventually transforming into hits both recognized as Pharrell’s and some lesser-known ones. Full of charisma and visual flair, ‘Piece by Piece’ offers a delightful sensory experience.” (Cameron Bailey) Discover more about Piece by Piece and screening details here.

Pimpinero: Blood and Oil

(Dir. Andrés Baiz, Griselda, Narcos)

In the early 2010s, the intense thriller ‘Pimpinero: Blood and Oil’ unfolds in the dangerous desert that separates Colombia and Venezuela. This region is notorious for gasoline smugglers, called pimpineros, who daringly transport illegal fuel across borders. Colombian music legend Juanes portrays Moisés, the eldest brother involved in this hazardous business and the backbone of the operation. Alberto Guerra gives a powerful performance as Ulises, a man grappling with difficult choices, tormented by fear and sorrow.” (Diana Cadavid) Discover more about Pimpinero: Blood and Oil and find showtimes here.

Presence

(Dir. Steven Soderbergh, Traffic, Schizopolis, Ocean’s 11)

David Koepp, famous for writing ‘Jurassic Park’, brings life to the chilling ghost story ‘Presence’. By adopting the perspective of a housebound spirit, this film transforms viewers into specters, inviting us into an intimate view of a family experiencing difficult times. The characters, Rebekah (Lucy Liu) and Chris (Chris Sullivan), along with their children Tyler and Chloe, move into a new home, but instead of warmth filling its halls, problems start to surface. As the ghost observes and devises ways to create spooky interruptions, Chris feels compelled to consult a medium.” (Robyn Citizen) Discover more about Presence and screening locations here.

Queer

(Dir. Luca Guadagnino, Call Me by Your Name, Challengers)

Revisiting the iconic work of William S. Burroughs, titled “Queer“, brings together Daniel Craig, Jason Schwartzman, and Lesley Manville in a drug-infused journey marked by longing. The story follows Lee (Craig), who immerses himself among expatriates postwar Mexico City, traversing its streets, frequenting gay bars, and indulging in any illicit substances he can find. He is an accomplished storyteller with a knack for captivating listeners, yet beneath this charm lies a deeply lonely, middle-aged drug addict who harbors a fascination for guns and a young, bi-curious Oklahoman named Allerton (Drew Starkey). To explore this intriguing film and find screening details, click here.

Relay

(Dir. David Mackenzie, Hell or High Water, Young Adam)

Relay represents a game of cat-and-mouse in an era of intense surveillance, where it’s increasingly challenging to avoid leaving any traces. The character Ash (Riz Ahmed) facilitates transactions between parties who never get to see his physical appearance, voice, or location. Skilled at maneuvering both traditional and modern technologies, Ash predominantly communicates through a telephone relay service, where operators are obligated to keep the identities of their users confidential.

Sarah Grant (played by Lily James), a former employee from a bio-tech firm who’s been evading authorities after leaking damaging documents, has become Ash’s newest client. Sarah aims to hand over these documents for financial compensation while avoiding further trouble. On the surface, this seems like a routine case for Ash, but the individuals shadowing Sarah are relentless and reminiscent of characters from an Alfred Hitchcock thriller.

Riff Raff

(Dir. Dito Montiel, Man Down)

Titled “Riff Raff“, this darkly humorous film showcases an exceptional cast led by Ed Harris, Gabrielle Union, Jennifer Coolidge, Bill Murray, Pete Davidson, Lewis Pullman, and others. The story revolves around Vince, a former criminal who found redemption through his love for Sandy, and their peaceful life with their son DJ. As they prepare for a tranquil New Year’s Eve at their countryside home, the arrival of Vince’s estranged son Rocco, accompanied by his girlfriend Marina and ex-wife Ruth, disrupts the harmony. The reunion is far from joyous as Ruth exhibits disrespectful behavior, while Rocco, who never abandoned the family business, seems to harbor something ominous and secretive.

Right behind Rocco is Lefty, an older mafia member seeking revenge for his own son’s matter. When Lefty confronts Vince’s large family, it appears that family ties may lead to bloodshed. The movie, Riff Raff, is delightfully inappropriate, balancing humor and violence with a dry wit, while also throwing in some unexpectedly humorous twists. Each actor in the film’s talented ensemble seems to relish even the most extreme scenes, but special recognition goes to Murray, who demonstrates his versatility as a heavyweight character, and Coolidge, whose unique way with words transforms Ruth’s dirtiest dialogue into poetry. Discover more about Riff Raff and find showtimes here.

Rumours

(Dir. Guy Maddin, Evan Johnson, and Galen Johnson)

In this hilariously satirical movie, titled “Rumours,” the heads of state from the G7 countries – the United States, Canada, Germany, Japan, Italy, France, and the UK – blunder into a bizarre situation where they must rely on their own wit to extricate themselves. This film, filled with humor and mischief, is an addition to the works of Maddin-Johnson-Johnson. The peculiarities, such as a luminous brain and bog people, are present; there’s even a short segment in black and white; and part of it was shot in Winnipeg. Co-produced by Ari Aster and others, the film boasts an impressive cast that includes Cate Blanchett, Roy Dupuis, Charles Dance, and many more. For more details about screenings, click here.

Saturday Night

(Dir. Jason Reitman, Juno, Up in the Air)

Saturday Night delves deep into the chaotic 90-minute buildup when a group of undiscovered, unschooled, wild young comedians seized network television, reshaping society. The upcoming film unfolds during this period, just before the first live episode of Saturday Night Live, which occurred almost half a century ago. Mirroring the rebellious spirit that fueled the show’s creation, director Jason Reitman masterminds this captivating spectacle as an extravagant display of talent, aspiration, and daring audacity, all set against the countdown to airtime.” (Cameron Bailey) Discover more about Saturday Night and find showtimes here.

Seeds

(Dir. Kaniehtiio Horn)

“A unique, campy thriller, ‘Seeds’ marks Kaniehtiio Horn’s directorial debut. In this film, Horn portrays Ziggy, a Toronto bike courier and rising influencer. As she secures a new client, the seed and fertilizer company Nature’s Oath, and begins creating content for them, she is abruptly called back to her hometown to look after her aunt’s house. Her cousin advises caution regarding the seed company and warns of strange occurrences near her aunt’s residence. As a mysterious figure trails Ziggy, she finds herself in a battle to safeguard herself and her aunt’s precious collection of seeds.” (Paraphrased by GPT-3.5-turbo) Discover more about Seeds and upcoming screenings here.

Sharp Corner

(Dir. Jason Buxton, Blackbird)

One fateful evening, as Josh (Ben Foster) and Rachel (Cobie Smulders) settle into their new suburban home, a car collides with a tree on their front lawn, resulting in the death of the driver and injuries to passengers. However, when Josh realizes that this accident is not an isolated incident but rather a recurring issue due to the road’s design, he becomes fixated on preventing future tragedies. This obsession consumes him so completely that it overshadows all else. Foster portrays Josh with a sense of unease as his rash and self-righteous efforts to learn CPR and monitor the street take on a pattern that seems more like arrogant overconfidence—or perhaps delusional competence.” (Paraphrased by me) Discover more about Sharp Corner and upcoming screenings here.

Shell

(Dir. Max Minghella, Teen Spirit)

Imagine if you could regain youthful charm and extend your lifespan with just a few sessions of unknown procedures – would you do it? Would you risk your life and wellbeing on advancements in science and technology that might be more about hype than health benefits? That’s the dilemma Samantha (Elisabeth Moss) is grappling with. She’s a hardworking actress, somewhat disheveled but sincere, who struggles to land the roles she desires. Her self-confidence and financial resources are dwindling, and she appears older than her peers due to competition in the industry. Intrigued by promises made by her agent and the flashy advertisements of a treatment from Shell, Samantha decides to give it a try.

Samantha experiences triumph, leaving her feeling refreshed and rejuvenated with a renewed zest for life. Enter Zoe Shannon, the stylish CEO of Shell, who seems to epitomize the essence of her products. Zoe takes Samantha under her wing, and it isn’t long before the actress gains prominence. However, as time passes, Samantha grows increasingly suspicious about her missing friend Chloe, some peculiar symptoms she has noticed, and the possible secrets hidden within Shell’s laboratories.” Discover more about Shell and upcoming screenings here.

Sketch

(Dir. Seth Worley)

A Whimsical, Boldly Amusing Film

Sketch offers a fresh, entertaining take on timeless classics such as The Goonies and E.T., featuring a delightful family ensemble (portrayed by talented actors Tony Hale, D’Arcy Carden, Bianca Belle, and Kue Lawrence). Discover more about Sketch and its screenings by clicking here.” (Jane Schoettle)

The Assessment

(Dir. Fleur Fortuné)

In the world portrayed in “The Assessment,” people enjoy tranquil lives, yet the government tightly regulates resources. To prevent overpopulation, they determine who is allowed to have children. Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) are anxious about their application to become parents, although they appear well-suited for parenthood. They are assigned an evaluator named Virginia (Alicia Vikander), who visits them at home over a week to assess them. As the tests grow increasingly complex and puzzling, the correct responses become less clear, creating tension between the couple. For more information about “The Assessment” and screening locations, click here.

The Bibi Files

(Dir. Alexis Bloom, Divide and Conquer: The Story of Roger Ailes)

Over the last eight years, Israeli Prime Minister Benjamin “Bibi” Netanyahu has faced corruption allegations by Israeli authorities. His attempts to evade a legal confrontation have threatened his nation’s stability and disrupted global politics. The Bibi Files is an urgent, groundbreaking journalistic investigation, using previously unseen leaked records and interviews with crucial Israeli figures such as former prime minister Ehud Olmert, Netanyahu’s ex-spokesman Nir Hefetz, former Shin Bet leader Ami Ayalon, and investigative journalist Raviv Drucker.

This movie delves into the scandal cases that led to Netanyahu being accused of breach of trust, bribery, and fraud in 2019. These cases also involve his wife Sara and son Yair. Despite these charges, the legal proceedings have yet to reach a conclusion. Historically, Israeli leaders charged with corruption have stepped down, but Netanyahu has maintained power by forming ties with strong right-wing politicians who now hold cabinet positions. Filmmakers Alexis Bloom and Alex Gibney are showcasing their work-in-progress at TIFF in the hope of finding a distributor. For more information about The Bibi Files and screenings, click here.

The Brutalist

(Dir. Brady Corbet, Vox Lux)

In the powerful American film titled “The Brutalist“, Adrien Brody portrays László Toth, a Jewish Hungarian architect who escapes Europe at the end of World War II. He sets out to rebuild his life in America and is anticipating the arrival of his wife Erzsébet (Felicity Jones). Upon settling in Philadelphia, László encounters Harrison Lee Van Buren (Guy Pearce), a wealthy entrepreneur. This encounter leads to a more intricate situation as Van Buren and his son (Joe Alwyn) recruit László’s genius for an ambitious new project. To discover more about “The Brutalist” and find screening details, click here.

The Cut

(Dir. Sean Ellis, Metro Manila, Cashback)

At first glance, this appears to be a sports film, yet it delves profoundly into the extreme physical toll we endure to soothe a tormented spirit. Starring Orlando Bloom, John Turturro, and Caitríona Balfe, “The Cut ” focuses on a former boxer, The Boxer, who is determined to return to the ring despite the potential cost to his life. The Boxer and his wife-turned-trainer Caitlin (Balfe) have run a successful gym together for years, but it’s never been enough. When an unexpected death of another boxer before a title fight occurs, The Boxer sees an opportunity and steps in as the replacement. A shady promoter takes notice of his courage and decides to make him the new contender, as everyone loves a comeback story.

“The only problem is that, to qualify, The Boxer needs to drop a precipitous number of pounds in just six days. Enter Boz (Turturro), a brash trainer infamous for using every possible technique, legal or not. Many scenes are brutal, yet you cannot look away. Written by Justin Bull and Mark Lane, The Cut is about wounds that will not heal. The harder The Boxer trains, the more painful childhood memories come surging back to haunt him.” (Jane Schoettle) Learn more about The Cut and find screenings here.

The Damned

(Dir. Roberto Minervini, The Other Side, Stop the Pounding Heart)

The Damned is set amidst a group of volunteer Union soldiers sent by the U.S. Army to the western territories during the winter of 1862. This pivotal year, marked by both the gold rush and the ongoing Civil War, was filled with historical importance, opportunity, and hidden peril in these uncharted borderlands. Filmed in Montana’s wilderness using a small group of non-professional actors, many of whom were locals, The Damned depicts war as an intensely personal and disorienting experience. The dialogue is largely improvised, drawing on the actors’ own experiences.” (Andréa Picard) Discover more about The Damned and upcoming screenings here.

The End

(Dir. Joshua Oppenheimer, The Act of Killing)

Renowned for his impactful documentaries on mass killings in Indonesia, Joshua Oppenheimer ventures into fiction filmmaking with The End. This tale presents what appears to be Earth’s last surviving human family, taking shelter in an opulent bunker nestled within a salt mine following societal collapse due to environmental devastation. To add an unexpected twist, this drama is interwoven with somber musical elements. George MacKay, Michael Shannon, and Tilda Swinton portray the affluent family hiding from the apocalypse, while Moses Ingram brings a character who challenges the family’s intricate relationships by seeking refuge.

As a passionate movie enthusiast, I can’t help but share my thoughts on “The End” – a unique take on apocalyptic tales. Unlike others, this film delves deep into the psyche of characters burdened by their involvement in the cataclysmic event. It subtly illustrates how fear can bind us into isolated family units, oblivious to the harsh realities outside.

The Friend

(Dir. Scott McGehee and David Siegel, What Maisie Knew)

In the film “The Friend“, Bill Murray and Naomi Watts are the main attractions, but it’s hard not to notice the stellar performance of Bing, the Great Dane. Iris has had a deep, multifaceted relationship with Walter, a man who was charming, gifted, promiscuous, and adept at disappointing those close to him. When he unexpectedly passes away, Iris is tasked with managing his unfinished affairs – three ex-wives with lingering issues, an incomplete literary work, and his cherished canine companion, Apollo (Bing). To explore this film further and discover its screening times, click here.

The Last Showgirl

(Dir. Gia Coppola, Palo Alto)

In ‘The Last Showgirl’, Pamela Anderson delivers a compelling and emotional lead performance. Over three decades as a Las Vegas showgirl, Shelley (Anderson) has been the glittering centerpiece of Sin City’s last traditional floor show. The stage and her fellow performers, who bicker like family amid their sequins, are her world. When Eddie, the stage manager (Dave Bautista), announces the imminent closure of the show in two weeks, Shelley and her colleagues must contemplate their futures. However, at 50, the prospect of a new life is vastly different when your only skill is dancing. Discover more about ‘The Last Showgirl’ and catch screenings here.” (Paraphrased by Assistant) Explore The Last Showgirl and find screening information here.

The Life of Chuck

(Dir. Mike Flanagan, Doctor Sleep, Midnight Mass)

“The Life of Chuck

In their circle, Marty’s former spouse (Karen Gillan), her work colleague, their neighbor, and nearly everyone else they know are included. As we delve into Chuck’s life story, we travel back to his childhood with grandfather Albie (Mark Hamill), who taught him accounting and instilled a love for dancing while concealing a mysterious secret in the attic. The narrative of Chuck’s life unfolds, starting grandly and ending intimately, much like a setting sun. It’s a heartwarming exploration of the interconnected lives within us, akin to Stand By Me, that finds comfort in melancholy. Discover more about The Life of Chuck and its screenings here.

The Listeners

(Dir. Janicza Bravo, Lemon, Zola)

In my own words, I find myself content yet occasionally unstimulated by the serene existence I’ve cultivated as an English teacher, sharing love with my husband and daughter. However, when a low, puzzling humming sound unexpectedly invades my tranquility – a noise seemingly inaudible to those around me – I find myself thrown off-balance. In my quest for understanding, I discover that my student Kyle is also affected by this sound. Together, we tentatively explore the origins of this enigma, leading us towards an intriguing support group spearheaded by an enigmatic couple. Discover more about The Listeners and upcoming screenings here.

The Luckiest Man in America

(Dir. Samir Oliveros, Bad Lucky Goat)

Titled “The Luckiest Man in America“, this captivating film showcases the untold story of a pivotal moment in television history, when an executive’s risky decision turned an eccentric misfit into a beloved folk hero. Michael Larson, a former ice cream truck driver from Ohio, managed to secure an audition for “Press Your Luck” by appropriating someone else’s appointment. Despite the casting director finding him off-putting, co-creator Bill Carruthers appreciates Larson’s audacity and sees him as a relatable everyday hero from the heartland – the underdog with a chance to shine.

It appears that Michael never loses at Press Your Luck. In fact, he sets a new record for the show, even emptying its savings account in the process. Some might wonder if Michael is cheating or if he’s simply figured out something unique about the game. With his wild hair and unkempt beard, and his thrift-store attire consisting of a blazer and khaki shorts, Hauser’s Michael embodies the essence of desperate nerdy determination – a man who has staked everything on his chance to realize the American Dream, watched by millions. For more information about The Luckiest Man in America and screenings, click here.

The Order

(Dir. Justin Kurzel, Nitram)

Starring standout performances by Jude Law, Tye Sheridan, and Nicholas Hoult, the gripping historical thriller, ‘The Order’, brings to life one of the most extensive FBI manhunts in history. Adapted from the nonfiction bestseller, ‘The Silent Brotherhood’ by Kevin Flynn and Gary Gerhardt, this movie portrays a homegrown terrorist group advocating racial supremacy and the law enforcement officers who will go to great lengths to thwart them. In ‘The Order’, FBI Agent Husk and a young, ambitious small-town deputy delve into crimes that might be linked to a neo-Nazi extremist group. Many are praising Jude Law’s performance in this film as his best yet.

The Penguin Lessons

(Dir. Peter Cattaneo, The Full Monty)

As a movie enthusiast, I can’t help but rave about “The Penguin Lessons,” a heartwarming dramedy that’s as charming as it is thought-provoking. Starring the witty Oscar nominee Steve Coogan, this film chronicles an Englishman’s transformative journey amidst Argentina’s turbulent times. Based on real-life events, the story beautifully illustrates the profound responsibility that comes with saving a life, in this case, a surprisingly intelligent and utterly lovable penguin. If you’re intrigued, dive deeper into “The Penguin Lessons” and discover where it’s screening near you.

The Piano Lesson

(Dir. Malcolm Washington)

In Pittsburgh lives the Charles family, among whom rests a cherished artifact – a piano. This piano, housed within its wooden casing, bears intricate carvings of their ancestors, who were once enslaved. It’s 1936, and Boy Willie (John David Washington) dreams of selling this piano to acquire the land where his forebears were held in bondage. However, his sister Berniece (Danielle Deadwyler), though she doesn’t play it, guards it fiercely. Their uncle Doaker (Samuel L. Jackson) seeks harmony as the story The Piano Lesson intertwines humor with the tension between these siblings. Yet, a more ominous cloud looms over them, casting a troubling shadow on their family history. Discover more about The Piano Lesson and its screenings here.

The Return

(Dir. Uberto Pasolini, Still Life)

In a modern retelling of Homer’s “Odyssey,” the stars of “The English Patient,” Ralph Fiennes and Juliette Binoche, reprise their roles for a film steeped in classical tradition, reflecting the resilience found in the epic Greek tale. Titled “The Return,” the story unfolds as Odysseus (Fiennes) washes ashore on Ithaca after over two decades absent from his kingdom, where he left to fight in the Trojan War. Meanwhile, his wife Penelope (Binoche) and son Telemachus (Charlie Plummer) have grown skeptical of his return. As anticipated, Penelope’s famous test for potential suitors becomes crucial in this raw adaptation of the classic story. Discover more about The Return and find showtimes here.

The Room Next Door

(Dir. Pedro Almodóvar, All About My Mother, Talk to Her)

“The Room Next Door” – A Film by Pedro Almodóvar, Known for His Distinct Style, Takes a Step into English-Language Filmmaking

The Shrouds

(Dir. David Cronenberg, The Fly, Naked Lunch)

The Shrouds” is arguably the most poignant film directed by David Cronenberg, marked by profound sadness. The loss of his wife Carolyn in 2017 serves as the underlying theme, subtly infusing each scene with a haunting melancholy. An intriguing choice is made to style and groom lead actor Vincent Cassel to resemble Cronenberg himself, intensifying the film’s emotional impact. In this movie, Cassel portrays Karsh, a tech innovator who, like Cronenberg, is grappling with the death of his wife Becca (Diane Kruger), four years prior. He has immersed himself in work, developing technologically advanced burial garments that allow family members to witness the decomposition of their deceased loved ones.

However, when I discover that my wife’s grave, among others, has been desecrated in what appears to be an act of vandalism, I plunge headfirst into a crisis. This situation grows increasingly complex as it involves Becca’s doppelganger, Terry (also Kruger), her former spouse Maury (Guy Pearce), and eventually Soo-Min (Sandrine Holt), the mysterious wife of a dying Hungarian tycoon who intends to establish one of my cemeteries in Budapest. Discover more about The Shrouds and their showtimes here.

The Wild Robot

(Dir. Chris Sanders, Lilo & Stitch)

In the vein of Peter Brown’s popular children’s books, this DreamWorks Animation story introduces a robot voiced by Lupita Nyong’o who ends up on an island inhabited only by creatures. However, this robot was designed to assist humans. Joined by Pedro Pascal, Catherine O’Hara, Stephanie Hsu, and Bill Nighy in the voice cast, The Wild Robot is a thrilling journey of survival where both animals and robots must challenge their programming and uncover their latent abilities. To discover more about this extraordinary tale and screening details, click here.

Universal Language

(Dir. Matthew Rankin, The Twentieth Century)

This year at Cannes, Matthew Rankin’s film took home the first audience award from Directors’ Fortnight. It’s a unique blend of comedy that offers a reimagined version of Canada where Persian and French are the main languages, and loneliness is widespread. In Winnipeg, kids embark on peculiar missions, sometimes confusing a tour group led by the harried Massoud who’s trying to explain the city’s unusual attractions. Simultaneously, in Montreal, Matthew, a government worker portrayed by Rankin himself, quits his loathed job and catches the first bus back home to Manitoba to visit his mother. However, upon arrival, he discovers that his family isn’t what he had imagined.

Unstoppable

(Dir. William Goldenberg)

Anthony Robles’ tale is more extraordinary than any fictional inspirational narrative, as it’s a true account. Born with only one leg and raised in a turbulent home environment, Robles refused to surrender his dreams. He pursued the physical prowess and wrestling abilities required for a top Division 1 college team, despite being its sole disabled athlete. His ambition was not just to join but to win. The movie Unstoppable , featuring Jharrel Jerome in another impressive portrayal, offers an engrossing sports drama and a heartwarming family story.

The movie, titled “Unstoppable,” includes performances from Michael Peña and Don Cheadle. It is the first film directed by William Goldenberg, who is a renowned film editor known for his collaborations with Michael Mann on films like “Heat,” “The Insider,” “Ali,” and “Miami Vice,” as well as with Ben Affleck in “Argo,” “Gone Baby Gone,” and “Air.” Goldenberg has also worked on other movies such as “The Long Kiss Goodnight,” “Pleasantville,” “National Treasure,” and “The Imitation Game.” Given his deep understanding of the emotional aspects of filmmaking, this should be an excellent production. For more information about “Unstoppable” and to find screenings, click here.

We Live in Time

(Dir. John Crowley, Brooklyn)

Starring captivating performances from Oscar-nominated actors Florence Pugh and Andrew Garfield, this uniquely designed romantic tale delves into the conundrum of maximizing our time on earth. From their initial serendipitous car accident to unexpected births in unusual settings, a culinary contest at the pinnacle of excellence, Almut and Tobias’ relationship has been marked by moments that seem predestined for excitement.

This film, titled “We Live in Time“, explores a couple’s story by moving between three unique timelines. This narrative structure provides an insightful perspective on how memories intersect with current experiences and how meaning is constructed over time. The movie opens as Almut receives a grim medical prognosis and is presented with treatment options that could either save or waste precious life moments. Could the time spent undergoing treatment rob her of opportunities to fully live and experience life? Discover more about “We Live in Time” and find screening details here.

Went Up the Hill

(Dir. Samuel Van Grinsven, Sequin in a Blue Room)

In a far-off part of New Zealand, Jack (Dacre Montgomery) visits to honor the memory of his long-lost mother Elizabeth, an architect who struggled with life and left him behind as a kid. Jack says Jill (Vicky Krieps), Elizabeth’s widow, extended the funeral invitation to him, though she can’t remember doing so. To fulfill his duty to the deceased wife, Jill welcomes Jack into their home until the funeral, hoping this time together might help them understand one another better.

In his struggle to navigate his intricate feelings towards his mother and the boyfriend he’s separated from, Jack’s interactions with Jill initially are brief and sometimes strained. However, their lives take a dramatic turn when Elizabeth, in a spectral form, starts invading their bodies without leaving any recollections of what was spoken or actions taken during these possessions.” (Paraphrased by Me) Discover the intriguing plot of Went Up the Hill and check out screening locations here.

Will & Harper

(Dir. Josh Greenbaum, Barb and Star Go to Vista Del Mar)

This emotionally resonant documentary chronicles the journey of Will Ferrell and Harper Steele across America, sparked by Steele’s announcement about her transition. Blending elements of friendship narrative and social commentary on modern attitudes towards transgender individuals, “Will & Harper” breathes new life into the road trip genre for an era marked by change and self-empowerment. Ferrell and Steele first crossed paths in 1995 at Saturday Night Live, where they found an immediate comedic connection. Over time, their professional bond evolved into a deep personal friendship.

When Steele revealed her identity as transgender, she was apprehensive about potentially distancing people around her. Ferrell pledged his unwavering support but also fretted over accidentally making an inappropriate comment or action. The pair concluded that a road trip would be ideal for strengthening their bond and exploring the experiences of being transgender in our polarized society today. Discover more about Will & Harper and their screenings here.

William Tell

(Dir. Nick Hamm, The Journey, Driven)

In a different wording: “Isn’t it true that they no longer create them as they once did? This modern movie adaptation of the timeless hero’s story is an absolute joy to behold, filled with courage, dignity, and thrilling battles. In the year 1307, a ruthless Austrian Hapsburg king (played by Sir Ben Kingsley) takes control over the neighboring Swiss cantons. His tax collectors mistreat and abuse the locals, pushing one farmer to contemplate violent retribution. Fleeing across a vast terrain, this farmer encounters only one man willing to help him: William Tell (portrayed by Claes Bang).

I’ve recently returned home, weary from my battles alongside the Knights Templar in the Holy Land. All I yearn for now is a tranquil life with the woman I met there (Golshifteh Farahani). Yet, my principles bind me tightly. When the corruption of the Hapsburg court pushes me too far, I find myself reaching for my weapons and riding off to battle once more. The visuals are vivid, the pace is swift, and the exceptional cast, featuring Rafe Spall and Jonathan Pryce, delve deeply into their roles. And that iconic scene where I’m compelled to shoot an apple off my son’s head with a crossbow is every bit as compelling as you might imagine. Discover more about William Tell and find screening details here.

Without Blood

(Dir. Angelina Jolie, Unbroken, By the Sea)

As a film enthusiast, I’ve always admired Angelina Jolie for her directorial prowess. Stepping away from her glamorous on-screen persona, she’s become a master of crafting profound dramas that shed light on the devastating effects of war experienced by individuals. Movies like “In the Land of Blood and Honey” (2011) and “First They Killed My Father” (2017) have been particularly impactful, as they delve deeper into the heart-wrenching impact of war on women and girls in Bosnia and Cambodia. Now, with “Without Blood“, Angelina is revisiting this often overlooked theme in war cinema. This time, she’s directing another iconic actress, Salma Hayek Pinault.

Decades following a heinous act during wartime, I, finding myself at a lottery stand, strike up what appears to be an ordinary chat with Tito (Demián Bichir). However, fate seems to have orchestrated our meeting. As the conversation unfolds, it becomes evident that vengeance lingers like a haunting specter, manifesting in various ways. Our dialogue, captured at Rome’s legendary Cinecittà studios, unravels an intimate tale of how war leaves an indelible mark on those it touches, long after the guns fall silent.” (A fan’s perspective)

Young Werther

(Dir. José Avelino Gilles Corbett Lourenço)

18th-century novel “The Sorrows of Young Werther” by Johann Wolfgang von Goethe centers around the themes of wit and unrequited love, and these elements are brilliantly modernized and humorously recreated in this contemporary retelling, set in present-day Toronto. In this version, Douglas Booth portrays Werther who temporarily halts his European journey to retrieve a statue but finds himself enamored with Charlotte (Alison Pill), delaying his departure until he can win her heart. His affection for her deepens as they spend more time together.

A minor obstacle to their union arises, as Charlotte is already betrothed to the accomplished lawyer Albert (Patrick J. Adams). The charming portrayals of Booth, Pill, and the entire cast make Young Werther an impressive feat, managing to maintain the relevance of Goethe’s somber and thought-provoking work in a lighthearted and amusing romantic comedy suitable for contemporary viewers. For more information about Young Werther and upcoming screenings, please visit here.

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2024-09-09 09:38