As a seasoned gamer of both movies and life, I can confidently say that the arrival of Halloween has me scouring for the perfect horror movies to add some chills to those cozy nights in. And let me tell you, if you’re not tuning into Apartment 7A on Paramount+ this season, you’re missing out big time!
The spooky time of year has arrived, and people are searching for terrifying films to watch on their chilly evenings in. Let me tell you that “Apartment 7A” is a must-see new movie this season for horror enthusiasts, and if you’re not utilizing your Paramount+ account to stream it, you’re missing out. This recommendation becomes even stronger if you haven’t watched the outstanding horror film it’s connected to, “Rosemary’s Baby“, as I would strongly suggest watching the prequel beforehand if you haven’t already.
I was one of those people who went in completely blind to Apartment 7A, and I immediately had to stream Rosemary’s Baby right afterwards. I’ll explain why for those interested in seeing it the same way and what’s in store for those who go in having seen the original movie. As such, I will avoid spoilers to keep those oblivious in the dark, though readers who have seen the 1968 movie should understand what I’m hinting at as they read.
Apartment 7A Hides Its Biggest Twist Much Better Than Rosemary’s Baby
Without intending any disrespect towards “Rosemary’s Baby”, it’s true that movies from the 1960s weren’t typically subtle. If I had watched the original film first, I would have quickly guessed the major plot twist because it wasn’t particularly hidden. In fact, I was secretly criticizing the Woodhouse family for deciding to live in that apartment building, considering all the unsettling tales their landlord shared with them before they moved out.
In my opinion, Julia Garner’s character Terry Gionoffrio seems better integrated into the plot, creating a convincing setup that misleads viewers about the true nature of “Apartment 7A”. The film is crafted in such a way that it doesn’t require prior knowledge of “Rosemary’s Baby”, instead aiming to surprise and misdirect the audience as the story unfolds.
For all of you here, it’s worth mentioning that the twist in this film isn’t saved for the very end. Instead, Apartment 7A reveals it around the halfway mark, offering ample opportunity to delve deeper and present some fascinating developments. After viewing Rosemary’s Baby, I can confidently state that fans of the original will find this prequel anything but dull, as they’ll be captivated by the expanded narrative and enhancements made to the initial film.
Julia Garner Brings A Small Side Character To Life In A Big Way
Numerous reviewers have been commending the film “Apartment 7A”, particularly Dianne Wiest’s portrayal of Minnie Castevet. However, don’t assume that three-time Emmy winner Julia Garner gave a lackluster performance based on this praise alone. While Terry Gionoffrio had a crucial but limited role in the original movie, her presence is only briefly mentioned in “Rosemary’s Baby”.
The creators of “Apartment 7A” expanded upon the minimal information given about Terry from the initial film in a remarkable manner. After viewing “Rosemary’s Baby“, I was taken aback at how seamlessly these small character details were woven into the narrative. Interestingly, I believe that such a movie would not have been made back in 1968, and it appears to be tailored for a more contemporary audience.
Julia Garner delivers another outstanding performance in this role, much like she has in her past projects, and it wouldn’t come as a shock if she received some award recognition for it. Horror films often don’t receive much attention during awards season, but Rosemary’s Baby did manage to secure an Oscar when Ruth Gordon won the Best Supporting Actress award. Regardless of whether this film is Oscar-worthy, we can only speculate until the nominations are announced.
Watching Rosemary’s Baby After Really Gives You A Great Appreciation Of Both
In a straightforward manner, let me express that some parts of “Apartment 7A” remained unclear to me until I watched “Rosemary’s Baby“. This observation is primarily based on the visual aspects and specific camera techniques, not the overall narrative which remained independent of my initial viewing. I believe viewers who haven’t seen the original might share similar sentiments initially, but upon watching it, they will recognize that those scenes were likely intentional tributes.
In retrospect, there are several subtle instances within the movie that hold significance for viewers who have watched the original film. For instance, certain shots of the apartment building and certain items that appear throughout the movie gain meaning only when viewed after watching the initial film.
In the evaluation of renowned actress Dianne Wiest, it’s fascinating to observe how she subtly enhances the character of Minnie without straying too far from the initial portrayal. Essentially, her performance in “Apartment 7A” adds depth and complexity to the character, making her appear even more chilling compared to her depiction in “Rosemary’s Baby.
In the original film, several characters share similarities as I believe Terry’s solitary living situation encourages her to engage with these characters more frequently due to a lack of conversation partners at home. To those who have watched the first version, it seems purposeful that we see more scenes involving certain characters, offering an additional aspect for fans to admire in the new movie.
The only downside is that if you’ve seen Rosemary’s Baby, you know where this prequel is headed. The twist and ending won’t hit as hard for the people who have seen the original because they’re going in just waiting for the shoe to drop with Terry. As someone who went in blind, I was more or less wondering what the hell was going on right up until it all made sense. I can say now that I’ve seen both, and I’ll probably never be brave enough to visit the real Dakota Building it’s set in.
Here’s one way of paraphrasing it:
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2024-10-03 22:07