As a connoisseur of contemporary art who’s witnessed the evolution of the scene over several decades, I must say that Jeffrey Deitch‘s revival of his groundbreaking 1992 exhibition, “Post Human,” is nothing short of breathtaking. This time around, it’s even more poignant, given our increasing reliance on technology and the blurring lines between reality and virtuality.
In 1992, Jeffrey Deitch unveiled the expansive group show titled “Post Human.” This exhibit delved into the impact of technology on everyday experiences, highlighting the pervasive tech-infused philosophies that remain relevant in our society today. By challenging established boundaries, the exhibition sought insights within the pristine and synthetic.
Over three decades since its initial appearance, the exhibition titled “Post Human” is making a comeback at Jeffrey Deitch’s Los Angeles gallery during a significant revival period. The display showcases the creations of 36 artists such as Hajime Sorayama, Kiki Smith, Damien Hirst, Pippa Garner, Jordan Wolfson, Cindy Sherman, Urs Fischer and many others. This collective brings together veterans from the original exhibition with emerging talents in modern art, venturing into uncharted territories of physical metamorphosis. They question the significance of Realism amidst the era of Ozempic.
These works channel multiplicity and metamorphosis under a biometric big top. Josh Kline’s plastic-wrapped white-collar workers contemplate the automation of labor, meanwhile the ergonomic eroticism of Anna Uddenburg’s chair examine performance and comfort in the Instagram era. Encased in the gallery’s white walls, Paul McCarthy figures a scene of lost humans in a patch of lush forest, pushing the limits of “natural” life.
Fundamentally, the concept of Post Human is essentially cyborg-like, with a fragmented and hybrid structure. As the gallery puts it in their recent statement, “Cyber-advanced, surgically enhanced, commercially driven, and politicized, the ‘engineered body’ serves as a platform to explore numerous issues that resonate with our times.” The exhibition addresses the anxieties and attractions of an approaching virtual world, marking a shift away from the traditional human form.
The exhibition is now on view in Los Angeles through January 18, 2025.
Jeffrey Deitch Los Angeles
925 N. Orange Drive,
Los Angeles
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2024-10-04 00:26