Mo Yi Rewrites the Rules in ‘Me in My Landscape’

Mo Yi Rewrites the Rules in 'Me in My Landscape'

As a long-time admirer of Chinese contemporary art, I must say that Mo Yi’s retrospective at UCCA Center for Contemporary Art is nothing short of breathtaking. Born and raised in Tibet, Mo Yi’s life experiences have undeniably shaped his unique artistic vision.


The UCCA Center for Modern Art and Les Rencontres d’Arles unveil the first significant museum exhibition of Chinese photographer Mo Yi, located in Beijing. Born in 1958 in Tibet, this artist portrays feelings of estrangement within city life, frequently incorporating his own body as a means of expression. The collection Me in My Landscape spans from the late 1980s to the present and serves as a testament to Mo Yi’s rise as a key influencer in Chinese contemporary photography.

The exhibition showcases more than 300 pieces, including iconic series images, personal self-portraits, hidden archival resources, and a unique installation tailored for this location. Ranging from the vibrant illumination of “Red Streets” to the raw, candid perspectives of “I Am a Street Dog,” the artist’s dynamic, innovative style uses photography as a tool for artistic expression as well as social commentary.

Drawing on his past as a soccer prodigy, Mo Yi gracefully navigates and immerses himself within the depicted scene. Invoking sweeping gestures and raw feelings, he skillfully portrays the hustle and bustle of daily existence with an uncanny authenticity. Although his artwork might seem removed or detached at times, the artist effectively employs a touch of cynicism to create an honest, slightly askew portrayal of human nature.

The exhibition represents a pivotal point in its development. Moving away from the structured and technical aspects of documentary photography, it embraced the natural and spontaneous, significantly influencing the evolution of experimental art in China. Over various time periods, Mo Yi’s Me in My Landscape offers a vibrant exploration to discover art in unconventional locales.

The exhibition is now on view at UCCA in Beijing through December 29.

UCCA Center for Contemporary Art
4 Jiuxianqiao Rd, Chaoyang,
Beijing, China, 100102

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2024-10-07 20:55