As a cinephile who has spent countless hours immersed in the world of horror and cinema, I find Nick Frost to be a truly captivating talent. His dedication to his craft is evident in the way he consumes films, watching several a day as part of his process. It’s not just about methodology; it’s about inhabiting a character in a way that few do.
In the new Shudder psychological thriller, Nick Frost delivers an uncontrollable performance as a cab driver. Famous for his roles in “Shaun of the Dead” and the Three Flavours Cornetto trilogy (“Hot Fuzz” and “The World’s End”), Frost partners with writers David Michael Emerson and Virginia Gilbert, also contributing to the film’s screenplay. The eerie taxi ride he gives to co-stars Synnøve Karlsen (“Last Night in Soho”) and Luke Norris (“Poldark”) is a chilling experience they won’t soon forget.
As a devoted film enthusiast, I kick-start my day early, ensuring my little ones are off to school, and then I indulge myself in an all-day marathon of horror flicks. They hum along quietly in the background as I immerse myself in my work. At times, I barely glance at the screen, lost in my tasks instead.
It seems more effective for writing horror if you immerse yourself deeply into the genre. In other words, try not to simply mirror what you see, but strive to create something original instead.
Was there a possibility that being surrounded by horror made him feel comforted in an unusual way? If I find solace in watching horror movies, it might mean they aren’t doing their job effectively. However, films like Poltergeist, The Exorcist, and The Omen have become soothing to me over the years, not because they scare me but because I am so familiar with them due to my ADHD. Knowing these movies inside out provides a sense of comfort, as if saying, “Thank goodness you’re with Father Merrin, and you’re safe.
But you know, if I’m watching a modern horror and it’s not making me feel like [turns his head around], ‘What the f*ck’s that?’ then it probably isn’t doing its job, or it hasn’t tried hard enough.
In a casual manner, Bruce Goodison, the director of Black Cab, pointed out that Poltergeist is an excellent illustration because it contains some humor as well. He explained that it resonates with people since it revolves around a family situation where a child disappears within their home, possibly in the television. The plot is intriguing, he added.
In a nod of agreement, Frost said, “If you consider the character of Tangina [Zelda Rubinstein in Poltergeist], she can be quite humorous upon entrance. However, she’s remarkably amazing, truly impressive – you get it, don’t you?
Nick Frost Is a True Cinephile
Director Bruce Goodison only had praise for Frost and his cinematic knowledge:
Nick demonstrates an exceptional work ethic and extensive knowledge, which is truly remarkable. What’s more, I’ve recently discovered that he watches around three to four movies a day. However, what sets him apart is not just his acting methods but his dedication to fully embody a character. This isn’t about the traditional method actor approach; rather, it involves immersing himself in the role by learning how to drive a cab, ensuring his living space for the next month feels like home, and maintaining a level of commitment that is truly admirable.
Frost’s passion for films is evident in the way he works, watching all these movies as part of the process, but in the way he speaks about his character in Black Cab as well. “I’m a big fan of the film Man Bites Dog, and I’m a big fan of the film The Vanishing. And both of the antagonists in those films, yes they’re serial killers and lunatics, but also, they’re clumsy, they’re flawed, and, considering they’re monsters, they’re really human. We talked earlier, Bruce and I, about Kathy Bates in Misery. What she does to James Caan in that film is awful, but getting to that point is kind of cute, and a bit sinister.” Frost continued:
“I really appreciate this aspect of my character. Despite reaching a terrible and frightening stage, it’s the dreadful event he experienced that propels him there. I enjoy creating a character who might make viewers leave the theater thinking, ‘He had his good moments.’ I find satisfaction in portraying someone whose actions may not necessarily elicit sympathy from the audience, but they can still think, ‘He was somewhat likeable.’
He was kind of alright, but he’s also one of Frost’s most disturbing performances in a film that’s yet another winner for Shudder. In the meantime, the buzz continues to build around Frost’s future projects, especially playing the close pal of Gerard Butler (as Stoick), Gobber, in the live-action version of How to Train Your Dragon.
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2024-11-08 05:03