In 2014, after a long-standing history as a series of popular children’s books, a beloved stuffed bear, and a British cultural icon, Paddington made his big-screen debut. Many filmgoers, critics, and movie enthusiasts had low expectations for adaptations of classic childhood stories featuring CG main characters, but Paddington was the rare exception that confirmed the rule. The sequel, Paddington 2, further exceeded expectations, with several humorous articles claiming it surpassed Citizen Kane as the highest-rated film ever on Rotten Tomatoes. Now, there’s a new installment in the series: Paddington’s Adventure in Peru.
In this adventure, our cherished bear character revisits his origins to unravel the mystery behind Aunt Lucy’s disappearance from her retirement home. This rollercoaster journey through the jungle introduces an array of quirky characters, not forgetting the resilient Brown family who always find themselves learning valuable lessons. The movie faces the common challenge of any sequel: balancing the inclusion of established characters with introducing fresh ones. Emily Mortimer steps into the role previously played by Sally Hawkins as Mary, and Olivia Colman joins the cast as a suspect Reverend Mother. Both performances are captivating, and Antonio Banderas provides plenty of humor as a ghostly riverboat captain.
A Different Kind of Adventure for Paddington
In this new Paddington tale, it echoes familiar themes and key elements from previous films. Each member of the family experiences unique difficulties, but Paddington’s presence and his journey serve as a means to repair whatever tension arises. As always, Paddington is adorable, endearing, full of physical humor, and prone to a string of chaotic incidents. This storyline weaves a treasure hunt adventure, leading us to suspect (often through dialogue) that the true treasure is family – or perhaps marmalade!
Although nothing here is groundbreaking or innovative, the presentation is solid throughout. Audiences from every age group (as it’s intended for a multi-generational audience) will discover spots to laugh and immerse themselves in the jungle expedition. Balancing the production of a family film appealing to all four quadrants at such a grand scale, for the third time within the same universe, is like walking a tightrope, and it’s evident that the creators aimed to fulfill numerous requirements rather than focusing solely on the story. Paddington in Peru may not reach the heights of its prequels in every aspect, but it undoubtedly meets the criteria needed for an enjoyable cinema outing for all.
A Big Cast Having Fun
In every scene of the Paddington movies, it appears that everyone involved seems genuinely delighted to be part of it. It’s intriguing to think that perhaps the charming bear character is capable of instilling a unique sense of joy and positivity. Much like Nicole Kidman in the 2014 adaptation, Antonio Banderas and Olivia Colman seem to relish every moment on set, leaving no stone unturned with their enthusiasm. They each have several comedic scenes that are sure to leave viewers in stitches, and they make the most of these opportunities. With a subtle blend of kindness and consideration, the Paddington films manage to draw all adult characters and audiences into its world by casually acknowledging, “Oh yes, this bear can talk. And isn’t that just normal?
In a manner that feels authentic, this level of dedication to the concept of a talking bear doesn’t require viewers to acclimate to an unexpected world of magical realism. Instead, Paddington simply exists within the story, even if his presence seems a bit unusual. The term that repeatedly comes to mind is ‘verisimilitude’, which describes the way this approach gives the Paddington films their unique charm and helps them surpass expectations, despite being animated or live-action. In today’s visual landscape, where reality blends with cartoons in computer-generated imagery and sequences, an anchor in realism becomes essential for audiences. The straightforward, honest narrative focus of this franchise provides that necessary foundation.
As a movie critic, I find myself regularly amazed by the power of “suspension of disbelief” during my cinematic journeys. From the earliest moments when a train glides into a station on screen, we as viewers have chosen to transform those flickering two-dimensional images into three-dimensional experiences within our minds.
We watch characters engage with puppets, cartoons, and special effects, choosing to overlook the reality that they are not real. Yet, it’s only when the story’s world feels genuine and committed that we can willingly suspend disbelief. It’s challenging to pinpoint exactly why one film or series achieves this while others don’t, but there is an unwavering dedication in Paddington that invites us not only to embark on the adventure but to genuinely enjoy every moment of it.
Paddington in Peru is in theaters February 14.
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2025-02-13 01:04