As a fervent admirer, I’m excited to share a fascinating tidbit about the iconic 1979 sci-fi horror masterpiece, Alien. Veronica Cartwright, renowned for her chilling portrayal of Lambert in Ridley Scott’s cinematic tour de force, has shed light on an aspect of the chestburster scene that has long been a topic of conversation among those involved in the film’s production: the genuine shock expressed by the actors was indeed very real. This is because they were kept in the dark about the specifics of what would unfold during filming.
Despite not being universally known as a horror legend, Cartwright has built a long-standing career within the genre. During her teenage years, she played roles in Alfred Hitchcock’s “The Birds” and later appeared in films like “Invasion of the Body Snatchers” (1978) and “The Witches of Eastwick.” However, it was her portrayal of Joan Lambert in “Alien” that solidified her position as a scream queen, though her character met an untimely end in the sci-fi horror film.
As a movie enthusiast, I found myself captivated by a sci-fi adventure where an interstellar team answers a mysterious distress signal from an uncharted planet. Upon landing, we disembarked to explore what appeared to be a deserted alien spacecraft. In the heart of this strange vessel, Kane (played by John Hurt) came across a peculiar egg-like object. Suddenly, a creature burst forth and attached itself to him, marking his unfortunate demise – a shocking moment that left an indelible mark on film history. This scene, according to the director himself, took even the cast by surprise, making it all the more impactful for us viewers.
On Michael Biehn’s podcast, “Just Foolin About with Michael Biehn,” Cartwright discussed the film “Alien.” The actor elaborated on the process of creating that scene and shared some behind-the-scenes details about their reaction when blood suddenly erupted from Hurt’s character. Since Lambert was noticeably disturbed by this occurrence, it’s possible that Scott chose to keep the shot where she appears in utter panic for dramatic effect, as quoted by Cartwright.
Initially, we were kept waiting for hours on end in our dressing rooms. It was absolutely absurd; we were confined there for approximately four hours, and Harry Dean [Stanton] was strumming his guitar, while everyone else was wondering what was happening. After a lunch break, they eventually summoned us down. The entire set was draped in plastic, which gave off an overpowering stench due to formaldehyde.
How Ridley Scott Accomplished the Scene’s Memorable Authenticity
Afterward, Cartwright disclosed that they had anticipated what was about to transpire. It was all written in the script. However, it was the prelude that left them unprepared. Eventually, the actress began to feel queasy, remarking, “I started retching as I navigated through it, thinking, ‘Oh my goodness, what on earth is happening here?’
Since there were four cameras, everyone was captured on film. Given that it was a single take, we embarked on enacting the scene where the beast emerges from the chest. Suddenly, Ridley called out “cut!”, and everyone rushed in to make a small additional cut on the chest because the T-shirt hadn’t been slashed deeply enough. Undeniably, this unexpected interruption heightened the sense of tension.
I couldn’t help but be completely captivated by it. I didn’t expect to see a gush of blood, but there it was, slamming against me unexpectedly, causing an exclamation of surprise like ‘Oh, my goodness!’ Afterwards, I stumbled backward and hit a nearby bench, sending me tumbling over. I saw two cowboy boots sticking out, and I thought, ‘Oh, my goodness, they’re still moving.’ So I flipped back around and rushed back into the scene. The whole thing was just absurdly funny.
‘Alien’s Chestburster Scene is One of the Most Shocking Moments in 1970s Horror
In 1979, Scott created a trailblazing sci-fi horror movie that was unique in several ways. Unlike other space horrors at the time, it dared to merge extraterrestrial creatures into its plot, which was a fresh concept then. Furthermore, the director chose to defy expectations by killing off a prominent character early on, similar to Hitchcock’s approach in Psycho.
Moreover, Scott didn’t just remove Hurt’s Kane character, he also introduced a grisly kill scene that established the dark tone for the entire series. The death of Kane was gruesome, gory, and chaotic, leaving everyone stunned. What was seen was a small creature that had made a hole in the victim’s chest and scurried away. No one could have predicted that it would evolve into an unstoppable movie antagonist, making people question if space might not be as appealing as they once thought.
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2025-01-31 16:04