As a long-time movie enthusiast and someone who has witnessed the evolution of the film industry over the years, I can’t help but feel a sense of nostalgia when it comes to the traditional cinema experience. The thrill of going to the theater, the anticipation of watching a movie on the big screen with a crowd of fellow fans, the shared laughter and gasps – these are moments that make the cinematic journey truly unforgettable.
Daniel Craig is advocating for a cinematic premiere of the upcoming standalone sequel to “Knives Out,” titled “Wake Up Dead Man: A Knives Out Mystery.” This film is the third installment of the whodunit series, and Craig will reprise his role as the skilled detective, Benoit Blanc. When questioned about whether he feels the movie warrants a broad theatrical release, Craig emphasized that the crime sequel should have a prolonged run in theaters, stating to Variety: “The Knives Out 3 mystery should play in theaters for more than just one week.
I’m aware of that, indeed. Fingers crossed, Netflix releases it soon so everyone can enjoy it in theaters. It seems that’s what most people I talk to, or perhaps fans, are eager for – spending quality time with their families watching it on the big screen. Here’s hoping we can make that happen.
The movie is scheduled to hit cinemas in Fall 2025, with director Rian Johnson once again taking charge for the third film. Actors Glenn Close (nominated for an Academy Award), Josh O’Connor (“Challengers”), Cailee Spaeny (“Priscilla”), Andrew Scott (“All of Us Strangers”) and Daryl McCormack have joined the cast of this upcoming installment. Craig’s comments on the theatrical launch are made after reports suggesting his and Johnson’s dissatisfaction with the release strategy for the previous film, “Glass Onion: A Knives Out Mystery”.
Fans of “Knives Out” may recall news about a heated conversation between lead actor Daniel Craig and Netflix’s co-CEO Ted Sarandos at the 2022 TIFF premiere of its sequel. It is said that Craig expressed disapproval towards the choice not to release “Glass Onion” in cinemas, as well as criticizing Netflix’s problematic business strategy. Other film producers were apparently unhappy with the direct-to-streaming release, suggesting that it could have been a box office success if it had been first shown in theatres before being made available on the platform.
Is The Netflix Model Bad for Movies?
In my opinion, some argue that debuting a movie in cinemas first seems like an obvious choice for several reasons. Operating within the traditional cinema circuit enables a film to become eligible for awards and provides much-needed support to these establishments. On the other hand, the exclusivity of directly streaming a film allows platforms like Netflix to boast impressive viewership statistics. However, it’s important to note that there has been ongoing tension between Netflix and the creators of ‘Knives Out’, Craig and Johnson, which is just one of many recent discussions focusing on Netflix’s business deals.
A few days back, it’s said that director Emerald Fennell turned down a $150 million offer from Netflix for the distribution of her upcoming “Wuthering Heights” adaptation featuring Margot Robbie and Jacob Elordi. Despite the attractive financial terms, Fennell and producer Margot Robbie are rumored to be looking for a deal that encompasses a cinema release in theaters, as their dedication to conventional filmmaking and supporting cinemas is unwavering, some sources claim.
As a passionate admirer, I’m thrilled by the whispers that Director Greta Gerwig might be in negotiations with Netflix for a cinematic release of her adaptation of The Chronicles of Narnia. With anticipation mounting among fans, we eagerly await news about whether we’ll get to witness this epic tale unfold on the big screen. It’s evident that there is a market for these films, yet Netflix seems intent on placing its business strategy atop traditional distribution methods. The coming debates between consumer and industry views on the worth of theatrical releases versus streaming platforms will undoubtedly be captivating to watch.
As a passionate movie lover, I firmly believe that the big screen is crucial for a film’s cultural impact and box office performance. However, when it comes to streaming platforms like Netflix, they must constantly innovate to attract and retain subscribers. To do this effectively, they might need to offer unique, high-quality content featuring top-tier talent and blockbuster productions. Yet, if Netflix aims to collaborate with the most prominent figures in Hollywood, it may be necessary for them to make some compromises along the way.
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2024-11-05 16:01