Danielle Roberts Probes a New Era of Loneliness in ‘Phosphorescence and Gasoline’

by

As a lifelong observer of modern society, I find Danielle Robert’s latest exhibition, “Phosphorescence and Gasoline,” to be a captivating reflection of our times. The hazy, hyper-digital world she paints is strikingly familiar, like a snapshot of my own life experiences filtered through the lens of a neo(n) noir aesthetic.

Frederick & Freiser showcases Danielle Roberts’ solo exhibition titled “Phosphorescence and Gasoline“, open for viewing until December 7, 2024. In a series of acrylic pieces, Roberts captures the foggy reality of a highly digitalized, post-Pandemic era, mirroring shared hardships in a modern (neo) noir depiction of the present.

In every ordinary scene, there’s a constant hum from artificial light – colorful halos around car headlights, spinning disco balls without sound, and overhead lamps hanging over groups that seem disillusioned, much like Hopper’s works. Despite the brightness, each face appears with sunken eyes and subdued expressions. This dark and profound irony in each piece invites the viewer and challenges them to keep their distance, similar to stepping outside a party but still hearing the music within, as described by the gallery.

During the exhibition, Roberts manages to portray a cloudy and acidic feel in a vividly clear manner. Her artistic style suggests a feeling of fragmentation and detachment, yet she paints each figure with a heartfelt compassion. Using delicate yet detailed strokes, the artist creates an enchanting depiction of modern life, highlighting the eerie beauty that we all share.

Fredericks & Freiser
536 W 24th S
New York, NY 10011

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2024-10-29 16:56