As a seasoned cinephile who has spent countless hours immersed in the intricate tapestry of cinema, I must confess that the Academy Awards have always been a source of both fascination and frustration for me. The rules they enforce are often as peculiar as the films themselves, and the decision to disqualify Hans Zimmer’s masterful score from contention for Best Original Score in Dune: Part Two is no exception.
The prediction was incorrect; “Dune: Part Two” is not expected to sweep next year’s Oscars with every award. Although it might have been nominated for Best Documentary (since if “The Bear” can be considered a comedy, then why not “Dune”?), the film has been excluded from one major category due to a peculiar technicality. The breathtaking visuals in Denis Villeneuve’s sci-fi sequel, accompanied by Hans Zimmer’s enchanting score, were particularly memorable, with female vocals becoming viral sensations (popularized on TikTok) and Ayo Edebiri’s rendition during her Vanity Fair interview.
Although Hans Zimmer’s music for Dune: Part Two is a stunning composition, it can’t be entered for consideration in the Best Original Score category at the 2025 Academy Awards due to an unusual regulation. Fans had high hopes that Zimmer would earn his second award for his work on Dune (having already won one for the first film’s score). Unfortunately, because the score for Dune: Part Two incorporates various components and sounds from the original score, it is ineligible for submission. The Academy of Motion Picture Arts and Sciences officially stated this rule as follows:
For sequels or series across all types of media, it’s best to ensure that no more than 20% of the new score consists of previously used themes and melodies from earlier scores within the same franchise.
Fans who think “Dune: Part Two” is a cinematic marvel (to be honest, it’s quite impressive) might get ready to rally, but composer Hans Zimmer couldn’t care less. In an interview with Variety, the esteemed musician stated that his score exists primarily to support the film’s storyline rather than catering to the Academy’s tastes. Zimmer explained:
In the realm of storytelling, our objective is to uphold the plotline and resonate with our viewers. With Dune: Part Two, we carry forward the tale initiated in the initial half, picking up precisely where we left off. The music was designed to broaden and progress its themes, mirroring the book’s journey towards a fitting conclusion – one that was conceived from the very first word to the last note played.
Which Oscars Could Dune: Part Two Win in 2025?
Next year, it seems “Dune: Part Two” could be a strong contender for the Academy Awards. Many people consider it one of the top films of 2024 thus far. Director Villeneuve’s sequel is predicted to vie for and possibly take home the same awards as last year (excluding Best Original Score). The main question, however, remains: could “Dune: Part Two” secure the title of Best Picture?
Currently, the race for the Best Picture award at the 2025 ceremonies is intense. One major competitor expected to emerge is Ridley Scott’s film “Gladiator II,” slated for release in November. Yet, both these high-profile films are up against tough competition from lower budget productions such as Sean Baker’s “Anora,” Nora Fingscheidt’s “The Outrun,” Steve McQueen’s “Blitz,” and Brady Corbet’s “The Brutalist.
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2024-10-23 23:02