As a gamer with a soft spot for both anime and fashion, I find myself captivated by the audacious blend that FINE CHAOS offers. Hailing from the minimalist realm of Scandinavia, this brand has boldly reimagined its birthplace, breathing fresh life into the monotonous fashion landscape.
Individuals immersed in the anime universe have come to appreciate the protective measure unique to this genre. Similarly, people involved in fashion have recognized the freedom it offers. At their intersection, however, you’ll find FINE CHAOS – a blend of both worlds.
Located within the realm of Scandinavian minimalism, FINE CHAOS breaks away from typical aesthetics. Instead, it embodies thoughtful design and a rebellious spirit, offering a fresh perspective on its origins, thereby reinventing and modernizing the fashion sector.
With FINE CHAOS’ AW24 collection titled ‘Here, After, Eternity: Netherworld’ now available at HBX, we had the opportunity to chat with the brand’s creative director, Marc C. Møllerskov, discussing his inspirations, artistic vision – and naturally, great anime!
Here’s a possible way to rephrase it: You can find an extract from the interview further down. For the complete interview, please visit HBX Journal.
Since your last interview with HBX, how do you feel that FINE CHAOS has grown?
Much has transpired, marked by numerous significant achievements. We’ve excelled beyond expectations, such as organizing our grandest runway event that accommodated 700-800 guests. It was truly heartening to witness our growth into a more prominent label. Notably, our team has nearly doubled in size. Whether it’s luck or hard work, I believe our unique status as an unconventional Danish brand plays a significant role. Unlike traditional Scandinavian brands, FINE CHAOS deviates from the minimalist aesthetic, instead favoring a narrative and collections that are vibrant and maximally expressive.
Does the minimalist environment in Copenhagen make it difficult for you to maintain your creative vision consistently?
Perhaps we could pave a new path, without any intention of being seen as superior. Instead, it’s about challenging the status quo, something we seem to enjoy doing. Yet, it’s also true that those who differ greatly from us appreciate our efforts, so we’re not adversaries in any way. Sometimes, I might feign rivalry for a bit of fun and motivation, but it’s all in good spirit.
So how do you as a Creative Director stay creative?
I watch a sh** ton of anime. (laughs)
In addition to my political inclinations, each day, I immerse myself in global events as they unfold, serving as a rich source of inspiration for my storytelling. The broader political climate significantly influences my creative process, making it essential for me. My designs strive to reflect the humanity within us all.
Could you tell us more about the distinctive features of your latest series titled ‘Here, After, Eternity: Netherworld’? I’m curious to understand its design aspects better.
This design strongly emphasizes a utilitarian feel, with intricate details and commander-like aesthetics. For instance, the jacket boasts numerous cargo pockets on its sleeves, modeled after vintage WWII jackets. Additionally, there’s a knitted vest that symbolically represents the scarcity of resources in the [FINE CHAOS] narrative, as characters in the story would craft clothing from available materials in their surroundings.
In relation to your creative workflow, would you say that you develop your story prior to designing the clothing it features?
Absolutely, for each new collection I embark on, I compose a continuous manuscript. We’re currently working on our eighth segment, having navigated through four distinct seasons so far. Whenever we begin a fresh season, I simply settle down to pen approximately 20 to 30 pages, striving to craft a mini-story each time.
Yeah, I’d say a big chunk of my creative spark comes from exploring diverse worlds beyond mine – whether it’s delving into the stories of fellow gamers, learning from different cultures, or immersing myself in unique gaming experiences.
Absolutely, let me put it another way: We’re aiming for 100%, but I believe pushing beyond that to 110% will bring something truly unique. To achieve this, we might explore some unconventional ideas, which may seem a bit offbeat, but as designers, that’s where genuine creativity often blooms.
When tackling challenging subjects, do you often find relief by expressing your thoughts or emotions through creative outlets like clothing design or sewing?
Absolutely, I agree with your perspective. In fact, I had a similar conversation with my mother not too long ago, which is quite amusing. Whenever she learns about my sources of inspiration, she often responds, “But how do you manage to store all that information in your mind?” To which I reply, “I don’t, I express it through the items I collect.” And that’s why it helps me find solace.
That’s a really interesting way to look at it, that it goes outside of your head.
As a gamer, when I present my perspective or create a game situation, it’s up to you, the viewer, to respond with your own thoughts and interpretations. The more varied these responses are, the richer the dialogue becomes, essentially.
Our Discord community primarily speaks English, making it distinct from Danish-speaking groups. It’s an international gathering where we foster connections. Musicians and producers, two diverse yet complementary groups, collaborate within this space, jointly producing music. I envision FINE CHAOS as a hub that nurtures such creative collaborations.
Shop FINE CHAOS on HBX now. Read the full interview on HBX Journal now.
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2024-12-24 17:26