As a cinephile, I’ve been consistently captivated by the masterful craftsmanship of Robert Eggers, who has yet to produce more than four feature films. The consistent elements across his work include striking cinematography, compelling performances, and an unparalleled dedication to detail. What truly sets his movies apart, however, is their historical setting – a fact that I initially assumed was merely coincidental. But in a recent interview, Eggers made it clear that he harbors a strong dislike for filmmaking in contemporary times, a sentiment I wholeheartedly share.
I’m not exaggerating when I say that the New York-born filmmaker really isn’t interested in making a movie that’s contemporary to our time. He recently conveyed those feelings while promoting his latest – the critically lauded Nosferatu. When asked by Rotten Tomatoes if he’d consider making a film set within the 21st century, the Northman helmer said that the prospect makes him “ill.” In a video interview shared to Instagram, he then proceeded to explain exactly why he would loathe having to make such a production:
I find it utterly distasteful to capture images of cars – it’s nauseating. And the thought of photographing a phone is simply unbearable. In today’s world, however, one must adapt and, well, shoot pictures of phones. Regrettably, that’s just the reality we live in. So, I’m afraid not.
More on Robert Eggers
In simpler terms, ‘The last time it crumbled, I thought it would never happen again.’ Director Robert Eggers candidly discusses the repeated cancellations of his project, Nosferatu, before it had a chance to take flight.
It’s surprising to learn just how strongly Robert Eggers feels about his work. While some might be displeased by his firm stance, I must admit I respect it. He’s a talented individual who clearly knows what he aims for and avoids in his craft. His persistence is hard to dispute when you consider the remarkable results of his first four films – “The Witch”, “The Lighthouse”, “The Northman”, and “Nosferatu”. These works stand out as unique, visually appealing, and true to their settings. In fact, some might argue that his debut film is one of the greatest horror movies ever made.
In other words, despite all the discussion, some viewers might still question one point: At what exact period does a Robert Eggers film take place? The director of “Hansel and Gretel” clarified this during his interview with RT. Surprisingly, it seems to be nearer than I anticipated, based on his comments about his car and cellphone.
I might go potentially to 1950, but before World War II is more inviting for my imagination.
Regrettably, there are no planned movies for the director’s 2025 schedule. However, fans can look forward to the director’s next project, “Werwulf,” a medieval English horror film within the werewolf subgenre, which he will helm. This upcoming movie promises excitement and is another promising addition to the horror genre. Keep in mind though, when working on this film, the master of the macabre might find inspiration in certain aspects from “Nosferatu.
As a fervent cinephile, it seems Robert Eggers might not be venturing into contemporary films anytime soon, unless there’s a miraculous shift in his plans. Yet, we should remain thankful that he continues to enchant us with his masterfully crafted period pieces steeped in folklore and grounded in historical accuracy. In my humble opinion, I’d love to see him tackle a World War I drama, pushing the boundaries of history even as late as the ’50s. After all, who knows? Maybe he’ll take notice!
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2025-01-29 05:08