Quick Links
- A Teen Becomes the Sad Third Wheel on a Weird Hiking Trip
- An Exercise in Subtlety and a Study of Disappointment
- A Superb Lily Collias Acts Out the Themes
- Good One Is Slowcore Cinema
As a seasoned film enthusiast with a particular penchant for slowcore cinema, I found “Good One” to be a poignant and subtle exploration of the complexities of human relationships, particularly those between parents and their children. The performances were outstanding, with Lily Collias delivering a luminous portrayal of Sam that was both authentic and thought-provoking.
In its initial presentation, writer-director India Donaldson showcases her talent with the film “Good One,” a minimalist drama that has garnered critical acclaim from renowned festivals such as Sundance and Cannes. This year, it received awards for Best Independent Feature at Boston and the Champs-Élysées Film Festival. The movie was filmed in a realistic manner known as cinéma vérité, and it tells the story of a young, queer girl joining her father and his struggling friend on a camping trip over the weekend. In this film, actress Lily Collias delivers an exceptional performance, skillfully portraying the character’s melancholic disillusionment. This understated narrative may challenge viewers who are not familiar with art-house or slow cinema genres.
A Teen Becomes the Sad Third Wheel on a Weird Hiking Trip
As a cinephile in New York City, I find myself, a 17-year-old named Sam (Collias), spending time with my friend Jessie (Sumaya Bouhbal) in her bedroom, getting ready for an upcoming hiking adventure. The movie subtly hints at our close bond as I casually change my tampon in the bathroom while we chat. Simultaneously, there’s a bit of domestic drama unfolding in the living area, with Sam’s father Chris (James Le Gros) engaged in a heated argument with Sam’s stepmother, all while their young son plays around our duplex apartment. Being an accomplished hiker who’s had me tagging along since my childhood, Chris has a meticulous way of organizing his gear for the trip.
In a turn of events that left Sam feeling unsettled, Chris’ friend Matt (Danny McCarthy) and his son were initially planned to join them on their trip. However, upon reaching Matt’s brownstone, they witnessed an intense argument between father and son on the steps. With a disgruntled sigh, Matt tossed his backpack into the car and embarked on the journey alone, leaving Sam with apprehensions as she had anticipated having someone of her age along. To compound her discomfort, Matt, who had recently gone through a divorce, was in a state of bitter despair, lamenting about his life’s downfall. As Chris listened to his woes, Sam felt even more overlooked when they made her sleep on the hotel floor before the hike began.
An Exercise in Subtlety and a Study of Disappointment
In a clever move, the storyline subtly builds up suspense by making it seem like a heated situation is unfolding. Matt openly discusses his depression in a desperate search for comfort, but he’s not equipped for the challenging hike that lies ahead. Chris aims to understand Matt’s struggles, yet fears he might slow them down. The narrative primarily follows Sam’s point of view, who initially comes across as calm and composed. Donaldson employs her as a seemingly cool and collected sounding board for the older men. However, it may disappoint some viewers that no major conflicts actually arise, as the group navigates through the woods, giving the impression of an explosive climax that never materializes.
In the realm of cinema, I found myself captivated by “Good One“, a masterclass in understated storytelling. The narrative meanders gently, mirroring the relaxed weekend getaway of its characters. Kathleen Donaldson skillfully weaves slice-of-life realism into the fabric of her film, painting ordinary people and their everyday conversations about life’s complexities.
A Superb Lily Collias Acts Out the Themes
In the movie, Sam delivers a radiant act that serves as the film’s foundation. From the outset, she comes across as mature, considerate, and selfless. She never seeks attention or expresses complaints. Instead, she offers understanding and sound advice without causing harm. Sam doesn’t fuel Matt’s self-pitying attitude but is also mindful of his vulnerability. Unfortunately, Chris fails to acknowledge or address her worries about the events unfolding. Her sorrow and disillusionment are palpable towards the person who should have been her greatest ally and confidant.
In the movie “Good One,” Donaldson subtly incorporates menstruation in Sam’s character, a representation seldom seen authentically in films. This is commendable as it sheds light on an ordinary part of women’s lives that often goes unacknowledged in media. The film’s central theme revolves around the understanding that male and female experiences can be vastly different, with many men being oblivious to these differences. Throughout the story, Sam continues her journey without asking for special consideration, only requesting privacy. Her desire is to accompany her father on their hike. She learns that even when someone is physically present, they may not truly be there emotionally.
Good One Is Slowcore Cinema
The film Good One, often praised and likened to the works of the acclaimed Kelly Reichardt (known for Wendy and Lucy, Meek’s Cutoff, First Cow, particularly her movie Old Joy), offers a deep exploration of friendship and nature through subtle storytelling. While Donaldson might emulate Reichardt’s cinematic style, such comparison is remarkable praise indeed. Reichardt’s films are captivating in every scene. However, some viewers may find Good One challenging to watch due to its slow pace; the 90-minute duration can feel prolonged as characters take their time. Despite this, the film showcases the talent of Collias and promises more to come from her in future roles.
As a cinephile with a penchant for discovering hidden gems, I’m thrilled to share my excitement about “Good One,” a film that promises a unique and captivating cinematic experience. Produced by International Pigeon, Smudge Films, and Tinygiant Baird Street Pictures, this movie is set to hit the big screen on August 9th through Metrograph Pictures’ limited theatrical distribution.
Read More
- BODEN PREDICTION. BODEN cryptocurrency
- GHST PREDICTION. GHST cryptocurrency
- BETA PREDICTION. BETA cryptocurrency
- STRD PREDICTION. STRD cryptocurrency
- Mango Markets Exploiter Found Guilty Of Fraud And Manipulation
- GBP EUR PREDICTION
- MATIC PREDICTION. MATIC cryptocurrency
- LOOKS PREDICTION. LOOKS cryptocurrency
- BRN/USD
- TNSR PREDICTION. TNSR cryptocurrency
2024-08-12 06:33