‘It Feeds’ Knows What We Crave from Horror

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The beast at the core of “It Feeds” will look familiar to horror fans.

Bony and ink-stained, sporting long, claw-like digits, it abruptly appears on the screen before quickly disappearing again.

We’ve seen this dozens of times before.

In my opinion, delving into “It Feeds” is definitely worth your time. From the get-go, it introduces an eccentric sidekick, unlike any I’ve encountered before. To make things even more intriguing, there’s a surprising plot twist midway through that gives the film a unique flavor, making it more engaging than initially anticipated.

Experienced actress Ashley Greene plays Cynthia Winstone, a widowed mother who possesses the ability to read people’s thoughts. You could describe her as a therapist with an unexpected talent hidden beneath her delicate demeanor.

The ability allows Cynthia to handle distressing visuals such as malignant entities that occasionally linger with her patients.

In a simplified manner, Jordan (Ellie O’Brien), Mom’s helper, navigates lost patients through an unconventional therapy process. On one occasion, a troubled teenager named Riley (Shayelin Martin) visits their home, voicing concerns about a malevolent creature that seems to be preying on her.

Literally.

In a more relaxed phrasing, we can say: Father Randall (played by Shawn Ashmore) won’t tolerate such absurd chatter. Consequently, he takes her swiftly out of the Winstone household.

Investigating a bit more, Jordan feels motivated by Riley’s presence, as now the Winstone clan faces their toughest battle yet.

In a simplified and conversational manner:


Greene demonstrates her knack for handling the dark and nurturing themes present in “It Feeds.” She skillfully switches between being somber and caring, making both portrayals believable. Furthermore, she shows determination in trying to get local police on her side.

In this version, I have tried to make the sentence easier to understand by breaking it down into simpler ideas and using conversational language.

In this kind of film, the shock moments begin promptly and intensify throughout, ensuring that you’ll be on the edge of your seat with anticipation – there’s no chance for relaxation!

Director Chad Archibald skillfully utilizes the creature special effects, and he handles his actors with equal confidence. A round of applause goes to Juno Rinaldi for providing some amusing moments as Agatha, a neighbor who decides to step up and take control of her life – at the most inconvenient moment.

She’s silly but the kind of character rarely seen in this genre. That’s refreshing.

In essence, Young O’Brien is often entrusted with crucial scenes, managing them effortlessly without appearing overburdened. She doesn’t fit into typical stereotypes like a gloomy teenager or a bossy type, but rather a young lady who finds herself in the midst of B-movie chaos.

The production quality is consistently strong across all aspects, giving the film a professional, almost studio-produced feel, but without the hefty cost associated with it.

It Feeds” seems eerily reminiscent of a horror film from its time, yet in retrospect, it will be appreciated for showcasing some of the best aspects of that period.

Title Analysis: “It Feeds” – A Straightforward Approach to Horror: This film doesn’t innovate the horror genre, but instead, it effectively taps into our fears and quickly delivers the chills.

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2025-04-22 06:03