‘Jurassic World Rebirth’ Finds Dino Franchise on Autopilot

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In the realm of cinematic charm, no one in “Jurassic World: Dominion” could outshine the electric charisma that Jeff Goldblum’s Jurassic Park character held within the slightest curl of his pinky finger.

Yeah, that’s a problem.

The excitement of dinosaurs galloping across the screen never fades, which is why “Rebirth” is the seventh installment in the “Jurassic” series, possibly marking the beginning of a fresh trilogy. However, the protagonists in “Jurassic World Rebirth” could use more depth to make us truly care about them.

And you can blame the scribe who set this saga in motion for that state of affairs.

In my perspective as an ardent admirer, Scarlett Johansson embodies the captivating presence of Zora Bennett, a proficient “extraction” expert, who leads a team into unexplored territories where dinosaurs still reign. The narrative unfolds five years subsequent to the occurrences depicted in “Jurassic World: Dominion,” and these magnificent creatures can survive exclusively within certain climatic conditions.

It’s the ultimate “no-go” zone, but that won’t stop the intrepid Zora and friends.

As a passionate moviegoer, I find myself pondering over the question: Why dare our lives for such an operation? These creatures carry substances that could unleash a surge of lifesaving drugs. The challenge lies in capturing specimens and making it back safely to contribute to humanity’s wellbeing.

In simpler terms, the scientific accuracy in “Jurassic World Rebirth” might not be as sophisticated as a standard children’s show like “Barney & Friends”. However, if the plot is compelling and the characters are well-developed, we can easily overlook this aspect.

Swinggggg, and a miss.

The team consists of paleontologist Jonathan Bailey, who can be rather lackluster, Rupert Friend, a savvy financier bankrolling the endeavor, and Captain Duncan Kincaid, played by Mahershala Ali.

It’s almost unfair to employ a two-time Academy Award winner like Ali for a role as insignificant as this. They should be put on ice! (Informal way of saying they should be kept in a safe place.)

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In other words, there seems to be a questionable character among us, yet this individual is portrayed so vaguely that their impact on the storyline appears minimal.

In this alternate narrative, we find a Latino family who encounter a tragic shipwreck at the beginning of the movie. They are left to fend for themselves in order to survive. The main appeal lies in the fact that the central character, Manuel Garcia-Rulfo, is deeply concerned with safeguarding his offspring.

In simpler terms, Director Gareth Edwards, who is well-known for “Godzilla”, has a good grasp of prehistoric creatures’ habits. However, nothing in his visual techniques seems particularly fresh or unexpected to us, as we are familiar with how dinosaurs approach their prey, making even the supposedly shocking moments predictable.

Been there, seen better dinosaur sequences. Sorry.

In “Rogue One” and “The Creator,” Edwards demonstrated exceptional skill. However, in his latest work, it seems as though he’s merely going through the motions, and this lack of enthusiasm is evident.

It’s fair to place a significant portion of the blame on seasoned screenwriter David Koepp (“Jurassic Park,” “Spider-Man,” “Carlito’s Way”). Beyond the mind-boggling science and inconsistent storyline, his work lacks depth that one typically appreciates.

David Koepp, a well-known screenwriter, should receive much blame for the confusing plot and poor scientific accuracy in the movie. His writing offers little enjoyment.

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In my critique, I must confess that the jokes fell flat more often than not. Scarlett Johansson’s character, while intriguing, seemed to lack the progressive edge necessary to be a truly compelling Mary Sue. Instead, she embodied the archetype of the Generic Action Hero – a role that could easily be duplicated with a simple dash of water. As for the romantic subplot between Zora and her captivating co-stars, I’m afraid it never materialized into anything more than a fleeting hint of potential.

We can’t have that, can we?

Upon examination, there is no evidence of a well-developed character arc or profound themes present. The ethical dilemma surrounding the discovery of a miraculous drug arises occasionally. The question of whether to profit personally or make it available to the public for general use comes into play.

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The ensuing debates are beyond vapid, robbing the story of anything resembling texture.

What’s the reason for our return? Ah, I see it’s about dinosaur battles. They’re entertaining enough, but nothing quite matches the spectacle that Steven Spielberg created in the film where it all began.

So why bother?

A more intriguing point for consideration might be: Why pay stars like Johansson and Ali if they’re only tasked with reacting fearfully towards digitally-created dinosaars that appear in post-production?

“Jurassic Park Rebirth” doesn’t come close to sharing any answers.

HiT or Miss: “Jurassic World Rebirth” is a popular franchise stuck on stupid.

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2025-07-01 20:03