As a film enthusiast with a keen eye for storytelling and a heart that resonates deeply with the human condition, I find myself captivated by the diverse narratives unfolding across the world through these submissions for the Best International Feature Film category at this year’s Oscars.
Beyond a few notable exceptions, such as Emilia Pérez, the competition for the 2025 Best International Feature Oscar is quite diverse. The eligible international features for the 97th Academy Awards encompass a broad spectrum of global cinema. This includes the political drama of Brazil’s “I’m Still Here”, the light-hearted family comedy of Thailand’s “How to Make Millions Before Grandma Dies”, the chilling period horror of Austria’s entry “The Devil’s Bath” and Denmark’s “The Girl With the Needle”, and the peculiar charm of Canada’s contender “Universal Language”.
On December 17, the Academy plans to reveal the list of potential international feature films for consideration. The nominees for these categories will be announced on January 17.
Since you might not have had a chance to review the entire list, we’ve provided a quick reference guide for you – The Hollywood Reporter’s comprehensive rundown featuring all 85 potential films under consideration.
Albania: ‘Waterdrop’
Robert Budina’s movie delves into themes of corruption and misogyny, focusing on a city hall manager (Gresa Pallaska) in a small Albanian town. As her teenage son becomes embroiled in a rape scandal that may lead to his imprisonment, she is compelled to confront her own role within the system. Budina has experience with the Oscars, having represented his nation before with the 2013 film “Agon“.
Algeria: ‘Algiers’
Chakib Taleb-Bendiab dedicated significant effort to his first directorial project, taking on responsibilities such as writing, directing, composing music, and co-editing. This gripping mystery thriller, inspired by real events, centers around the abduction of a girl. Nabil Asli and Meriem Medjkane portray characters – a detective and a psychiatrist – who collaborate to untangle the case, ultimately revealing hidden truths about the nation’s past civil war.
Armenia: ‘Yasha and Leonid Brezhnev’
In this comedic drama directed by Edgar Baghdasaryan, the actors Mais Sarkisyan, Maksim Vitorgan, and Ruzanna Khachatryan feature prominently. Notably, this filmmaker is recognized for his 2018 release, Lengthy Night, which represented his nation in the Oscars. This film takes place following the dissolution of the Soviet Union, focusing on Yasha, a factory worker who has recently retired. His greatest achievement was serving as a delegate of the Communist Party of the Soviet Union in 1976. As he struggles to navigate his uncertain future, he finds it challenging to accept the changes in reality.
Bolivia: ‘Own Hand (Mano Propia)’
Exploring the harsh truths surrounding vigilante justice in rural Bolivia, director Rodrigo Patino’s suspenseful Spanish-language film delves into the aftermath of a brutal lynching in a Bolivian village. The story is based on the actual events reported by investigative journalist Roberto Navia, where an angry mob unjustly executed a group accused of stealing a truck. This isn’t Patino’s first time competing for an Oscar; his 2018 film, The Goalkeeper, was also Bolivia’s entry for the best international feature category.
Bulgaria: ‘Triumph’
In this dark comedy, filmmakers Kristina Grozeva and Petar Valchanov (known for “The Father”) present Maria Bakalova (“The Apprentice,” “Borat Subsequent Moviefilm”) alongside Julian Kostov (“Shadow and Bone”). The story is loosely based on true events and unfolds in the tumultuous time post-communism. Here, a special task force made up of military personnel and psychics embarks on a mission to find an alien artifact that could potentially alter the direction of history.
Cameroon: ‘Kismet’
This movie, too, based on actual events, follows the narrative of Nora Lum as a Christian woman who develops feelings for Muslim character played by Nsoh Piapense. Their relationship, which goes against the community’s traditional norms and religious boundaries, is at the heart of this story. Notably, the director behind this film also directed Cameroon’s previous international feature submission titled Hidden Dreams.
Dominican Republic: ‘Aire, Just Breathe’
Leticia Tonos’ dystopian sci-fi film depicts a coming future where Tania (Sophie Gaëlle), a conservation biologist fighting extinction, adapts to living independently alongside her reliable artificial intelligence, whose voice is provided by Paz Vega. However, her isolated existence is disrupted by the emergence of a mysterious wanderer named Azarias (Jalsen Santana), who harbors a secret past. As the drama unfolds in this three-character tale, the tension escalates to match the toxicity of their environment.
Ecuador: ‘Behind the Mist (Al Otro Lado De La Niebla)’
In this film, director and mountaineer Sebastián Cordero joins renowned Ecuadorian climber Ivan Vallejo on an expedition up Mount Everest. Throughout their perilous journey towards the peak, they encounter similar hazards such as insufficient oxygen levels, but also grapple with contrasting perspectives as the mountain tests their reasons for climbing and spiritual beliefs.
Egypt: ‘Flight 404’
A gripping tale centered around Ghada, a woman on a mission to gather funds urgently for her mother’s life-saving operation, all while making preparations to leave Egypt for the Hajj pilgrimage. This tumultuous journey unexpectedly brings her face-to-face with individuals from her past whom she had long wished to avoid.
Greece: ‘Murderess’
Eva Nathena’s movie, based on Alexandros Papadiamantis’ widely recognized novel, is situated on a secluded Greek island around the year 1900. On this isolated locale, Hadoula battles against the rigid rules of a male-dominated society. In her extreme situation, she resorts to taking drastic measures, such as murdering women, to free young girls from their predestined societal roles.
India: ‘Lost Ladies (Laapataa Ladies)’
Under the direction of Kiran Rao, produced by Aamir Khan Productions, the film titled “Lost Ladies” is a touching blend of comedy and drama, unfolding in rural India during 2001. The narrative focuses on two newlywed brides who unintentionally exchange places on a train en route to their husbands’ residences, leading to a chain of chaotic and amusing events. The film explores themes of self-discovery, individuality, and the limitations imposed by traditional patriarchal norms. It was met with positive reactions during its premiere at the Toronto Film Festival. However, the selection of “Lost Ladies” over Payal Kapadia’s “All We Imagine as Light” sparked debate in India.
Indonesia: ‘Women From Rote Island (Perempuan dari Pulau Rote)’
Under the guidance of debut director Jeremias Nyangoen, Women from Rote Island delves deeply into the sensitive topic of gender violence within the distinctive cultural setting of Rote Island, East Nusa Tenggara. The film weaves together the lives of three women – Orpa, Martha, and Bertha – as they grapple with societal prejudice and the emotional scars inflicted by sexual violence. To maintain linguistic and cultural accuracy, the entire production was filmed on location using local actors. The film made its premiere at the Busan International Film Festival in 2023 to critical acclaim for its honest narrative and powerful performances.
Iran: ’In the Arms of the Tree’
Last year, in February, Iran’s official submission made its debut at the Fajr International Film Festival. This was the first full-length film by director Babak Khajehpasha. The movie narrates the disintegration of a marriage as observed through the eyes of the children.
Kenya: ‘Nawi’
The main character in Kenya’s Academy Award candidate is a talented high school student whose aspirations for a life beyond her rural Turkana community are jeopardized by her father’s intention to wed her off to an older unknown man. This educational film, a collaboration between Kenyan and German NGOs, was directed by Munich-based Kevin and Tony Schmutzler, with Kenyan directors Vallentine Chelluget and Apuu Mourine overseeing the project.
Kyrgyzstan: ‘Paradise at Mother’s Feet (Beyish)’
In a heartwarming road trip film, directed by Ruslan Akun, we follow Adil, a 35-year-old man with the mental age of an 8-year-old, and his loving 75-year-old mother, Raikhan. When Adil hears from a friend that making a pilgrimage to Mecca can guarantee his mother’s place in Heaven, he decides to undertake a challenging journey on foot to make this dream come true. This modest drama became one of the highest-grossing films of the year in Kyrgyzstan, outperforming major Hollywood blockbusters such as Dune: Part Two.
Malta: ‘Castillo’
Under the guidance of director Abigail Mallia, Castillo is identified as a Maltese drama that skillfully blends personal and political themes within its storyline, focusing on family turmoil, lingering sorrow, and vengeance. The film revolves around Amanda, a young woman compelled to uncover the hidden truths of her family’s past after the demise of her father.
Nigeria: ‘Mai Martaba’
In the vein of “Game of Thrones,” some might describe this as Nigeria’s grandiose take. This is because it revolves around a struggle for the throne in the ancient kingdom of Jallaba, a story portrayed in the Hausa language by director and producer Prince Daniel in his historical epic. The prosperity of the empire hangs in the balance as political tension arises among rival clans following the king’s surprising choice to appoint his daughter as his successor.
Pakistan: ‘The Glassworker’
In a unique first for Pakistan, a hand-drawn animated feature bears a striking resemblance to the work of multiple Oscar winner Hayao Miyazaki. This masterpiece is carefully crafted by director Usman Riaz, guided by Studio Ghibli’s producer Geoffrey Wexler. The story revolves around a father and son duo who run a glass workshop; however, their tranquil life is disrupted by the looming threat of conflict.
Palestine: ‘From Ground Zero’
The Arabic anthology series by Palestinian filmmaker Rashid Masharawi provides local artists and directors from Gaza with a platform to depict life under Israeli governance and regular bombings. In total, there are 22 short films, each lasting between 3 to 5 minutes, which amplify the perspectives of filmmakers who encounter numerous hurdles in their craft, such as accessing post-production resources and distributing their work globally.
Panama: ‘Wake Up Mom (Despierta mama)’
Arianne Benedetti’s drama revolves around a young mother named Ali Galiano, portrayed by the director herself, who chooses to escape with her daughter Sofia to a secluded mountain sanctuary following the heart-wrenching demise of her husband due to cancer. However, tragedy strikes again as Ali meets with an accident, and there’s a risk that she might lose her child if she goes missing.
Peru: ‘Yana-Wara’
This black-and-white fantasy drama revolves around an 80-year-old man standing trial for the murder of his 13-year-old granddaughter, Yana-Wara. In court, it’s revealed that the young girl, a victim of gender violence, was tormented by distressing visions of malevolent spirits lurking in restricted areas of the Andes mountains. Filmed in the Aymara language, this film was helmed by Tito Catacora and the late Óscar Catacora, who unfortunately passed away during the movie’s production.
Poland: ‘Under the Volcano’
Director Damian Kocur’s next film after his 2022 feature “Bread and Salt” is a family drama that explores the emotional turmoil and confusion caused by war. The story revolves around a young Ukrainian family who are enjoying their vacation in the Canary Islands when Russia unexpectedly launches a full-scale invasion of Ukraine. Trapped in paradise and unable to return to Kyiv, these vacationers find themselves transformed into refugees, uncertain about their next steps or actions.
Serbia: ‘Consul’
Miroslav Lekic’s anti-war movie is based on events that unfolded in 1973, marking the beginnings of the Kosovo conflict between Serbs and Albanians within the region. The film features the late Žarko Laušević, who tragically passed away in November 2023, as a Serbian physician dispatched to a hospital in Kosovo following a patient’s demise. There, he encounters an ex-history professor who presents himself as a representative of Imperial Russia, while local Albanian rebels resist oppression.
Slovenia: ‘Family Therapy’
In this contemporary adaptation of Pier Paolo Pasolini’s timeless work “Teorema“, Sonja Prosencan’s third directorial venture focuses on an unrefined, newly wealthy family residing in a literal glass-enclosed dwelling. Their lives are dramatically upended by the arrival of an alluring, youthful outsider.
South Korea: ‘12.12: The Day’
12.12: The Day, a movie by Kim Sung-soo, portrays the significant December 12, 1979 coup in South Korea that redefined the country’s political timeline. This film provides a suspenseful, real-time narrative of the power battle between the military and the civilian administration as General Chun Doo-hwan takes charge. The story is narrated from various viewpoints, such as journalists, political leaders, and ordinary citizens, thereby depicting the turmoil and mystery of that crucial night. The movie was a box office success, grossing over $97 million with a production budget of approximately $17 million, making it the highest-grossing Korean film in 2023 and the fourth-highest-grossing Korean film ever produced.
Sweden: ‘The Last Journey’
The Swedish entry for the Oscars revolves around a humorous yet heartbreaking documentary about a dedicated son, portrayed by director Filip Hammar himself, who aims to reignite his 80-year-old father’s zest for living. To achieve this, he organizes an excursion to a French coastal town that holds fond memories of their past holidays. In the conclusion, it is the son who must confront the realities of aging and mortality, but the film, which proved popular among locals, offers a profound affirmation of life itself.
Taiwan: ‘Old Fox’
Under the guidance of director Hsiao Ya-chuan, this heartfelt drama unfolds against the changing landscape of 1980s Taiwan, post-lifting of martial law. The narrative centers around Liao Tai-lai, a hardworking father striving to secure a better future for his 11-year-old son, Liao Jie, by purchasing a home amidst escalating property prices in Taiwan. Pivotal to their journey is the mysterious landlord, affectionately known as “Old Fox,” who symbolizes the cutthroat real estate market of the time. Drawing from Hsiao’s own experiences, the film paints a vivid picture of the challenges faced by Taiwan’s working class and was awarded Best Director at the 60th Golden Horse Awards.
Turkey: ‘Life’
Turkish filmmaker Zeki Demirkubuz penned and directed a portrayal of harmful masculinity in its rawest form. His narrative revolves around a character portrayed by Miray Daner, a young woman, who is evading an arranged marriage. While her future husband is away on a trip to Istanbul, he’s searching diligently for her as she skillfully eludes him.
Ukraine: ‘La Palisiada’
Philip Sotnychenko’s first film is a gripping crime story that follows the journey of two longtime companions – a police investigator and a forensic psychologist – as they delve into the mysterious murder of their fellow worker in western Ukraine in 1996, a time when the country was on the brink of signing the European Convention on Human Rights.
Vietnam: ‘Peach Blossom, Pho and Piano’
A locally produced romantic war drama titled “Peach Blossom, Pho and Piano“, which is backed by the Vietnamese state, was directed by experienced filmmaker Phi Tien Son. This film isn’t widely recognized beyond its native land, but it narrates a poignant tale of two young lovers who choose to remain in Hanoi amidst the perils brought on by Vietnam’s 1946 conflict against French colonial powers.
Argentina: ‘Kill the Jockey’
As a passionate admirer, I’d like to express my excitement about Luis Ortega’s captivating comedy, where the talented Nahuel Pérez Biscayart takes center stage as Remo, an iconic jockey, whose life is drastically changed following a horse racing mishap. In this unique journey, Remo unexpectedly uncovers his feminine self after vanishing from the hospital and finds himself pursued by a ruthless mobster with whom he has accumulated substantial debts. This intriguing tale made its debut in Venice, with Benicio Del Toro playing an integral role as one of the film’s executive producers.
Austria: ‘The Devil’s Bath’
In “Goodnight Mommy,” filmmakers Veronika Franz and Severin Fiala delve into the psychological terrors experienced by women in 18th-century rural Austria, as depicted in this suspenseful period drama. The story is loosely based on historical accounts and follows a woman’s descent into mental turmoil due to her stifling social conditions. Unfortunately, things do not end happily for her.
Bangladesh: ‘The Wrestler’
In a remote Bangladeshi fishing village, Director Iqbal H. Chowdhury’s first movie, “The Wrestler,” unfolds a narrative centered around aging, desire, and spirituality. The story is set in the late 1990s, focusing on Moju, an elderly fisherman with a burning ambition to dethrone the champion of Boli, an ancient wrestling practice. Despite ridicule from villagers and opposition from his son, Moju perseveres in solitary training. His journey culminates in a decisive match that sends ripples through the community. The film seamlessly intertwines local legends with breathtaking coastal landscapes. It made its debut at the 2023 Busan International Film Festival, where it won the New Currents Award.
Belgium: ‘Julie Keeps Quiet’
As a passionate admirer, let me share my thoughts on “Julie Keeps Quiet,” the debut film by director Leonardo Van Dijl. In this captivating tale, we see Tessa Van den Broeck, a budding tennis prodigy, stepping into acting for the first time. She portrays a promising player at a rigorous tennis academy, whose inner turmoil intensifies when one of her peers takes their own life. The narrative takes a dramatic turn when her coach is accused and the institutional powers urge her to speak against him. This intense psychological drama was a standout in Cannes’ Critics’ Week, leaving an indelible mark on me.
Bosnia and Herzegovina: ’My Late Summer’
In this movie, penned by Oscar winner Danis Tanović (famous for “No Man’s Land“), a captivating blend of drama and comedy follows a woman’s voyage to a distant island to resolve a family property dispute. However, her trip takes an unforeseen turn into a quest for her roots and self-discovery. The film offers breathtaking landscapes, an array of eccentric residents (with a touch of romance), and has been warmly received since it was premiered as the opening night film at this year’s Sarajevo Film Festival.
Brazil: ‘I’m Still Here (Ainda Estou Aqui)’
Twenty-six years following his “Central Station” receiving an Oscar nod in the international category (formerly known as best foreign-language film), Walter Salles returns with a family drama. In this, Fernanda Torres, who was also nominated for an Oscar in 1998 for best actress, portrays a mother of five children. After experiencing a heartbreaking loss during Brazil’s military dictatorship, she transforms herself into a lawyer and activist.
Cambodia: ‘Meeting With Pol Pot’
Under the guidance of Oscar-nominated filmmaker Rithy Panh (known for “The Missing Picture”), “Meeting with Pol Pot” is a gripping historical drama based on actual events, as detailed in Elizabeth Becker’s book “When the War Was Over.” The narrative takes place in 1978 and revolves around three French reporters who receive an invitation to visit Democratic Kampuchea (present-day Cambodia) for an exclusive conversation with Khmer Rouge leader Pol Pot. Initially captivated by the regime’s carefully crafted image, their viewpoint evolves as they unearth the harrowing realities of the genocide and the intensifying conflict with Vietnam.
Canada: ‘Universal Language’
Matthew Rankin’s comedic work, with its absurdist touch, pays a unique tribute to Iranian cinema. This unconventional tribute is transposed into the urban landscapes of Montreal and Winnipeg, Canada. In this imaginative universe, French and Farsi have been declared as the national languages. The peculiar film was warmly received at Cannes, where it clinched the first-ever audience prize in the Directors’ Fortnight segment.
Chile: ‘In Her Place (El lugar de la otra)’
Maite Alberdi’s drama series is based on events in 1955 Chile involving María Carolina Geel, a renowned author who brutally kills her lover in broad daylight. This shocking crime captivates Mercedes, a timid legal assistant working under the judge handling the murder case, leading her to uncover a different reality behind the act of violence. After garnering Oscar nominations for her documentaries, “The Mole Agent” (2020) and “The Eternal Memory” (2023), Alberdi is now exploring fiction in this project.
Colombia: ‘La Suprema’
In Toronto, Felipe Holguín Caro’s play unfolds, taking place in a secluded Colombian hamlet. The narrative revolves around Laureana (Elizabeth Martínez), a determined teenager, who yearns to see her distant uncle compete in a global boxing championship. However, the predicament lies in their lack of electricity and a television. To resolve this issue, Laureana enlists the aid of the local boxing coach, who initially discovered her uncle. Together, they embark on a journey towards the bustling metropolis.
Costa Rica: ‘Memories of a Burning Body’
This year, the sophomore film by Antonella Sudasassi Furniss from Costa Rica received Berlin’s Panorama Audience Award. This drama revolves around three women in their seventies, who were raised during the repressive decades of the 1950s and 60s, exploring themes of body image and sexuality, challenging societal taboos and limitations that have impacted their lives. Notably, Sudasassi previously represented Costa Rica at the Oscars with her 2019 debut feature film, “The Awakening of the Ants“.
Croatia: ‘Beautiful Evening, Beautiful Day’
Croatia’s Oscar contender is a period drama with an LGBTQ twist, following four queer students, who become Nazi resistance fighters during the war and, afterward, established filmmakers. But under the post-war communist regime, their sexuality makes them politically suspect, and an agent is hired to undermine their careers. The film has sparked controversy at home, with the producers alleging that the promotional funding provided by the Croatian Audiovisual Center to market the movie to Academy voters is far less than that for Croatia’s Oscar contender from last year. The filmmakers believe the film is getting shortchanged due to the its LGBTQ subject matter.
Czech Republic: ‘Waves’
A ticking-time-bomb historical thriller that shines a light on the brave work of the journalist in the International News Office at Czechoslovak Radio, who served as the last bulwark against authoritarianism before the Warsaw Pact invasion of Czechoslovakia in 1968. A timely reminder of the importance of free speech and professional integrity as its own form of resistance.
Denmark: ‘The Girl With the Needle’
A gripping drama, set in post-World War I Denmark, revolves around a factory worker who becomes jobless, deserted, and pregnant. Faced with the difficult decision between an illegal and risky abortion or dealing with a questionable underground adoption agency, she navigates her way through this challenging period. This historical tale carries a chilling message that resonates strongly in today’s world.
Estonia: ‘8 Views of Lake Biwa’
In this rephrased version:
Finland: ‘Family Time’
Titled “Tia Kouvo,” this comedy-drama is a directorial debut, inspired by its namesake short film from 2018. It revolves around an annual family Christmas gathering where familiar strains of tension surface. Featuring performances by Leena Uotila, Ria Kataja, Elina Knihtilä, and Tom Wentzel, the film made its premiere in the Encounters section at the 73rd Berlin International Film Festival.
France: ‘Emilia Pérez’
Jacques Audiard’s unique blend of genres tells a compelling story – it’s a coming-of-age tale about a transgender individual, interwoven with elements of Mexican crime thriller and musical drama. The film centers around a defense attorney, portrayed by Zoe Saldana in her debut Spanish-language role, who assists a cartel leader in staging her death and undergoing gender affirmation surgery to embrace her true female identity. The stellar female cast, consisting of Saldana, Selena Gomez, Adriana Paz, and rising star Karla Sofía Gascón as Emilia Perez, collectively received the best actress award at Cannes.
Georgia: ‘The Antique’
As a gamer, I’d say: “My game idea is loosely based on real-life events in 2006, when many Georgians were forced out of Russia. In this narrative, I play as a Georgian woman living in Saint Petersburg, who, to evade deportation, decides to live with an old Russian man, creating a unique bond amidst the chaos. The movie, initially facing cancellation at its Venice premiere this year due to a legal squabble, reportedly part of a larger Russian effort to suppress the film, was miraculously saved by a swift intervention from the Venice court, ensuring the show could go on as planned.
Germany: ‘The Seed of the Sacred Fig’
The entry from Germany is a chilling Iranian-based drama directed by Mohammad Rasoulof, who had to flee Iran on foot just before the film’s debut at Cannes (where it received a special jury prize). Initially focusing on a religious judge and his family within the regime, the story takes a terrifying turn as the government tightens its grip on citizens, forcing the judge to make a difficult choice between standing with his wife and daughters or aligning himself with the Mullahs.
Guatemala: ‘Rita’
Jayro Bustamante’s fantasy drama titled “Rita” narrates the story of its namesake, a 13-year-old girl who flees her abusive home and ends up in a female correctional facility. Inside this institution, the other inmates talk about a prophecy regarding a warrior angel who will free them from their harsh lives that include poverty, imprisonment, and compulsion into prostitution. The movie cleverly combines magical realism with motifs of childlike purity, drawing inspiration from an appalling true incident: the burning to death of 41 young girls within a Guatemalan orphanage in 2017, during protests about unacceptable living conditions.
Hong Kong: ‘Twilight of the Warriors: Walled In’
Under the direction of Soi Cheang (known for “Mad Fate”), and adapted from the graphic novel “City of Darkness” by Andy Seto, “Twilight of the Warriors: Walled In” is a thrilling martial arts action movie, taking place in the chaotic Kowloon Walled City of the 1980s. The film focuses on Chan Lok-kwan, a young fighter, as he makes his way through this lawless maze dominated by gangsters and martial arts masters. Boasting an impressive ensemble cast that includes Hong Kong veterans Raymond Lam, Louis Koo, and Sammo Hung, the movie combines heart-pounding action scenes created by Kenji Tanigaki with a nostalgic tale of struggle and redemption.
Hungary: ‘Semmelweiss’
Lajos Koltai’s biographical film “Semmelweis” delves into the life of the Hungarian physician Ignaz Philipp Semmelweis, who was a trailblazer in antiseptic practices. Known as “the savior of mothers,” Semmelweis made significant strides in combating deadly post-childbirth infections. The film achieved great success in its native land, selling over 350,000 tickets and earning more than $2 million during its initial run, making it the top-grossing Hungarian movie in the last five years.
Iceland: ‘Touch’
The submission from Iceland is a heartfelt drama, crafted and penned by Baltasar Kormákur (the same director behind the 2022 survival thriller Beast featuring Idris Elba), in collaboration with Ólafur Jóhann Ólafsson. It’s an adaptation of a novel written by Ólafsson from 2022, which revolves around a character searching for his long-lost love who vanished 50 years ago.
Italy: ‘Vermiglio’
Amidst the tumult of World War II, an Italian film vying for an Oscar centers around a Sicilian soldier who abandons his duty and stumbles into a secluded Alpine hamlet in 1944. His unexpected arrival significantly impacts the life of a local educator and his kin. Director Maura Delpero was motivated by her own family’s history when she created this Venice Silver Lion grand jury award-winning film.
Iraq: ‘Baghdad Messi’
Under the guidance of director Sahim Omar Kalifa, Iraq’s submission narrates the tale of Hamoudi, an 11-year-old soccer enthusiast who aspires to emulate his hero – Lionel Messi. A failed suicide bombing results in the loss of Hamoudi’s left leg, but this tragedy only fuels his resolve to work hard and bring his shattered dream back to life.
Ireland: ‘Kneecap’
The Belfast-born rap group, known for their playful demeanor, are creating quite a buzz with their self-biographical movie titled “Kneecap“. This cinematic work has garnered four craft awards at the British Independent Film Awards, the NEXT award at Sundance, and received overwhelmingly positive reviews. The trio, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, and JJ Ó Dochartaigh, play themselves in the film, with Michael Fassbender making a special appearance as an ex-IRA hitman turned yoga instructor. Sony launched the movie in the U.S. in August.
Israel: ‘Come Closer’
The movie titled “Come Closer” is Israel’s submission to the competition, co-produced by Israel and Italy. This film was written and directed by Tom Nesher in his first directorial venture. It narrates the tale of a distressed young lady who develops an unhealthy fixation on her deceased brother’s girlfriend following his unexpected demise. This year at the Ophir Awards, Israel’s equivalent of the Oscars, “Come Closer” was awarded the best picture accolade.
Japan: ‘Cloud’
Directed and written by seasoned genre maestro Kiyoshi Kurosawa, the movie titled “Cloud” is a gripping amalgamation of thriller, drama, horror, and action. The story revolves around Yoshii (brilliantly portrayed by Masaki Suda), a young man earning his living through online resales, who finds himself entangled in a chilling series of ominous and perilous incidents related to his questionable internet activities. The movie delves into themes of solitude and the moral gray areas of late-capitalism, offering a contemporary tale that resonates with Kurosawa’s trademark suspenseful ambiance — culminating in a traditional shootout scene reminiscent of an action blockbuster.
Kazakhstan: ’Bauryna Salu’
Under the guidance of director Askhat Kuchincherekov, the movie titled “Bauryna Salu” delves into the Kazakh custom known as “bauryna salu,” where children are cared for by their older relatives. The story revolves around Yersultan, a child who is compelled to return to his biological parents’ care following his grandmother’s demise, thereby encountering lingering conflicts and the anguish of rejection. Starring a remarkable performance by young actor Yersultan Yermanov, the film seamlessly integrates narrative and documentary elements, using close-up cinematography and no background music, to present a strikingly authentic portrayal of rural Kazakh existence.
Latvia: ‘Flow’
Hailing from Latvia, this lively animation tells the story of a cat forced to flee its home due to floods. To survive and find a new place to live, the cat forms alliances with a bird, a dog, a lemur, and a capybara as they venture across dangerous waters. This heartwarming tale took home several awards at this year’s Annecy International Animated Film Festival and is also on the shortlist for the Academy Awards in the animated feature category.
Lebanon: ‘Arzé’
In Beirut, divided by sectarian lines, Arzé, a devoted mother, embarks on a lengthy and exasperating quest with her adolescent son to recover their stolen scooter, which is their sole means of income. This comedy-drama is the first feature film directed by Mira Shaib and features Diamand Abou Abboud, Betty Taoutel, and Bilal Al Hamwi in starring roles.
Lithuania: ‘Drowning Dry’
In a Heartbeat, A Soaked Shoreline’s Tale is my way of expressing how this captivating narrative unfolds. I, as a reader, find myself immersed in the lives of Ernesta and her sister Juste, who reunite at a tranquil lakeside cabin for a much-needed respite with their respective spouses and offspring. However, the serenity of this retreat is shattered when tragedy strikes as Juste’s daughter plunges into the lake, unable to save herself. The harrowing details of the accident are gradually unveiled through flashbacks as the family struggles to find solace amidst their grief. Laurynas Bareiša was rightfully honored with the best director accolade at Locarno, while the cast members were also recognized for their exceptional performances.
Malaysia: ‘Abang Adik’
Under the guidance of Lay Jin Ong, the movie titled “Abang Adik” offers an introspective look into the profound bond between siblings. The narrative revolves around two unregistered brothers – the eldest, Abang (portrayed by Wu Kang-ren), who is deaf and mute, and the youngest, Adik (played by Jack Tan), whose turbulent character frequently stirs up trouble. Despite their difficulties and strained connection, their love for each other becomes the cornerstone of their lives. The film tackles themes such as family, self-identity, and perseverance within disadvantaged communities. This poignant drama garnered seven nominations at the 2023 Golden Horse Awards, with Wu Kang-ren winning best actor for his critically acclaimed portrayal of the elder brother.
Mexico: ‘Sujo’
The movie Sujo, directed by Astrid Rondero and Fernanda Valadez, centers around growing up in a crime-plagued Mexico. This is their second film, which won the Grand Jury Prize for World Cinema following its premiere at Sundance. The protagonist, Sujo, is the son of a small-town cartel leader who was killed as a traitor, leaving him an orphan. To dodge a similar destiny, Sujo seeks refuge in the mountains with his aunt and two young relatives. However, upon growing up, he becomes entangled with a local cartel and must confront the violent legacy of his father’s past.
Mongolia: ‘If Only I Could Hibernate’
In simple terms, Zoljargal Purevdash’s first film tells the story of a Mongolian teenager living in Ulaanbaatar’s yurt district who is faced with poverty while striving for a better future. The movie focuses on this character as he studies hard for an important physics test, all while his mother struggles to support him and his siblings during a challenging winter. The film beautifully portrays the blend of determination and hardship. If Only I Could Hibernate received positive criticism when it premiered in the Un Certain Regard section at the Cannes Film Festival in 2023.
Morocco: ‘Everybody Loves Touda’
The Moroccan film contending for an Oscar delves into the age-old practice of Sheikhat, a 19th-century style of female poetry performance. A determined young woman striving to preserve this art form takes the stage at local taverns, grappling with the disparity between her cultural roots and the contemporary challenges faced by women performers in that area.
Nepal: ‘Shambhala’
Under the guidance of Min Bahadur Bham, the movie Shambhala was filmed in the Upper Dolpo region, one of the world’s highest human habitats. This contemplative drama, set amidst the awe-inspiring vistas of the Nepalese Himalayas, narrates the story of a pregnant woman embarking on a personal odyssey as she is compelled to traverse the mountains in search of her lost spouse. The film made its debut in competition at the 2024 Berlin International Film Festival.
Netherlands: ‘Memory Lane’
For a span of fifty years, a married couple, one of whom has started showing symptoms of dementia, are suddenly taken out of their routine life by an old friend’s letter, prompting them to reenact a journey across North and South Europe that they took in their youth. This heartwarming film, filled with nostalgia, was a sensation at home, grossing over $2 million at the domestic box office.
Norway: ‘Armand’
Forty years since my grandpa Ingmar Bergman’s masterpiece, “Fanny and Alexander,” captivated the Oscars, I, Halfdan Ullmann Tøndel, step into the limelight with my debut film, a gripping psychological drama unfolding in an elementary school. Here, Renate Reinsve from “The Worst Person in the World” and Ellen Dorrit Petersen find themselves at odds over an alleged bullying incident between their boys.
Paraguay: ‘The Last Ones’
As a passionate admirer, I’d like to share that Sebastian Peña Escobar’s documentary chronicles the thoughts and discussions of three esteemed scientists regarding our planet’s future and its diverse species. A devastating forest fire, looming over large-scale deforestation, poses a grave danger not just to these scholars, but also to Paraguay’s Grand Chaco region. This captivating film had its premiere at the International Documentary Festival Amsterdam in 2023, setting the stage for its broader screenings across various festivals worldwide.
The Philippines: ‘And So It Begins’
Under the guidance of director Ramona S. Diaz (of “A Thousand Cuts”), “And So It Begins” marks the Philippines’ debut as a documentary contender in the international Oscar category. This thought-provoking film delves into the tumultuous political climate leading up to the 2022 Philippine presidential elections, spotlighting two powerful figures: Leni Robredo, a presidential hopeful, and Maria Ressa, an esteemed journalist and Nobel laureate.
Portugal: ’Grand Tour’
As a gamer, I’d rephrase that into:
Romani: ‘Three Kilometers to the End of the World’
A hate crime targeting someone due to their homosexuality tragically disrupts a 17-year-old’s life, as he is compelled to disclose his sexual orientation to his traditionally-minded family. This revelation stirs up turmoil in the peaceful rural community. The film made its debut at Cannes and took home the Queer Palm award.
Senegal: ‘Dahomey’
After making her breakthrough as a director with the crossover film “Atlantics“, Mati Diop now delves into colonialism and cultural history with a documentary-style work. This new project centers around the reappearance of 26 royal artifacts that were stolen by French colonial forces in 1892. Winning Berlin’s Golden Bear for best film, it is expected to be a strong competitor in both the international feature and best documentary categories.
Singapore: ‘La Luna’
M. Raihan Halim’s comedy-drama in Malay language, a joint production between Singapore and Malaysia, weaves a tale about a woman venturing into opening a lingerie store in a traditionally conservative Malaysian village. The film delicately handles the contrast between tradition and modernity. This production was filmed in the secluded town of Kuala Kangsar, close to Ipoh in northwestern Malaysia. The title La Luna marks Raihan’s second feature film following Banting (2014), which was Singapore’s first Malay film since the 70s. Since 2005, Singapore has presented films for the Academy Awards; however, it has yet to receive a nomination.
Slovakia: ‘The Hungarian Dressmaker’
In this adaptation, Iveta Grofova, both director and writer, presents a Hungarian widow tailor character who offers refuge to a young Jewish boy within her home along the Slovak-Hungarian boundary. The story, based on Peter Kristufek’s book “Emma and the Death’s Head,” unfolds in a Nazi-allied Slovak state, compelling Slovakians to confront and grapple with an unsettling period of their history that many would rather leave behind.
South Africa: ‘Old Righteous Blues’
In the setting of Muneera Sallies’ Academy Award-contending film, located in South Africa’s Western Cape region, we find two choirs united by a single purpose. The story, written and produced by Carol Shore, revolves around Hantjie (portrayed by Ayden Croy), a participant in a Christmas choir, who finds himself falling for Risi (Megan Saayman), the child of a rival choir conductor. His predicament leads him to strive for reconciliation between the choirs and the local community.
Spain: ‘Saturn Return’
In the 1990s, Isaki Lacuesta and Pol Rodríguez present a drama about the renowned indie rock band Los Planetas. This film delves into the band’s inception story, a time when they were grappling with a crisis while creating an album that would significantly impact them and Spanish music as a whole for years to come. The cast features Daniel Ibáñez, Cristalino, Stéphanie Magnin, Mafo, Chesco Ruiz, and Edu Rejón.
Switzerland: ‘Queens’
The moving drama by Klaudia Reynicke, a potential Oscar contender, is set amidst social turmoil and economic instability in Peru during 1992, when the national currency plummeted and Shining Path insurgents launched bold assaults. In this turbulent time, two teenage sisters plan to depart their homeland forever, but an unexpected encounter with their long-lost father disrupts their plans. The film, titled Queens, initially debuted at Sundance before claiming the Grand Prix award for the best film in the Generation Kplus section in Berlin.
Tajikistan: ‘Melody’
In the hands of Behrouz Sebt Rasoul, the movie titled “Melody” takes place within a pediatric cancer care center. Here, Melody – a music teacher – stirs emotion in her pupils as she embarks on an emotional endeavor: crafting a symphony using the unique calls of thirty distinct birds. Struggling to find just 20 birds, Melody and her silent assistant, Mango, enlist the aid of an old villager who possesses knowledge crucial for their quest.
Thailand: ‘How to Make Millions Before Grandma Dies’
Under the direction and collaboration of newcomer Thai filmmaker Pat Boonnitipat, the film titled “How to Make Millions Before Grandma Dies” features pop star Putthipong “Billkin” Assaratanakul in his initial acting role as a cash-strapped university dropout who agrees to look after his terminally ill grandmother Mengju (Usha “Taew” Seamkhum), hoping to gain an inheritance. This production, from the successful Bangkok studio GDH, has struck a responsive note with its unconventional exploration of modern Thai family relationships, raking in over $50 million at the global box office.
Tunisia: ‘Take My Breath’
A 23-year-old tailor finds their life coming apart at the seams when their intersex identity is revealed in a film vying for an Oscar from Tunisia. After facing rejections for many years, Tunisia has found itself on a winning streak in awards. Last year’s submission, Kaouther Ben Hania’s documentary titled “Four Daughters“, was shortlisted for the best international feature and also received a nomination for best documentary. Furthermore, Ben Hania’s film “The Man Who Sold His Skin” was nominated in the category of international feature in 2021.
United Kingdom: ‘Santosh’
Sandhya Suri’s first narrative film is a crime drama, taking place in India, centered around a shocking murder of a teenager. The lead character, Santosh, played by Shahana Goswami, is a determined young widow who happens to be a Hindu and takes over her late husband’s position as a police constable due to a government program. As she navigates her new role, she encounters systemic corruption within the institution. Simultaneously, she develops a partnership with Inspector Sharma (Sunita Rajwar), a seasoned detective with a rough exterior, while solving a heinous murder case that involves a teenage Dalit girl from the lower caste community.
Venezuela: ‘Back to Life (Vuelve a la Vida)’
1996 saw Ricardo back in Caracas following a year spent in New York City. As he journeyed along Venezuela’s coastline, reconnecting with friends during an enjoyable road trip, life took an unexpected turn when he was diagnosed with cancer. This diagnosis significantly altered his life and left his family grappling with the possibility of a major, unforeseen event. Inspired by real-life events, this coming-of-age narrative is brought to life by directors Luis Carlos Hueck and Alfredo Hueck.
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2024-12-12 18:58