As a passionate theater enthusiast and aspiring actress, I can’t help but be captivated by the journey of this remarkable young woman. Her fearless dedication to her dreams, her infectious enthusiasm, and her humble admiration for her peers are truly inspiring. The way she navigates the industry with grace and determination while learning from the legends around her is a testament to her character and resilience.
Season three of Netflix‘s teen romance hit Heartstopper lands on our screens this week.
Charlie, portrayed by Joe Locke, grapples with a mental health predicament as his partner Nick (Kit Connor) grows increasingly worried. Their close circle of friends, consisting of Imogen (Rhea Norwood), Tara (Corinna Brown), Darcy (Kizzy Edgell), Tao (William Gao) and Elle (Yasmin Finney), also struggle with relationship issues and self-discovery as they navigate the challenges of growing up. Meanwhile, love, sexuality, and university decisions loom on their horizon, adding to their burdens.
Featured in a notable role as Charlie’s famous admirer, Jack Maddox, is Jonathan Bailey, known for his part in Bridgerton, who is characterized by Norwood as “extremely charming.” According to the 23-year-old, “He possesses an extraordinary, authentic allure.
This year has been quite eventful for the young British actress, as she starred in London’s West End production of “Cabaret” from June to September. She played the role of Sally Bowles alongside seasoned musical theater artist Layton Williams at the Playhouse Theatre. The story unfolds during the final days of the Jazz Age in the late 1930s, a time when the Nazi Party was gaining influence. The play takes place within the seedy atmosphere of the Kit Kat Club and centers around American writer Clifford Bradshaw and his romance with English cabaret performer Sally.
Before embarking on a well-deserved vacation, Norwood is thrilled about the upcoming release of eight fresh episodes of “Heartstopper” starting October 3. Below, you’ll find an interview with Norwood by THR where she discusses what viewers can expect in the new season, her positive experience on set, and how she managed to secure one of London’s most coveted theater roles: “I didn’t foresee receiving that phone call! … Being one of the youngest to play Sally was not something I had anticipated!
Happy season three of Heartstopper! How did you find yourself in this wildly popular Netflix show?
In 2019, I enrolled at drama school when I turned 18. The following year, 2020, marked my inaugural year at drama school, and since it was during the pandemic, all our training took place on Zoom. This continued into my second year, which was quite disappointing. During this time, I stumbled upon an audition call for Heartstopper while I was still in my second year. Again, this audition was held over Zoom. At that point, I didn’t have any professional headshots yet, but as I was approaching my third year, I decided to send a picture anyway, hoping they might remember me when I was ready to work professionally. Frankly, I never anticipated receiving an audition, let alone landing the role.
I submitted a self-recorded audition for “Heartstopper,” playing a character named Darcy (portrayed by Kizzy Edgell) in season one, and was called back for Imogen. Eventually, I landed the role. This unexpected success led me to have discussions with my drama school, asking them to allow me to take on this Netflix job instead of my regular studies. Fortunately, due to the disruptions caused by COVID-19, they were understanding and said, “Since you haven’t had much of your training anyway, go ahead and gain some experience.” So I joined the cast for season one, feeling grateful for the opportunity to work. I hadn’t anticipated that it would become as popular as it did.
It seems clear that everyone’s eager for season three. Could you share your experiences working on the Heartstopper production set?
Over time, it has undeniably evolved, given that when we initially began, many of us were newcomers to film sets. As a result, it was a supportive atmosphere where simply being present was a thrill. By season three, we had grown so familiar with one another, having shared this wild adventure together as an ensemble cast. Consequently, spontaneous moments among us in the background of scenes are incorporated into the show. Now, there’s a genuine camaraderie between us that is apparent. The atmosphere on set is lively and filled with humor, with plenty of joking and good-natured teasing among ourselves.
Who was most excited about Jonathan Bailey’s season three appearance?
Everyone was thrilled about it, myself included. I must admit, I was quite enthusiastic. You see, I’m a devoted admirer of his audition performance for the London production of The Last Five Years, a musical rom-com on YouTube that isn’t widely popular. However, his acting through song in that video is simply outstanding, which is why I became a fan. We were all eager to have him join us, and yes, I did get the opportunity to meet him briefly and observe his work. I couldn’t help but hide behind the monitor to watch him perform. He possesses an extraordinary, natural charm. He’s incredibly charming, truly amazing.
Could you give me an idea of what’s coming up in this season for Imogen? I realize you may not be able to reveal much, but could you share the general direction and any significant events that might be approaching?
The series is captivating. As time passes, all the characters are growing up significantly. They’re pondering their futures, including Imogen, and considering who they want to become when they step into the world. Consequently, it carries a more mature tone. There are numerous discussions about intimacy, which I believe will be quite touching to observe, as these conversations are expressed within the warm, heartwarming atmosphere of Heartstopper. It skillfully handles complex topics with empathy and care.
In the second season, Imogen seems to be further exploring her personal journey. She’s deeply pondering over her identity, questioning where she belongs and where she doesn’t. These are significant, coming-of-age queries she’s grappling with.
If you could speak to Heartstopper fans, what would you say to get them excited about this season?
This story seems to offer a narrative for everyone, irrespective of one’s personal identity or connection to it. The characters are crafted in such a way that they resonate with everyone, which I find incredibly significant and moving.
As you mentioned, there are some challenging themes in the series, yet they’re presented with care. Some of these topics, like eating disorders and mental health discussions, as well as the difficulties of physical intimacy during adolescence, were suggested in the trailer. Therefore, I was wondering if you feel that being a part of this show, which features LGBTQ+ narratives, contributes significantly to providing young people with valuable insights?
Indeed, I wholeheartedly concur with your statement. Engaging with viewers of the series and witnessing their passionate descriptions and connections to it underscores its profound significance in their lives. I’ve often expressed my wish that a show like “Heartstopper” was available during my secondary school days. The show fosters an extraordinary sense of self-acceptance and empathy towards others, which helps to break down the self-judgment and prejudices we harbor. To navigate life with the compassion and love demonstrated in the series is truly remarkable.
I’m assuming you would love to return for a season four, if it was confirmed…
Yeah, we’d see what the journey would be and whether it would be right, character-wise.
Certainly, it wasn’t possible for Olivia Colman to rejoin the cast this season as Nick’s mother. Did her absence make a difference during filming?
I’m totally smitten by Olivia Colman! She’s got this charm that makes everyone adore her, right? It’s amazing how she managed to squeeze in our show amidst her jam-packed schedule. Sadly, I never had the chance to meet her in person, and our interactions were limited. Still, it was a bit disappointing not to see more of her in the series, but boy, is she talented!
Moving forward, could you tell us about your time playing Sally Bowles in London’s Cabaret? How many years have you been portraying this character now?
Three and a bit months! I’ve been doing it since June. I finish [mid-September].
How do you feel about finishing?
I’ve reached a point where my physical exertions each night are taking a toll on my body, signaling that it’s time for a break. Yet, creatively, I could keep going and explore the depths of this character and script endlessly. The beauty lies in its generic nature, as there’s immense room for personal interpretation. Each performance could delve into different layers of the role every single night. However, I fear I’ve only scratched the surface of what I could truly bring to it. It’s going to be tough letting go at 7:30 each evening, but my body insists that it’s time to rest.
I’m not surprised! How did this come into fruition for you?
It’s my dream role. I’d wanted it since I was 16. I saw it in the West End two years ago, and I actually saw it with Toby Donovan from Heartstopper. I said to him, “I have to play this role. I’ve got to do it.” And then, yeah, at the start of the year they asked me to audition, and I didn’t think the audition would come through. I think I’m one of the youngest people to play Sally. So I hadn’t anticipated getting the call to audition.
Indeed, it materialized, and I was prepared for it. I gave it my all during the audition process, and to my delight, I landed the part on the same day. From there, we plunged headfirst into rehearsals and vocal coaching.
Did you feel intimidated since Cabaret is already a renowned play, not only in the West End but also on Broadway as well?
Certainly, the prospect of following in the footsteps of the iconic musical “Cabaret” might seem intimidating to many. However, I was simply filled with exhilaration. The opportunity seemed perfectly suited to me, and I felt confident that I could rise to the challenge. I chose not to let apprehension or fear overshadow my excitement, as it would be a disrespect to the dream of being part of this incredible venture. Instead, I aimed to approach the process with a heart full of joy and contentment. This is one of those rare moments in life where every aspect of this role feels like it was tailor-made for me, and I am embracing it wholeheartedly.
I was thrilled beyond words to bring my interpretation of Sally to life as she’s incredibly versatile and can accompany me virtually everywhere. There was no burden of meeting any expectations for her because she’s adaptable enough to go anywhere. I wanted to reveal the version of her that had been a constant in my thoughts since I was 16, having watched the film.
How was it starring alongside Layton Williams?
This man is truly exceptional; he’s like a deity in motion! He’s bursting with vitality, managing both his energetic performances and dancing shows simultaneously. What’s more, he’s been a part of the industry since he was young, which makes him older than me. Just being near him and observing how he moves through the industry, adapting to different spaces, has been an enlightening experience for me. He’s well-aware of his limits, and as a newcomer in this field, having barely three years of experience, I find it a rare privilege to watch him and learn from his example.
Do you want to return to the stage one day?
Absolutely, I love it.
What would your dream production be?
Indeed, when I mention it, I’m referring to the play “Cabaret.” [Laughs.] You see, I often express my dream of embodying Hedda Gabler in Henrik Ibsen’s “Hedda Gabler.” Around the same time I saw “Cabaret,” I also watched that production at the National Theater. The performance by Ruth Wilson as Hedda Gabler left a profound impact on me. Prior to this, my passion was musical theater, but seeing that play made me yearn for intensive acting training instead. It was the most moving performance I’ve ever witnessed. If given the chance, I would love to delve into acting and perhaps even perform in a Stephen Sondheim musical. I frequently express my concern about the lack of relatable female characters on stage. Sally from “Cabaret” is one of the few exceptions. However, we still face challenges in portraying truly authentic women, and there are numerous untold stories that I long to share.
Are you able to talk about any projects coming up for you?
There’s nothing in the works right now! [Laughs.] I’ve got a vacation planned after this. Fingers crossed, something will materialize eventually. After experiencing the creative fulfillment of performing in Cabaret, I’m not eager to dive into projects just for the sake of it. For me, acting is meaningful only when I can fully immerse myself in the role, and that typically requires a unique script and character. I want to ensure I’m telling stories that truly resonate with me, so if that means taking a break, I’m perfectly content with that decision.
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2024-10-02 23:55