Superman #1 (1938): A Timeless Anti-Corruption Tale

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Given that this book was created in 1938, a time vastly different than ours with rising fascism and authoritarianism, stripping rights from minorities unchecked by international governments, and the wealthy betting on foreign conflicts for their own gain, it’s intriguing to consider its relevance today. Thankfully, humanity seems to learn from history and not be trapped in an endless loop of repression and progress.

Initially titled “Action Comics #1,” the comic book that debuted Superman was actually published first. The true “Superman #1” came out later, following the character’s meteoric rise in popularity. “Action Comics #1” was co-created by Jerry Siegel and Joe Shuster, with Michael Cho as the cover artist. From the start, “Action Comics #1” is packed with action, as Superman breaks into a governor’s mansion to halt an unjust execution. Later, at his job as a reporter, Superman apprehends a domestic abuser and asks Lois Lane out on a date. During their date, Superman feigns weakness to allow a gangster to intrude on their dance, causing Lois to leave in disapproval. The gangsters then kidnap her, and Superman rushes to save her. Instead of being sent as a war correspondent to South America, Clark Kent chooses to investigate corruption in Washington D.C., where he captures a corrupt lobbyist to uncover the military-industrial complex funding and prolonging the ongoing conflict.

“Blue Boy Scout”? Shuster and Siegel Certainly Wouldn’t Agree With That.

Superman Couldn’t Fly in 1938, but He Could Smash the Military-Industrial Complex

In the initial creation of the Superman character as seen in “Superman #1”, Shuster and Siegel preserved several recognizable traits. However, throughout the years, some significant variations have been discarded or altered, making it intriguing to re-examine these differences.

One noticeable change becomes evident right from the start, when Superman’s origins are detailed: Unlike later versions, Superman can jump a distance equivalent to 1/8 of a mile and clear a building that stands twenty stories tall, but he cannot independently maintain flight. Other aspects of his powers seem to have been added by different authors in subsequent works, giving the impression that super-strength and flight are inherent abilities for Superman, according to the original blueprint of his power set.

In the debut issue of Superman, instead of classic adversaries like Lex Luthor or apocalyptic alien threats, we find Superman battling injustices within the justice system, abusive misogynists, and corrupt politicians colluding with lobbyists. This storyline is more about fighting oppression rather than saving the world. It’s interesting to note that his first comic book title was not “The Man of Steel” or “The Man of Tomorrow”, but rather “Superman: Advocate for the Oppressed.

It’s quite ironic to ponder over modern adaptations criticized for not being faithful to their origins, only to discover that many critics might have disliked the original material if they had read it. The first issue of Superman reads like a stark contrast to a Ronald Reagan speech, given its progressive stance. The Superman of 1938 shows no tolerance or patience for weak-willed individuals, and the comic leaves no doubt about who these people are: sexists, corporate lobbyists, unproductive judges, and self-serving politicians.

In essence, the supernatural element presented in Superman #1 isn’t just about a man with extraordinary physical strength. Instead, it portrays a character who possesses the ability to tackle deep-seated societal issues, acting according to his own free will. The emphasis placed by Shuster and Siegel on immediate action is evident, from the start where time counts down towards an unjust execution, to the climax where Superman abducts a wealthy lobbyist with undue influence over a politician.

The thick steel door that governors sleep behind symbolizes power’s insulation and protection. Unless you possess the right key, those in power remain largely inaccessible. The power needed to circumvent all bureaucracy and red tape, to shatter that steel door with brute force, being contained within a single body, represents the original fantasy of Superman.

Superman #1 Is Packed Full of Expressive, Striking Art, Inventive Sci-Fi Concepts and Thrilling Double-Lives

All the DNA of Superman and Clark Kent, Past and Future, Laid Out in a Few Short Pages

90 years on, it’s still clear why Superman #1 had such a profound impact, leading to the creation of an entire genre. Siegel’s writing is rich and forward-thinking in science fiction, seamlessly blending fresh ideas with a masterful ease.

In a somewhat unexpected manner, the science fiction aspect is more prominent than one might anticipate, with elements reminiscent of this genre appearing right from the start. This strong emphasis on sci-fi reflects the works and genres that shaped Superman, as well as Siegel’s intent to keep Superman rooted in reality. This earthbound quality gives a low-fantasy vibe that is both captivating yet starkly contrasts with today’s Superman who inhabits a cosmic universe encompassing realms far beyond Earth.

In this initial version of Lois Lane, she is witty, assertive, critical, and quickly became an immediate role model. She challenges men, expresses her thoughts openly, and dislikes Clark for the supposed cowardice he exhibits around her. Given the time period when it was created, Lois stands out as a remarkably progressive character, taking center stage in a captivating romantic-comedy narrative. The predicament that Clark Kent finds himself in with regards to her – the more he impresses her as Superman, the more she dislikes his Kent persona – is cleverly developed and executed with remarkable efficiency within just a few pages, making it both intriguing and thought-provoking.

In Superman #1, Shuster’s art is lively and dynamic, brimming with zest and spirit. His work employs thick, flowing lines that imbue each panel with a sense of liveliness. This style, harking back to an earlier era, has a delightful tactility and chunkiness, with the smooth inkwork exuding confidence and allure. Compared to contemporary comics, the characters may seem less expressive, but there’s also a unique charm in the 1930s stiffness that carries a hint of humor, reminiscent of the emerging screwball comedy films of the time.

Shuster’s letters contribute significantly to the narrative flow and emotional depth, as they dynamically enhance dialogue scenes. The diverse mix of sizes and styles in the writing doesn’t appear inconsistent; instead, it feels like a lively and interactive typographic tool that mirrors the story’s progression. The flexibility and visual diversity is captivating, sparking curiosity about contemporary lettering practices, which may be more efficient but seem to lack the same sense of artistic freedom and expression.

In a more casual and readable way, you could say: “Superman #1 is quite special because it’s held up remarkably well over time. While some parts of the comic might seem outdated, especially when it comes to gender issues, it still manages to keep its appeal with an engaging and endearing vibe that never fails to bring danger and excitement.

The main idea conveyed by the comic, which portrays Superman using his powers for humanity’s benefit, gives off a sense of nobility throughout. Superman stands out as an excellent protagonist, exuding a confident and amusing demeanor that adds some hilarious moments through his deadpan charm. Superman #1 is daring, captivating, and more groundbreaking than anything previously written under the same name in the last fifty years. For a unique change of pace and to gaze at history with a chilling foresight, this 20-page classic deserves another read.

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2025-04-21 19:22