As a film critic with a penchant for stories that resonate deeply and leave lasting impressions, I must say that The Piano Lesson is a cinematic gem that deserves every ounce of praise it receives. With a pedigree like this – a Wilson adaptation produced by Denzel Washington and directed by his son Malcolm – it’s no surprise that the film feels like a love letter to the stage, yet manages to transcend its roots to become something truly special on screen.
I’m thrilled to be part of the team that’s bringing August Wilson’s play, The Piano Lesson, from the stage to the screen. As a follower, I’ve been involved in this project since Denzel Washington, as producer, initiated it with 2016’s Fences and 2020’s Ma Rainey’s Black Bottom. This time, it’s a family endeavor, with my brothers John David Washington (actor) and Malcolm Washington (director/co-writer), and our sister Katia Washington (executive producer), joining the crew. The film had its international debut at the Toronto International Film Festival, and will be available on Netflix starting November 22. Trust me, you won’t want to miss this one!
1936 finds me immersed in “The Piano Lesson,” where I’m captivated by Boy Willie Charles, a vibrant and magnetic man portrayed by John David Washington. He yearns to auction off our family’s cherished piano, adorned with carvings of our great-grandparents, as a means to acquire the land that once held our ancestors in bondage. Yet, my sister Berniece, played by Danielle Deadwyler, passionately opposes this plan, not because she utilizes or plays the instrument herself.
Berniece resides with her Uncle Doaker (portrayed by Samuel L. Jackson), who does his utmost to reconcile the differences among the siblings. As Boy Willie and Berniece bicker like typical siblings often do, a specter menaces their dwelling, causing the Charles family to grapple with the decision of either letting go (and finding peace) or giving in to the shadows.
An Exceptional Directorial Debut from Malcolm Washington
Translating a stage play by a renowned American playwright like August Wilson into a screenplay is no small task, especially when it comes to “The Piano Lesson.” This work, directed by Malcolm Washington in his feature directorial debut, is a unique and powerful exploration of the 20th-Century Black American experience, blending humor, emotion, sorrow, and drama. In this adaptation, Malcolm masterfully brings Wilson’s original essence to life, offering a fresh perspective for newcomers to the playwright’s work.
In keeping with its theatrical origins, The Piano Lesson primarily unfolds within a solitary setting, a choice that could appear contrived in other cinematic productions, but here seems perfectly fitting – every nook and cranny of the Charles family residence brims with life. The meticulous set design by production designer David J. Bomba is not only stunningly beautiful but also crucial to the story, as the worn textures and carefully selected textiles evoke a sense of history and thoughtful care.
Michael Gioulakis’ and Leslie Jones’ work in cinematography and editing respectively, breathes life into the home setting, adapting swiftly to the shifting viewpoints of the characters. This dynamic duo continually offers fresh insights with each scene, making it feel like we’re watching a genuine movie adaptation of the play.
Danielle Deadwyler Stands Out in an Incredible Cast
One captivating aspect of “The Piano Lesson” undeniably lies in the exceptional ensemble Malcolm has assembled to depict the Charles family. John David embodies Boy Willie with a progressive flair, even though at times his portrayal leans heavily on accent and tone, it’s hard not to be drawn in by his magnetic charm. Much like other resolute sons of the family, he encourages others to envision a more promising future.
To put it simply, Ray Fisher (as Lymon) and Jackson (as Uncle Doaker) significantly contribute to the film by adding humor and tension respectively. Moreover, Michael Potts’ portrayal of Wining Boy Charles is captivating. Interestingly, Jackson reprises his role which he originated on Broadway in 1990 as Boy Willie.
In the end, it’s Deadwyler who truly shines in the movie, captivating viewers from her very first appearance. Despite being the only woman with a voice within the household, she makes quite an impact. With a broken spirit yet unwavering in her principles, Deadwyler beautifully portrays the struggles, emotional burdens, and resilient love that Black women have experienced (and continue to experience) in this nation. Her performance is truly outstanding, making it one of the top film performances of the year. Furthermore, following the theme of legacy in ‘The Piano Lesson’, Deadwyler has undoubtedly left a lasting impression with her powerful portrayal.
For more information on The Piano Lesson and TIFF, visit the festival website.
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2024-09-12 22:03