Through the Lens: Joshua Gordon

Joshua Gordon operates intuitively, preferring not to limit himself to one particular art form. Be it photography, writing, filmmaking or even graffiti, his work flourishes through immersion – diving headfirst into subcultures, challenging situations and intriguing characters. Based in London, but seldom staying put, he considers a 120-year-old pirate ship as his home. As I speak to him now, he’s responding from a generic hotel in Brussels, an unexpected pause on his ongoing journeys.

Gordon’s journey has led him into the depths of Tokyo’s underworld, into the forests of Sweden alongside Yung Lean, a dance event for Vegyn’s “It’s Nice To Be Alive” music video, and a personal encounter with cult movie director Takashi Miike in a notorious Tokyo strip club. His work style is influenced more by the spontaneity of the moment than a pre-planned storyboard, drawing inspiration more from emotions rather than just visual elements.

Exploring the fast-paced turbulence of a subway tunnel or the tranquil, detail-oriented realm of a Kabukicho performer, Joshua’s visuals resonate with the same vitality as his cherished musicsparkling, ethereal, and suffused with a touch of sadness. Catch our interview with Joshua in the following segment, as part of our ongoing Through the Lens feature.

Given the routine nature of my job, I often find myself accustomed to potentially risky circumstances.

Where are you based currently?

I currently reside in London, inhabiting a 120-year-old pirate vessel. Over the past five years, I’ve traveled extensively, but recently purchased the ship with the intention of settling down. However, my wanderlust persists, and the ship is quite chilly, so I haven’t spent much time there. At present, I’m responding to this email from a small hotel in Brussels, where I’ve come to meet some friends.

What’s the most surreal or unexpected moment your career has thrown you into?

Experiencing the journey of my book “TOY” throughout Japan was absolutely astonishing! I found myself in countless situations that were both overpowering and exhilarating. One woman I photographed was Maru Yacco, an artist who specialized in performance, painting, and sculpture using found items. Her apartment in Kabukicho was minuscule, with her bed being a compact mat on the floor. It was clear that she was fully committed to her art, living a life of unwavering devotion and pure passion – it was truly breathtaking. Encountering individuals like Maru fuels my inspiration, intrigue, and makes all the difficulties and obstacles I face worthwhile. Japan was filled with countless remarkable people and an atmosphere that was surreal yet thrilling.

Ever been in a situation while shooting where you thought, “Sh*t, I need to get out of here”?

In my line of work, finding myself in risky circumstances has become routine. So much so that when I find myself wedged against the cold concrete walls of a speeding subway tunnel, with a train hurtling past me at breakneck speed, I don’t feel the urge to flee. These situations are ones I’ve chosen to enter, and I trust that what is destined for me will unfold as planned. The only instance where I get restless and yearn for escape is when I’m faced with boredom.

“I’m not locked to one medium.”

Do you ever frame shots with a specific film scene in mind?

Indeed, I’m not a director myself, but I deeply appreciate the art of cinema but in a rather emotional manner. Recently, I found myself captivated by two extraordinary films – “Audition” by Takashi Miike and “Movern Callar” by Lynn Ramsey. Both movies left an indelible impression on me. In terms of my own creative process, when I’m behind the camera, it feels more like a spontaneous reaction to the events unfolding rather than a carefully planned endeavor. I try to let things happen and respond accordingly.

If your work had a soundtrack, what songs or artists would be on the playlist?

I have a strong affection for the number 7038634357; their music resonates deeply as it embodies an energetic vibe similar to what I aim to express in my photographs – a mix of twinkling, dreamlike, and melancholic feelings.

What’s your go-to equipment?

My approach varies depending on my location, blending both analog and digital photography, along with Polaroids and unconventional, low-fi devices. Essentially, I adapt my techniques according to the resources available in my surroundings, refusing to be confined to a single medium. Earlier, I was quite rigid about the equipment I used and its processing methods, but now I’m more open-minded.

I’m interested in spending time with Irish nomads, Romani individuals, bodybuilding enthusiasts, members of the Taliban, innovative pet stylists who specialize in black metal music fans.

What subculture or scene do you want to shoot but haven’t yet?

I’m interested in spending time with Irish nomads, Roma individuals, fitness enthusiasts (specifically bodybuilders), members of the Taliban movement, innovative dog stylists, and followers of the Black metal subculture.

Tell us about a career highlight that you are most proud of and why.

Working alongside individuals I’ve admired for years has always been an immense privilege, and creating books and exhibitions only adds to this sense of gratitude. My collaboration with Kaleidoscope, particularly the installation at Espace Niemeyer, headquarters of the French Communist Party, was a significant milestone for me. Every project I’ve undertaken with Kaleidoscope fills me with pride. Shooting Takashi Miike in a renowned Tokyo strip club, Yung lean in Swedish woods, Tom Of Finland models in their iconic Los Angeles residence, and many more unique shoots, hold a special place in my heart. All of these experiences represent my best work. However, I take pride in every project I’ve completed, as each book I’ve created holds deep meaning for me.

If photography didn’t exist, what’s your next-best medium?

Apart from photography, I’m deeply involved in various creative pursuits such as writing, drawing, video production, music, and graffiti art. Photography isn’t my constant muse, but it does spark inspiration on occasion.

What upcoming projects are you working on?

For quite some time, I’ve amassed numerous books that I’ve been diligently working on. These books, mainly of Japanese origin, are a mountainous pile that I’ve accumulated over the years. They include more personal diary-style entries, creative writings, and even projects for documentaries. This year, I’m eager to delve into those documentary projects. Additionally, I aim to digitize and upload every book I’ve ever created onto my website free of charge. This way, people who can’t afford the books can still appreciate them and enjoy the stories they contain.

All photos courtesy of Joshua Gordon for Hypeart.

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