Vanvaas Review: Nana Patekar and Utkarsh Sharma led family-drama falls prey to outdated screenplay, clichéd storytelling and long length, despite noble intentions

Vanvaas Review: Nana Patekar and Utkarsh Sharma led family-drama falls prey to outdated screenplay, clichéd storytelling and long length, despite noble intentions

Plot

As a seasoned viewer who has watched countless films and documentaries about social issues, I must admit that my heart was initially touched by the premise of Vanvaas. The idea of shedding light on the plight of abandoned elderly, particularly in Varanasi, is a noble one that resonated with me deeply.

In the film “Vanvaas,” directed by Anil Sharma, the story centers around Deepak Tyagi (portrayed by Nana Patekar), a widowed man afflicted with dementia who resides in Shimla along with his three adult children. Under the false pretense of his death by drowning in the Ganges, these children desert him in Varanasi, leaving him lost and disoriented. In this unfamiliar city, Deepak crosses paths with Veeru (Utkarsh Sharma), a local orphan and small-time thief. Initially, Veeru takes advantage of Deepak, but upon learning about the hardships faced by many abandoned elders in Varanasi, he understands the gravity of the situation. A plan to send Deepak to an ashram supposedly located in Vishakapatnam ensues, only for Veeru’s girlfriend, Mina (Simrat Kaur), to expose it as a fraudulent scheme intended for kidney theft. The story then unfolds with Veeru, Mina, and others working together to rescue Deepak, reunite him with his family in Shimla, confront his ungrateful children, and seek justice for him.

What Works for Vanvaas

This movie, Vanvaas, displays a genuine concern about the plight of the elderly who are abandoned in Varanasi. Instead of shying away from showing the raw truth, it courageously tackles this difficult subject matter. It’s clear that the film is driven by a sincere desire to bring attention to social issues and not just for commercial reasons, lending an authenticity to its narrative storytelling. The picturesque settings of Varanasi and Shimla serve as beautiful backdrops to the movie.

What Doesn’t Work for Vanvaas

In this rephrased version: Vanvaas encounters multiple issues during execution. Its screenplay appears antiquated and heavily dependent on clichés common in many past movies. The pace is excruciatingly slow, causing the already fragile storyline to drag out beyond its 2 hours and 40 minutes, a length that even the most understanding viewer might find testing. Unfortunately, the narrative lacks complexity and originality, giving the film an air of being a squandered chance to explore more profound aspects of its intriguing themes. The prolonged movie duration, coupled with its predictable plot twists, substantially diminishes the overall enjoyment for viewers.

Watch the Vanvaas Trailer

Performances in Vanvaas

As a lifestyle expert, I’d put it this way: In the gripping role of Deepak Tyagi, Nana Patekar delivers an intricate portrayal that beautifully encapsulates a man struggling within his own thoughts, infused with genuine authenticity. Utkarsh Sharma skillfully portrays Veeru’s journey from a criminal to a kind-hearted ally. Simrat Kaur, as Mina, has a character with limited opportunities to shine in terms of acting. The supporting cast offers satisfactory performances, yet none quite takes the film to new heights that transcend its script limitations.

Final Verdict of Vanvaas

Fundamentally, Vanvaas is a movie that, with good intentions, doesn’t make a strong impression because of its delivery. The lofty themes get overshadowed by a conventional storyline and a script that lacks engagement or originality. Although the acting is decent, it’s not sufficient to rescue the film from its problems with pace and predictability.

In essence, “Vanvaas” might have offered a profound commentary on neglecting our elders, yet it transforms into a movie that audiences could find endearing for its emotional depth, but may find challenging to watch because of its numerous flaws.

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2024-12-20 12:52