Disney’s retelling of “Snow White” has sparked much conversation in 2025, a discussion not anticipated due to its unique circumstances. The movie is the long-awaited modern adaptation of “Snow White and the Seven Dwarfs,” the groundbreaking first full-length animated film produced by Walt Disney, marking the beginning of the Disney film dynasty we know today. Remarkably, this live-action remake emerged 15 years into Disney’s current wave of reinterpretations, making its arrival unexpected. One possible explanation could be audience saturation with the Snow White character, as in 2012, there were three distinct “Snow White” projects that might have left viewers feeling overwhelmed.
In the year 2012, there were three significant adaptations of Snow White that weren’t from Disney. While Disney was working on a small-screen reimagining of Snow White, Relativity Media released “Mirror Mirror,” Universal Pictures put out “Snow White and the Huntsman,” and ABC debuted “Once Upon a Time.” Although the two films garnered substantial media coverage, it was the television series that told the Snow White story most effectively. Let’s take a trip down memory lane to 2012, a time when Hollywood was quite fascinated with rebooting the classic tale of Snow White.
Mirror Mirror
Under the guidance of director Tarsem Singh, the film titled “Mirror Mirror” made its way to theaters on March 30, 2012. Unfortunately, it was largely overlooked by audiences due to its release just a week after the phenomenal $152 million debut of The Hunger Games, which continued to dominate the box office. Nevertheless, Mirror Mirror managed to gross $64 million at the domestic box office and $183 million worldwide, an impressive return given its $85 million production budget. Despite starring Lily Collins as Snow White in her pre-“Emily in Paris” days, Julia Roberts as The Evil Queen, and Armie Hammer as Prince Alcott (though his role may not hold up as well over time), the film has largely been forgotten by many moviegoers.
Similar to Tarsem Singh’s other works such as The Fall, The Cell, and Immortals, Mirror Mirror is a visually stunning film that carries an enchanting, sugary-hued ambiance reminiscent of a fairy tale. However, its visuals occasionally give the impression of being a more affordable, less original take on Disney’s iconic imagery, as opposed to the darker, Grimm fairy tale aesthetic. For instance, Snow White is dressed in a striking blue gown, mirroring the classic Disney design. The film seems to grapple with its identity at times, as it attempts to be both a satire of fairy tales and a straightforward retelling, resulting in an inconsistent tone. Notably, the costumes are exceptional, designed by the late, talented Eiko Ishioka, who passed away before the film’s release and was posthumously nominated for an Oscar for her work on the film.
Reflecting on Mirror Mirror, one standout aspect is that it employed actors with dwarfism to portray the dwarfs, a choice that has been praised for its inclusivity. However, the latest Disney Snow White film’s use of CGI dwarfs to address criticisms from Peter Dinklage has sparked controversy within the acting community, as this decision may limit opportunities for actors with dwarfism. Martin Klebba, who played Butcher in Mirror Mirror, is now lending his voice to Grumpy in the Disney remake, a role which could have otherwise been an opportunity for an actor with dwarfism.
In contrast to the glamorous reputation of Julia Roberts, the movie “Mirror Mirror,” its release in spring, production by a smaller studio, and intentionally artificial visual style gave off an impression that it was more of a low-budget film trying to capitalize quickly compared to the other prominent Snow White films released in 2012.
Snow White and the Huntsman
In 2012, the second high-profile retelling of Snow White was Universal Pictures’ “Snow White and the Huntsman,” which they chose to release during the summer on June 1st, with a substantial promotional campaign. This project was given the green light following the success of Disney’s 2010 adaptation of “Alice in Wonderland.” “Snow White and the Huntsman” brought a darker edge to the classic Grimm fairy tale, mirroring popular fantasy styles from that period, such as “The Lord of the Rings” and the recently debuted “Game of Thrones.” The visual style of the dwarf actors in this film was reminiscent of how the hobbits were portrayed in the original “Lord of the Rings” trilogy.
It’s quite noticeable that the film boasted a stellar cast, with actors who were experiencing significant success in 2012. Charlize Theron took on the role of the Evil Queen, and the movie premiered just a week before “Prometheus.” Kristen Stewart was chosen to play Snow White, a role she assumed right before her stint in the “Twilight” series came to an end. Interestingly, Chris Hemsworth, who had recently played Thor and was becoming one of the main stars in “The Avengers,” was cast as the Huntsman. His character’s role in the story was expanded, possibly due to Universal Pictures aiming to leverage the actor’s recent surge in popularity.
As a movie enthusiast, I must confess that while the trailers for “Snow White and the Huntsman” were truly captivating, the actual film fell flat for me. The visuals were undeniably striking, but they seemed more tailored to catch the eye in advertisements than to contribute genuinely to the movie’s narrative. The fantastical elements seemed at odds with the film’s attempt at a grounded aesthetic, creating an uneven experience.
Chris Hemsworth, unfortunately, was given very little meaningful role to play, and Kristen Stewart, in my opinion, didn’t quite fit the bill as Snow White. Charlize Theron aimed for grandeur, but her scenes felt repetitive, with a consistent pattern of whispering a line before shouting.
Even though Universal’s aggressive marketing for “Snow White and the Huntsman” earned it the top spot in its debut weekend with a $56.2 million opening, it soon became a movie that people barely remember. Despite raking in $155 million at the domestic box office and an impressive $396 million globally, this film is one of those blockbusters that tends to slip people’s minds.
Once Upon a Time
Given that Relatively Media and Universal Pictures are releasing Snow White-related projects, one might wonder why Disney didn’t take advantage of this apparent renewed interest, a property many viewers link closely with them. However, Disney did capitalize on it, but not in theaters. Instead, ABC premiered the fantasy series “Once Upon a Time” on October 23, 2011, getting an early start on the Snow White wave of 2012. Although most of its first season aired in 2012, it was between the releases of “Mirror Mirror” and “Snow White and the Huntsman”, making it part of the year of Snow White when Season 2 debuted in October 2012.
In its first season, the show “Once Upon a Time” is strongly inspired by the classic tale “Snow White and the Seven Dwarfs.” The series debuts with the well-known kiss between Prince Charming and Snow White, a memorable scene from the story. Each episode of “Once Upon a Time” unfolds in a dual narrative structure, with one thread set in the contemporary world of Storybrooke, Maine, where all the fairy tale characters are confined. Concurrently, each episode delves into the past of the Enchanted Forest, providing background information about the main characters. The first season focuses on elaborating the histories of Snow White, Prince Charming, and the Evil Queen, who is referred to as Regina in this series.
Although “Once Upon a Time” starts with the events following the classic ending of “Snow White and the Seven Dwarfs,” the series cleverly unfolds the past leading up to that moment, subverting audience expectations. Regina, known as “The Evil Queen,” is portrayed with deeper motivations beyond mere jealousy over Snow White’s beauty. Instead, she harbors resentment towards Snow White for causing the death of the person she deeply loved and for being a victim herself of her own mother’s cruelty. This narrative explores a cycle of abuse, from mothers to daughters, and offers a fresh perspective on the relationship between Snow White and The Evil Queen.
In the tale, Snow White was transformed into a more dynamic character, showcasing both her noble nature that inspires leadership and her proactive actions. The writers of Once Upon a Time cleverly redefined Snow White, not only preserving her status as the beloved princess but also making her a more assertive heroine. In fact, she even assumes the role of an independent outlaw during her time in exile from the Queen. Interestingly, the scene where Snow White takes the apple isn’t portrayed as a trick by the Evil Queen, but rather as a selfless decision she makes to save others.
It’s truly advantageous that the actors cast in this production embody their characters flawlessly, as Ginnifer Goodwin embodies the kind, ethereal elegance required for Snow White and convincingly portrays an action hero. Joshua Dallas, who fits the bill for Prince Charming with his striking looks, also possesses the right blend of regal swagger and subtle unease that makes him a captivating romantic lead. Furthermore, Lana Parilla’s portrayal of Regina is nothing short of remarkable, as she skillfully navigates between over-the-top villainy and revealing a profound sense of sorrow beneath her tough exterior.
In contrast to its airing on ABC, and with viewership figures unlikely to surpass the box office earnings of either “Mirror Mirror” or “Snow White and the Huntsman,” “Once Upon a Time” can effortlessly be considered the victor in terms of superior Snow White adaptations for 2012. It garnered a loyal fanbase due to its witty writing and impressive reinterpretation of Disney characters. Even years after “Mirror Mirror” and “Snow White and the Huntsman” may have faded from memory, “Once Upon a Time” continued to captivate audiences until 2018. This could be why Disney waited so long to remake “Snow White,” as they had already accomplished such an exceptional job on television for over seven years.
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2025-03-23 00:03