Why Is Legacy Media Attacking Karla Sofía Gascón?

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It doesn’t take a genius to spot media bias.

As a devoted cinephile, I’ve learned to spot red flags, such as labeling anyone chosen by President Donald Trump as a “loyalist.” Isn’t it unusual for other presidents to pick contrarians for crucial positions instead of those who share their ideals?

Which tales are overlooked and which ones receive the most coverage? It’s common for reporters to bypass certain stories, such as the surge of censorship incidents targeting Jewish artists during the last year.

Traditional news outlets often move slowly when addressing a particular story. For instance, when Anthony Mackie’s statement about Captain America not symbolizing America spread widely online, these media outlets hesitated to cover it until they could present the narrative in a way that focused on his subsequent retraction.

In our lightning-fast digital age, delays speak volumes.

(Legacy media delayed discussing the sexual assault accusations made by Tara Reade against Senator Joe Biden for several weeks.)

It’s equally obvious when journalists aim to tarnish the reputation of celebrities or undermine their chances of receiving awards, and this is currently being demonstrated with Karla Sofía Gascón, who is known for her role in “Emilia Pérez.

In the movie, Gascón plays the character of a powerful drug lord who undergoes a transformation into Emilia, a key part of a personal metamorphosis that offers her a second chance at life. This role led to Gascón receiving a Best Actress nomination, marking the first time a transgender woman has been recognized in this category.

The good vibes didn’t last long.

Gascón is facing criticism due to some older social media posts that don’t align with the usual progressive perspective. One controversial comment about the late George Floyd, which appeared cynical, has drawn particular attention.

A different approach might be: Other posts raise concerns, such as one appearing abnormally lenient towards Adolf Hitler. The topic seems to have staying power, with multiple news sources discovering innovative methods to prolong the discussion.

Day after day. Article after article. That’s no accident.

In part, Gascón showed empathy during a recent interview about the topic, expressing his emotions openly. Along the journey, the actress strategically employed an emotional appeal to gain sympathy.

Here’s how Variety is framing the story now.

As a devoted cinema enthusiast, I must admit that Karla Sofía Gascón‘s unorthodox Oscar campaign has undeniably overshadowed this year’s award season with an overwhelming intensity, leaving many of us spellbound. However, her actions have unintentionally shifted the public’s perception from anti-establishment figure to a character reminiscent of the 45th and 47th Presidents, which is certainly unexpected.

It’s quite unfortunate that Variety compared Gascon to Trump when discussing the “Emilia Pérez” nominee. There isn’t a more inappropriate comparison they could make, period.

But why?

The movie “Emilia Pérez” might face criticism due to its content, despite initially appearing progressive. Some progressive viewers have expressed shock, and organizations like GLAAD have taken a negative stance towards it, making them one of the first critics.

According to the LGBTQ+ advocacy group, GLAAD, the Netflix movie may not accurately portray transgender individuals and could even pose a risk or threat to the transgender community.

Critics argue that the movie’s extensive focus on Mexico-related topics such as drug cartels should be met with disdain rather than Oscar recognition. It is further contested that the movie wasn’t filmed in Mexico and didn’t hire enough Mexican actors or crew members.

Co-star Selena Gomez’s accent also came under scrutiny.

Now, even Netflix is pumping the brakes on the star’s Oscar chances.

Indeed, the movie received an impressive 13 Oscar nominations, surpassing many cinematic masterpieces in this regard. Last year at the Cannes Film Festival, it was honored with the award for Best Actress (ensemble). Moreover, Gascón’s film garnered the Golden Globe for Best Motion Picture (musical or comedy) just a month ago.

As a movie enthusiast, I must admit that the buzz around the upcoming events is palpable. The whispers are clear – it’s time to dethrone Gascón by March 2nd, and perhaps Emilia Pérez as well. This isn’t just about the Oscars, but about the power shifts happening behind the scenes that could significantly impact our cinematic landscape.

The media is simply following orders.

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2025-02-03 23:03