As a seasoned film enthusiast with decades of movie-going experiences under my belt, I can’t help but appreciate Zack Snyder‘s pragmatic approach to the theatrical versus streaming debate. Having witnessed his evolution from the gritty battlefields of 300 to the apocalyptic wastelands of Army of the Dead, it’s clear that he has a deep understanding of the evolving landscape of cinema.
Due to the challenging circumstances faced by movie theaters during and post COVID-19 pandemic, where they had to battle for survival and relevance, the traditional cinema experience has been reappraised as valuable and vital, particularly from filmmakers advocating for their films. The recent deal struck by Christopher Nolan with Universal Pictures is a response to safeguarding the cinematic experience following the controversy surrounding Warner Bros.’s flawed release of his 2020 film Tenet. Nevertheless, not every artist believes that their work loses its essence if not screened in a theater.
As a devoted admirer, I’d like to share some thoughts echoed by the visionary director, Zack Snyder, during his conversation with Wired. On the subject of the cinematic versus streaming experience, Snyder, the mastermind behind “300,” expressed his views, emphasizing that any creative individual deserves to be recognized as an artist, regardless of whether their work is enjoyed in a theater or at home, stating:
It seems impolite for me to claim the title of an artist just because my film isn’t playing in a theater. If you’re the one providing the platform for streaming, you’re essentially funding the movie. So, if at the outset of our discussion, you mention that it will be viewed on phones by 250 million people, I need to understand that this is the norm. And if this is indeed the case, then I should be able to accept whatever happens after that without any reservations.
Zack Snyder Champions Both Theatrical and Streaming Opportunities
Since Zack Snyder has signed a comprehensive agreement with Netflix for his future projects, it’s not surprising that he endorses watching movies and series on streaming platforms. In fact, Snyder’s recent productions like “Rebel Moon” and “Army of the Dead” were primarily designed for streaming. However, before this shift, Snyder was a strong advocate for the cinematic experience, often showcasing IMAX previews of movies such as “Batman v Superman: Dawn of Justice” to celebrate the traditional theatrical release and premium IMAX format.
Zack Snyder’s remarks indicate a possible disagreement among movie directors, yet he maintains a practical stance. The method of distributing films has undergone multiple transformations over time and continues to adapt, making it difficult to criticize Snyder’s viewpoint. This is more so because platforms like Netflix boast an extensive global presence, which theoretically could expose the narratives filmmakers create to a significantly larger audience, even if it may not be the preferred format for some auteur directors.
In an era where audience preferences are constantly evolving and the film industry’s future can swing dramatically from unpredictable to record-breaking box office success, filmmakers can only strive to share their desired narratives and distribute them according to their own strategies. While blockbusters like Barbie and Deadpool & Wolverine continue to draw crowds to cinemas, streaming platforms also host significant films and numerous TV series, such as the latest television project by Snyder, titled Twilight of the Gods. Some might view streaming as a detriment to the traditional cinema experience, but it can also serve to highlight a wide variety of other tales.
Read More
Sorry. No data so far.
2024-12-08 19:32