As a long-time fan of Zoë Kravitz and her captivating performances, I eagerly await the release of “Blink Twice.” The film’s intriguing premise and the stellar cast, led by Kravitz herself and Channing Tatum, have me hooked.
Zoë Kravitz recognizes the comparisons being drawn between the character played by Channing Tatum in ‘Blink Twice’ and Jeffrey Epstein.
In an interview with Indiewire, published on Thursday, the actress – who is directing her first film featuring Tatum and Naomi Ackie – emphasized that while there are similarities, Tatum’s character and the storyline are symbolic and not modeled after Epstein. Additionally, Kravitz co-wrote the movie with E.T. Feigenbaum, known for his work on the High Fidelity series.
The movie primarily focuses on the character Frida, portrayed by Ackie, who finds herself on a luxurious island getaway, courtesy of billionaire Slater King, played by Channing Tatum. However, the story takes a more sinister turn. In an article for The Hollywood Reporter, the film is labeled as a blend between “Get Out” and “Promising Young Woman”, with elements of social satire, class struggle, and gender politics.
When questioned if Slater’s lack of inspiration from specific individuals could symbolize hidden monstrosities unknown to the public, Kravitz concurred. “Indeed, it’s metaphorical. It’s not as literal. So, the Epstein situation, that specific environment and individual, the documentary or whatever it was, wasn’t even finalized until well into the writing process of [Blink Twice],” she clarified.
She elaborated on her decision to base the movie on an island: “I chose an isolated setting for the story because I wanted to focus on the characters and their predicament. I was considering themes like the Garden of Eden and ‘Lord of the Flies,’ not only in relation to powerful figures, but also to everyday situations such as a husband, a neighbor, or even a stranger following you home. This could also apply to your boss, a family member, or any figure with power. Abuse of power can occur at various levels, and I wanted to illustrate this complex idea through specific characters in a way that resonates with the audience. Does that make sense?”
Due to a seven-year production timeline, Kravitz pointed out that the storyline underwent significant improvements, particularly as the #MeToo movement unfolded and influenced its development, and continues to do so now.
As a captivated observer, I find myself delving into a tale as old as time – the struggle of women against oppression, a battle that still resonates deeply today. This timeless narrative revolves around none other than the Garden of Eden and the enigmatic Serpent of Knowledge. Remarkably, despite its ancient origins, it feels strikingly relevant, which adds a fascinating layer to my exploration.
Kravitz noted that “simultaneously, no changes were taking place,” while reports persistently surface about influential figures misusing their authority.
“I find myself baffled by the widespread feigned surprise when tales of influential figures misusing their power surface. It’s as if it’s shocking news to some that powerful men might abuse their authority! This revelation, to me, seems more like an expected reality rather than a shock. And it’s crucial to emphasize that this discussion isn’t focused on any individual in the film, but rather the systemic issue at hand. Simplifying our conversation about this movie to just two characters oversimplifies the complexities we’re trying to address.”
Kravitz continued to discuss the movie’s narrative with THR, stating that the tale holds a deep personal significance for her. “This story resonates deeply with me as I delve into the emotional aspects of being a woman,” Kravitz shared with THR. “When conversing with my friends, we share similar experiences, but stepping outside of that circle can be a bit daunting,” she added. “I recall speaking to Naomi [Ackie] about our encounters with power and the sensation of being made invisible, and it was comforting to discover, ‘Oh, you understand this.'”
Blink Twice releases in theaters on Aug. 23.
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2024-08-22 19:54